17/02/2014

Andrew Ingamells and Chloe Cheese

5th February - 1st March 2014 This month Curwen Gallery is showing the work of two very different contemporary printmakers, Chloe Cheese and Andrew Ingamells. Both printmakers are respected figures within the field and have been working with their medium for many years. Chloe Cheese, a trustee of the Curwen Print study center, has a long standing relationship with Curwen Gallery. Chloe works from the Curwen Studio using lithographic methods to create her prints.After leaving the Royal College of Art in 1976 she went on to work as an artist and illustrator. Quickly becoming well known for her distinctive work, she created a much imitated style which is instantly recognisable. She has exhibited at galleries worldwide and has work in public collections including the Victoria & Albert Museum, London and the Arts Council of Great Britain.Chloe Cheese has also worked as a freelance illustrator with clients including The Sunday Times, Terence Conran at Habitat and Commes Des Garcons Japan. Chloëʼs personal work always concerns her view of the world around her which she interprets according to her own observation and sensibility. Sometimes the first use or intention of buildings and things which have been lost or altered. She tries to retain a sense of history and how this subtly infiltrates our visual landscape. Andrew Ingamells, showing in the lower gallery, is renowned for his portrayal of architectural subjects in both the U.K and abroad. His work, although contemporary in feel, continues a tradition of neo-classical draughtmanship made popular by Piranesi and others. Born in 1956, Andrew Ingamells trained at St.Albans School of Art and the London College of Printing before embarking on a career as a graphic designer and illustrator. It was during this time that he started making drawings of individual buildings and architectural landscapes of London.

23/01/2014

New Year / New Work

9th January - 1st February 2014 New Year/ New Work is a mixed exhibition including work from many of the artists represented by Curwen Gallery. All of the work is new to the gallery and many pieces have been made especially for this exhibition. Highlights of the show include Marjan Wouda's exceptional Crescent Monkey- a solid bronze monkey with a particularly attractive verdigris patina. He's been getting a lot of interest, not least because of a rather tense stand off he appears to be engaging in with another of Marjan Wouda's works, Hare After Tsui' Po, which is eyeballing him rather inquisitively. Other works receiving a lot of attention are a selection by Richard Walker- a long time good friend of Curwen Gallery. The Trellick Tower makes another appearance in Trellick/ Relic (also seen in Trellick Day and Trellick night from his 2011 show). The card image- Richard Walker's Sacred Spaces has recieved the most inquiries of any other work in the show, although despite all this attention is still available to buy. Another artist who has proved to be a great favourite at Curwen Gallery is Robin Richmond, who will be having her 9th Solo Exhibition with Curwen Gallery this March.She has included four works for the exhibition, giving something of a sneak preview of what her upcoming exhibition may look like. There has been a lot of excitement surrounding all of these new works by her, however one in particular has stood out from the crowd (Winter Words)(below) and divided her fans and critics. Another work, more characteristic of her style Fields in Fog, Po River(below) reminds us that Robin Richmond has not lost her touch when producing subtle, dreamlike images of semi- abstract landscapes. See http://www.curwengallery.co.uk/gallery/newyearnewwork14/title.htm for more information including prices and availability of work.

09/12/2013

Glynn Boyd Harte : 5-23rd December 2013

An exhibition celebrating the life and work of Glynn Boyd Harte; artist,author, illustrator and traveller as well as being "one of the most curious and flamboyant characters on the London social scene," (Telegraph 2003). 10 years since his death Curwen Gallery is holding a retrospective of his remaining works, taken from the personal collection of his widow, Carrie Boyd Harte. The exhibition contains a wide selection of works from many different periods of the artist's life.Many recall periods of spent abroad, such as the vivid illustrations from his much celebrated book Mr Harte's Holiday, represented in the exhibition by Villa Les Flots (above) and Boite aux Lettre as well as many other works.Other pieces, such as the wonderful Salmon(below- a gallery favourite and one of the first to sell) and Le Bain Marie, were produced as commercial illustrations for papers and advertisements. Many of Boyd Harte's most interesting works celebrate particular times and places in the artists life, conjuring up an idea of a traditional Parisian cafe breakfast or the view of a favourite Fitzrovia shopfront.It is this effortless capturing of a moment which distinguishes him from his many imitators.His choice of scene is so often unconventional, as can be seen in L'Aquarelle (below) or Five Chairs, yet at the same time so appropriate to his subject. Also on sale are two of his exceptionally rare artists books, Temples of Power (a study of the architecture of London Power stations) and Souvenier of Metroland (produced with the poet,John Betjeman).Many of his classic lithographs are also included in the exhibition, Champagne and Sardines, two immensely successful prints which are now very hard to get hold of. Glynn Boyd Harte was born in Lancashire in 1948 and graduated from the Royal College of Art in 1973. He was also an accomplished pianist and composer and was locally famous for his flamboyant clothing and lavish fancy dress parties.He was master of the Art Workers Guild in 1995 and had regular solo exhibitions at Francis Kyle Gallery and Curwen Gallery as well as various galleries in Paris and New York. He travelled extensively, from St. Petersburg to San Francisco, with frequent stays painting in Paris. Glynn divided his time between his homes in Fitzrovia, London and Normandy, France.He died at the age of 55 on 16th December 2003, mid-way through his solo exhibition "Apples and Artichokes" at Curwen Gallery. For more information on the exhibition see the gallery website for an online catalogue of the exhibition.

21/11/2013

Macmillan Support Fundraising Weekend

Saturday 30th November and Sunday 1st December 2013

Every year Curwen Gallery  runs a special exhibition in aid of the charity Macmillan Cancer Support.All works sold in the exhibition give a percentage (at least 10%) of the wall price to the charity.
The exhibition is an eclectic mix of many different artists including those represented by the gallery, artists that are new to us and artists that exhibit with the gallery on this one occassion and are specific to the exhibition.

Suzanne Baker, Kerry Fir I, goache, £875
This year we are very priviledged to be showing a large body of work from the distinguished scultptor Trevor Edmands. Edmands makes sculptural assemblages of found objects which have a distinct feeling of the later sculptural works of Antoni Tapies.This altered violin is a particularly close example and one of our favourite pieces from the collection.
Trevor Edmands, Spirit of the Violin, altered violin
Another interesting piece on show is Sardines by Robin Spalding, small, framed plaster castings of actual sardines, gilded with silver leaf and then painted to look (almost!) like the real thing. They were made in response to the much loved lithograph Sardines by Glynn Boyd Harte (showing immediately at Curwen Gallery after as part of a large retrospective of the artist).

Robin Spalding, Sardines, plaster, silver leaf and oil, £360
New to the gallery is Charlotte Lyon, a very successful artist currently living and working in Amsterdam.Her lovely piece Piranhas (below) is part of a small body of work which she has brought to the UK specifically for this exhibition.Also in this exhibition are a new line of mugs by gallery artist Brendan Hansbro, featuring animal characters from his otherworldly menagerie.
Charlotte Lyon, Piranhas, acrylic with charcoal, 50 x 50cm, £1200
More information on this exhibition can be found on the Curwen Gallery website.

06/11/2013

Sineid Codd : Losing Gravity

31st October - 27th November

Sinéid Codd makes images relating to time, geological and personal, in hand-made monotype prints. Areas of often vivid and intense colour contain forensically detailed images, taken directly from found flora and fauna and, importantly, preserving actual scale and features.
Sinéid Codd, early morning
As such, her work references early photography, and film, by using rhythm and image sequencing. The prints possess a subtle and luminous quality, some with a distinct vertical composition responding to the artists’ interest in using narrative structures to articulate ideas about walking through the landscape.
Sinéid Codd, Night Garden 1
Sinéid studied at Winchester School of Art, Goldsmiths College, University of London and the Central School of Art & Design. She has exhibited with many UK galleries including the Whitechapel Gallery and the Royal Academy, London. Her work is held in private and public collections in UK, France and USA, including the National Maritime Museum and the Paintings in Hospitals Collection. She has been a gallery artist with the Curwen Gallery since 2005. 

04/11/2013

Landscapes & Seascapes: Jane Corsellis, Richard Pikesley and David Poole

This month in the main gallery we are showing an exhibition of the landscapes and seascapes of three established artists; Jane Corsellis, Richard Pikesley and David Poole. Each artist has been chosen for this exhibition because of an outstanding ability to capture the essence of a natural environment in traditional mediums, including oil on canvas, watercolour and pastel drawing.

David Poole is particularly well known for his portraits, having undertaken portrait commissions for many members of the Royal Family including The Queen, The Duke of Edinburgh and The Queen Mother. His landscapes are rarely seen but much admired by those few who have been lucky enough to view them in his home. This exhibition is one of the rare occasions that this aspect of his work has been displayed in a gallery setting.
David Poole, Lavender Fields,
 pastel on paper,  30 x 46cm (paper size)
£5500
Jane Corsellis had many solo exhibitions with the New Academy Gallery between 1985 and 2004. Many of these were hugely successful and she acquired countless admirers and collectors of her paintings. Jane shares her time between London and Pembrokeshire, where she has had a house and a studio for many years. Many of her new landscapes in this show are based on scenes from around her studios in Pembrokeshire and London. 
Jane Corsellis, The White Sail, Newport,
 oil on canvas, 61 x 76cm (image size) ,
£8500
Richard Pikesley exhibited at the Curwen/New Academy Gallery many years ago and it is with great pleasure that we welcome him back. His stunning oil paintings capture the beauty of sunlit coastlines of various UK locations, including Dorset and Cornwall.He is an active member of the Royal Watercolour Society and the New English Art Club. 
Richard Pikesley, Gig Boat Turning, Lyme Regis,
oil on canvas, 81 x 86cm (canvas size),
 £3700

10/10/2013

Brenda Hartill, "Emboss", 3rd - 26th October 2013


In the downstairs space of Curwen Gallery Brenda Hartill, an artist we have been showing for almost 30 years, is showing a range of new works using collagraph (a print made from a collage) as a starting point. 
Brenda Hartill, Golden Icon IV
collagraph, 85 x 64cm fr
 £330 unframed, £420 framed
To make these works printing plates are constructed using a variety of ordinary materials, from plant skeletons and natural fibres, to card, plastic, rope and found objects, often using plaster to combine them together.

These are firmly glued and sealed then inked and run through a heavy printing press to print in a very sculptural way. This method of working enables her to capture the forms and energy the natural materials, along with the sculptural strength from using plasters and variety of collaged materials.
Brenda Hartill (left) working in her studio with her printers Nicola and Dawn
The embossed watercolours are developed freely from embossing the paper first, then developing the painting while allowing the textures and patterns of the embossing to enrich the glowing transparency of the watercolour. 
Brenda Hartill, Flowers in the Wind I
embossed watercolour, 86 x 101 cm framed
 £3250
Her new monoprints, are inked in rather subtle colours, then combined with placing various materials on top of the plate before printing to create areas of subtle blind embossing. She has also produced a series of black and white works, which contrast the strong black abstract imagery with embossed white on white textures, which come alive with directional lighting.

Brenda Hartill, Black on White II
Collage, 90 x 85cm framed
 £2800
Brenda Hartill will be talking about her work at Curwen Gallery on Tuesday 15th October from 7pm. To see more of her work online click here.