tag:blogger.com,1999:blog-31724719737472463492023-11-16T07:25:31.887+00:00Curwen Gallery BlogA forum for discussing the art, exhibitions and service at
the Curwen GalleryCurwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.comBlogger149125tag:blogger.com,1999:blog-3172471973747246349.post-53308436646391040662016-01-22T14:02:00.001+00:002016-01-22T14:08:37.164+00:00Mark Ward - Models and Stages for Paintings<!--[if gte mso 9]><xml>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVUD73bIeMSClfha7piacUiEr_Z3n6ZGIhZxEK_cXtQZFeck1r0n-6F0BqGG8XM2jedGvqbYzTNDIJoXSIkwOz57V5hlr9kut2Z0VHfTgn6H4O2aYWewbZnEc0xShfDeHRKTt_oTIiovAh/s1600/Mark+Ward+2015.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVUD73bIeMSClfha7piacUiEr_Z3n6ZGIhZxEK_cXtQZFeck1r0n-6F0BqGG8XM2jedGvqbYzTNDIJoXSIkwOz57V5hlr9kut2Z0VHfTgn6H4O2aYWewbZnEc0xShfDeHRKTt_oTIiovAh/s320/Mark+Ward+2015.JPG" width="234" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mark Ward</td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: black; font-size: 12.0pt;">Mark Ward lives and works in Suffolk. His studio is surrounded by the
lush greenery of a tropical garden. He says <i>"From there I can imagine dramas both from
exotic lands and also those more local"</i>. On a simple homemade stage all the life
of field, wetland, forest and savannah is played out by creatures constructed
from plastic, felt, paper and string.</span></span></div>
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</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: black; font-size: 12.0pt;">Mark paints entirely from observations of
these sets, using acrylic to capture the strong lighting and contrasting
materials.</span></span><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: black; font-size: 12.0pt;">There are rips and dents but never
injury or death. Life is affirmed and even the dung is shiny!</span></span></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim97YB66tHm0xE8YEVWx65ebzCoFKD2rGxRB_4s-I6QtiXlxHKbJ8gntQP0jJi2mpO_BKmWodCgmrLHTxW64UqgbLAHJzmV2zfPWWhqrDU5VXyzKj8eAvSe389dKdAO3e64po0zkhENsJ7/s1600/2016_01_22_2937.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim97YB66tHm0xE8YEVWx65ebzCoFKD2rGxRB_4s-I6QtiXlxHKbJ8gntQP0jJi2mpO_BKmWodCgmrLHTxW64UqgbLAHJzmV2zfPWWhqrDU5VXyzKj8eAvSe389dKdAO3e64po0zkhENsJ7/s400/2016_01_22_2937.JPG" width="400" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiazyI5EVl4UIOvVuhy4htTO16h-dGrqWOrXG-K9g_3Z82wU-Kc-r_ZKj3zL7Evi8X0K-ECTuAxkEtHgix8qr2JcUzCmTBK2Nv1Z7tIe-B6Q0CyvOOCyxSPe78aTiG_iZKbh4IR5j__uEzz/s1600/Green+Flowers%252C+Pink+Marmite+acrylic+on+canvas+100cmx100cm.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiazyI5EVl4UIOvVuhy4htTO16h-dGrqWOrXG-K9g_3Z82wU-Kc-r_ZKj3zL7Evi8X0K-ECTuAxkEtHgix8qr2JcUzCmTBK2Nv1Z7tIe-B6Q0CyvOOCyxSPe78aTiG_iZKbh4IR5j__uEzz/s400/Green+Flowers%252C+Pink+Marmite+acrylic+on+canvas+100cmx100cm.JPG" width="400" /> </a></td><td style="text-align: center;"></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Green Flowers, Pink Marmite</i>, acrylic on canvas, 100 x 100cm</span></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><br /></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1Z6utMiCZxMz3enE6KzPNtpE4-O5a21gYwUZ9zbQGtOb7B3MzQ4ympwJ5sJ_vhjiInSWF8ioUvi-VxL7cFgwDH4d7EoPhmZlmcF2A4ryWLvghFn344AuzxsH5RGrfg9czj0MIkuSvjCUL/s1600/2016_01_22_2929+%2528003%2529.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1Z6utMiCZxMz3enE6KzPNtpE4-O5a21gYwUZ9zbQGtOb7B3MzQ4ympwJ5sJ_vhjiInSWF8ioUvi-VxL7cFgwDH4d7EoPhmZlmcF2A4ryWLvghFn344AuzxsH5RGrfg9czj0MIkuSvjCUL/s400/2016_01_22_2929+%2528003%2529.JPG" width="251" /></a></div>
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBJD28rQOeXj7JM5EM034Fr34xsbwWtfneJjyst8XzcSi-jgZNMfkwkj8hbnkxSeYTzb74_bcO1GD3wgzf7xB-WmbC69iwtSt2YKYZ5f_HBtGB6Vl0ntNya5dghJLICVnC-H6LfzC9dMLU/s1600/2can++acrylic+on+canvas+76cmx76cm.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBJD28rQOeXj7JM5EM034Fr34xsbwWtfneJjyst8XzcSi-jgZNMfkwkj8hbnkxSeYTzb74_bcO1GD3wgzf7xB-WmbC69iwtSt2YKYZ5f_HBtGB6Vl0ntNya5dghJLICVnC-H6LfzC9dMLU/s400/2can++acrylic+on+canvas+76cmx76cm.JPG" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>2can</i>, acrylic on canvas, 76 x 76cm</td></tr>
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Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com1tag:blogger.com,1999:blog-3172471973747246349.post-89560772075991390662015-12-15T17:50:00.002+00:002015-12-15T18:04:18.059+00:00The Miniature Show<h2>
<span style="font-size: small; font-weight: normal;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: medium;">Some installation views of the exhibition...</span></span></span></h2>
<span style="font-weight: normal;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">(</span>Click on image to enlarge)</span> </span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Bill Pryde, Mark Godwin, Robin Richmond, Sadie Brockbank</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Ed Murray, Albany Wiseman, Lucy Willis</td></tr>
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Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-74225409355479637252015-11-11T12:13:00.001+00:002015-11-11T13:22:35.087+00:00Printmaking Now<h3 class="auto-style6" style="mso-bidi-font-family: Arial;">
<span style="color: #3d85c6;">Exhibition runs 04 - 25 NOVEMBER
2015 </span></h3>
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Printmaking Now</span></i><span style="color: #404040; font-family: "gill sans" , sans-serif; font-size: 14.0pt; mso-bidi-font-family: Arial;"> brings
together four much admired printmakers: Mark Hearld,
Andrew Ingamells, Susie Perring
& Henrik Simonsen. The work of each artist is distinctly recognisable by their
own unique style.</span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Mark Hearld</span></span></b></span><span class="auto-style2" lang="EN-US" style="font-family: "gill sans" , sans-serif; mso-bidi-font-family: Arial;"><span style="font-family: "arial" , "helvetica" , sans-serif;">
is inspired by the natural world, and is well known for his uplifting images
featuring flora and fauna of the countryside. The influence of artists such as
Ravilious and Bawden, much admired by Mark, can be seen in his delightful
lithographs. For <i>Printmaking Now</i>, Curwen Gallery is exhibiting some of Hearld's animal prints, including <i>Curwen Menagerie </i>(seen below),<i> </i>an anniversary print celebrating the gallery's 50th birthday.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Mark Hearld, <i>Curwen Menagerie</i></span></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span class="auto-style2" lang="EN-US">
Susie Perring</span></b><span class="auto-style2" lang="EN-US">’s
aquatint etchings are also largely nature based; swirling patterns of birds in
flight; patterns of reflection and movement in water; fish gliding in dark but
richly coloured depths. The medium she uses is perfect for illustrating aspects
that cause her most interest; that of colour, light and movement.</span><span class="auto-style3"> </span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1ZcChyphenhyphenghFqAkdjrgMgAfaXsqO9MUezITe-SpFoxvRRovmC1vhwVv9KqYzxMtK5HB4qnJzACnyhZX-8ymLr6MTRDn6GE9SLqpmg56Cb0cnxl7idU7GOr72rWpANe9-OkQlhyT4IEqTfw0g/s1600/perring.intheshallows.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1ZcChyphenhyphenghFqAkdjrgMgAfaXsqO9MUezITe-SpFoxvRRovmC1vhwVv9KqYzxMtK5HB4qnJzACnyhZX-8ymLr6MTRDn6GE9SLqpmg56Cb0cnxl7idU7GOr72rWpANe9-OkQlhyT4IEqTfw0g/s1600/perring.intheshallows.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Suzie Perring,<i> In the Shallows</i></span></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="auto-style3">Nature has also always been the first impression for <b>Henrik Simonsen</b>.
He observes its ability to 'vary simple forms infinitely' and his process of
working reflects this concept. His </span>
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colourful plantscapes offer a universe of intensities where changing colours and
shapes are weaved into the wildly growing vegetation.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8gtrZzutLbXs5OMGVxD5mGVGQKh4S8-MGRhltQcLpUqh3vJROkXjXkO6Zgus3_nrqFOgmO8bBntzdmvlhQsXHwe5l7wVcGk_seZusLJfxu5XgQqA99Plbl7VHkiIUKpNk79ORnEptE8MW/s1600/sinonsen.redleaves.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8gtrZzutLbXs5OMGVxD5mGVGQKh4S8-MGRhltQcLpUqh3vJROkXjXkO6Zgus3_nrqFOgmO8bBntzdmvlhQsXHwe5l7wVcGk_seZusLJfxu5XgQqA99Plbl7VHkiIUKpNk79ORnEptE8MW/s1600/sinonsen.redleaves.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Henrik Simonsen, <i>Red Leaves</i></span></td></tr>
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<span class="auto-style2">Andrew Ingamells</span></b><span class="auto-style2">,
in contrast, focuses on buildings of architectural interest and he captures
these with stunning amounts of intricate detail. Working with the traditional
printing method of aquatint etching which suits his works so perfectly, he
continues a tradition of neo classical draughtsmanship made popular by Piranesi.
Notable works he has completed include the Basilica San Marco in Venice (seen below), the Duomo di
Firenze, the London Inns of Court and every one of Nicholas Hawksmoor's seven
London Churches.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimrXyrPlnIj0rHgFNyrqviYao1V6Ss7vf0trh-ZRudC0ZfD4FDD2u2PFg_NwrZu_Wo6Hoksn7tiDmYV9se3RRv1yhyphenhyphena1quD0DxCD9W6ezgfKBDSdKqfCahODrF3iPfKPxSmMOnqMQQQw_y/s1600/ingamells.basilicasanmarco.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimrXyrPlnIj0rHgFNyrqviYao1V6Ss7vf0trh-ZRudC0ZfD4FDD2u2PFg_NwrZu_Wo6Hoksn7tiDmYV9se3RRv1yhyphenhyphena1quD0DxCD9W6ezgfKBDSdKqfCahODrF3iPfKPxSmMOnqMQQQw_y/s1600/ingamells.basilicasanmarco.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Andrew Ingamells, <i>Basilica San Marco</i></span></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Mark Hearld</span></span></b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="auto-style2">
studied illustration at Glasgow College of Art and then an MA in Natural History
Illustration at the Royal College of Art. Commissions include those for Faber &
Faber and Tate Museums.
Mark's unique collages have been used to illustrate ‘A First Book of Nature’
(Walker Books, 2012.) <span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;">"Mark Hearld's Work Book" was
also published in 2012 (by Merrell).</span></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="auto-style2"><span style="border: none windowtext 1.0pt; mso-border-alt: none windowtext 0cm; padding: 0cm;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="auto-style2" lang="EN-US"><b style="mso-bidi-font-weight: normal;">Andrew Ingamells</b> trained at St Albans School of Art and the
London College of Printing before embarking on a career as a graphic designer
and illustrator. He has exhibited widely in London including at CCA Galleries, The
Grosvenor Gallery and The Royal Academy. His work is held in corporate and
public collections including the Tate Gallery, HRH the Prince of Wales, English
Heritage, The National Trust, The Paul Mellon Centre for British Art, Shell Oil
and the City of London Guildhall Library where there was a retrospective of his
work.</span></span> </span></span></span><br />
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<b>Suzie Perring</b> </span>
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went to the London College of Printing in 1963-1967, and then worked as a
graphic designer in the 60s and 70s. Since 1984 she has specialised as a
printmaker in etchings, both line and aquatint. She has taught print at the LCP
and for the Outreach programme of Dulwich Picture Gallery’s Education Department
and undertaken commissions for complete editions destined for P&O liners:
Oriana, The Pride of Rotterdam, The Pride of Hull and Queen Mary 2. </span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span class="auto-style2">Henrik Simonsen</span></b><span class="auto-style2">,
originally from Denmark, now currently lives and works in the UK. </span>
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He graduated from Sotheby’s Institute
of Art, London and Montclaire University, New York. He has had several solo shows
including The Royal Opera House and</span><span class="auto-style2"> his work
has also been commissioned for a public museum collection in Belgium, and
selected for international exhibitions in New York and Los Angeles. He has work
in numerous private and corporate collections. </span></span></div>
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<br />Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com1tag:blogger.com,1999:blog-3172471973747246349.post-43530183804150371502015-10-20T13:11:00.000+01:002015-10-20T13:46:28.035+01:00It's not just about the paintings!<div style="text-align: left;">
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<span style="font-family: Arial,Helvetica,sans-serif;">For their respective exhibitions, both Henry Walsh and Lee Sellers made a window display employing their respective motifs, which both have the versatility to work not just <i>within</i> a painting. For the display Walsh created a flock of birds, a scene common in his more recent work. The birds imply movement, flying across the window pane and upwards. Their journey, however, starts from inside the gallery, from the painting on the wall nearest the window (<a href="file:///C:/Users/User/Documents/httpdocs/gallery/walsh15/Walsh%20Oct15/walsh.aftertherain1.htm" target="_blank">See Fig.1: </a><i><a href="file:///C:/Users/User/Documents/httpdocs/gallery/walsh15/Walsh%20Oct15/walsh.aftertherain1.htm" target="_blank">After the Rain I</a>)</i></span><span style="font-family: Arial,Helvetica,sans-serif;">, and they continue their flight across the window, then up and away from the gallery, migrating perhaps? Or maybe they're making their way back to another canvas in Walsh's studio up in<i> </i>Derbyshire.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNhp8bb87P2S3FNO6UHusErcAi1p-5BW1yol7Yqt44MfA63fIwNnMo6zBGGBkkVPzUVVk0VRM-0V6oEqFu48aMEZpFC8cNeDiQw1VSfWPI9BMs8nxegNPeIw092H9WzUeIam6dRIT5KaLT/s1600/walsh+window+birds.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNhp8bb87P2S3FNO6UHusErcAi1p-5BW1yol7Yqt44MfA63fIwNnMo6zBGGBkkVPzUVVk0VRM-0V6oEqFu48aMEZpFC8cNeDiQw1VSfWPI9BMs8nxegNPeIw092H9WzUeIam6dRIT5KaLT/s400/walsh+window+birds.jpg" width="298" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Walsh's window birds</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdgwntUzZNkzeBkVEXtQW_2KJWAdYmvYPAy71KOqwrVpATtjUGrRew_GE6CGsbAE72JaNJYfg5FlxDi5mwZ1OfUHjtw34SQw7IwilqBP63ZT4096OkcRV194jvzLsT210rzIo0U0G0xY18/s1600/aftertherain1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdgwntUzZNkzeBkVEXtQW_2KJWAdYmvYPAy71KOqwrVpATtjUGrRew_GE6CGsbAE72JaNJYfg5FlxDi5mwZ1OfUHjtw34SQw7IwilqBP63ZT4096OkcRV194jvzLsT210rzIo0U0G0xY18/s200/aftertherain1.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fig.1, Henry Walsh, <i>After the Rain I</i></td></tr>
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<span style="font-family: Arial,Helvetica,sans-serif;">Sellers' signature little figures interact with the letters that spell out his name on the window; sitting in the curve of an 'S', dangling from the corner of an 'L', walking between letters as if they could be stepping stones, or balancing atop them on one leg. Together these little figures create a literal, and joyful, play on words.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKWP2ZYPkBEUbymKaOcJozSaDcYYO2we0tp-w7yf0tKAT4XeIo6gB9PSmLOG58FKRbFR5RWtsI8lctfCInHOpNBSRA3sUx5RPjoape1fSaRTS7FbSes3oo3tYVWDLnM3QuvJtxOgsJYaFk/s1600/sellers+window+lettering.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKWP2ZYPkBEUbymKaOcJozSaDcYYO2we0tp-w7yf0tKAT4XeIo6gB9PSmLOG58FKRbFR5RWtsI8lctfCInHOpNBSRA3sUx5RPjoape1fSaRTS7FbSes3oo3tYVWDLnM3QuvJtxOgsJYaFk/s640/sellers+window+lettering.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Please click on the image to see in full </td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPZI7_h9XKyUsYOBEvdwpP5rAUfNF9hniSrZ_76KJRTy7uNvicYRmPZZmxhdg62oIn5UGU8IbfH5xU_nnKiLe1ggEar3mvdoNrEj63LHQtQu-8imY-GzWR1SSyNy-d5ltl8DW0nLDSL9zf/s1600/sellers+hanging.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPZI7_h9XKyUsYOBEvdwpP5rAUfNF9hniSrZ_76KJRTy7uNvicYRmPZZmxhdg62oIn5UGU8IbfH5xU_nnKiLe1ggEar3mvdoNrEj63LHQtQu-8imY-GzWR1SSyNy-d5ltl8DW0nLDSL9zf/s320/sellers+hanging.jpg" width="150" /></a></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirQeEACsucKdUBH5r8uXOvdMIm-BlFqHEXpg9zprT-1S-Lrdnd1iekz8SqGYaYTa0SSFN1D-e8TRJXWUoAaxYFrRdNTQJtjs0PydWagYNPDFJpBSrAwxDAEIEIZKYpoWRzKDUEqd8f-1X4/s1600/sellers+balancing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirQeEACsucKdUBH5r8uXOvdMIm-BlFqHEXpg9zprT-1S-Lrdnd1iekz8SqGYaYTa0SSFN1D-e8TRJXWUoAaxYFrRdNTQJtjs0PydWagYNPDFJpBSrAwxDAEIEIZKYpoWRzKDUEqd8f-1X4/s320/sellers+balancing.jpg" width="160" /></a><br />
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<span style="font-family: Arial,Helvetica,sans-serif;">Sellers also makes great
use of the architecture of the gallery space; figures ski down the side of the
stairs, or appear to leap off the edge where the banister meets the
wall, as if jumping off a coastal cliff into deep water twenty feet below. The construction of the gallery space allows these little figures to come to life, whilst Sellers' offbeat humour allows the gallery to come to life. The banister, for instance, functions as a stage for these little doodles to become narrative scenes, and a dialogue between object and image becomes clear. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgOAyam8a1dlsO7UUv6XPm3N91lB-Htj0u8zx-yHYyeNSwt182f3kRkXrQ9MPFWq4LPdJOeW9G2svq95UntFvrUpgjdPd4tNvkVIDsmYFquWydCJuHLX6mItRBwvdDo1Lr6OeYK1ZlvzB-/s1600/sellers+skiing.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgOAyam8a1dlsO7UUv6XPm3N91lB-Htj0u8zx-yHYyeNSwt182f3kRkXrQ9MPFWq4LPdJOeW9G2svq95UntFvrUpgjdPd4tNvkVIDsmYFquWydCJuHLX6mItRBwvdDo1Lr6OeYK1ZlvzB-/s320/sellers+skiing.jpg" width="180" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsoQWZqtPtr8cS2IXCysCLeq_MuS3S4AS0ArdP6MwcTulooEPBtz7mxNIaTSxEZquup7z3EYjPJDqiYDR047iWPnpm6uuedN_jSauYq2edCYBNyUvHeamdPaImiKVjWa1spJDF96wbbm00/s1600/sellers+leaping.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsoQWZqtPtr8cS2IXCysCLeq_MuS3S4AS0ArdP6MwcTulooEPBtz7mxNIaTSxEZquup7z3EYjPJDqiYDR047iWPnpm6uuedN_jSauYq2edCYBNyUvHeamdPaImiKVjWa1spJDF96wbbm00/s320/sellers+leaping.jpg" width="180" /></a><span style="font-family: Arial,Helvetica,sans-serif;"> </span><br />
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-family: Arial,Helvetica,sans-serif;">These two artists, who are both good friends, complement each other's work delightfully, and the two exhibitions work very well accompanying each other. As you come to the end of Walsh's work there is a piece, titled <a href="file:///C:/Users/User/Documents/httpdocs/gallery/walsh15/Walsh%20Oct15/walsh.steady2.htm" target="_blank"><i>'Steady II'</i></a> (see Fig.2) depicting workers standing on ladders, reaching out to paint a wall. The painting works wonderfully as an introduction to Sellers' exhibition in the upper gallery. The addition of a plane of colour in the work introduces what is to come upstairs, and the ladders, by their functional purpose, suggest climbing. So up you go to the upper gallery, greeted by little characters along the way. </span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Fig.2: Henry Walsh, <i>Steady II</i></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-family: Arial,Helvetica,sans-serif;">Henry Walsh, <a href="http://www.curwengallery.co.uk/gallery/walsh15/title.htm" target="_blank">'After the Rain'</a>, (in the main gallery) and Lee Sellers, <a href="http://www.curwengallery.co.uk/gallery/sellers15/title.htm" target="_blank">'The Bright Side of Life'</a>, (in the upper gallery) run until October 28th 2015. </span></span><br />
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Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-40630916754951387862015-09-15T12:21:00.000+01:002015-09-15T12:58:20.896+01:00BILL PRYDE: ARTIST INTERVIEW<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLMnZKe9VB0x8a3ogTnchIKqtUnwV_r1o_5djamoI-GMMvsZmFSw08fUWuqMIndbl658znvdFwMLKY2O9KD32S43up0yX1RppMidt1Wz539lLaBKdMWC04SpoDFfoewE8JoKJDI00G5ISb/s1600/billpryde.articleheadline.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="90" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLMnZKe9VB0x8a3ogTnchIKqtUnwV_r1o_5djamoI-GMMvsZmFSw08fUWuqMIndbl658znvdFwMLKY2O9KD32S43up0yX1RppMidt1Wz539lLaBKdMWC04SpoDFfoewE8JoKJDI00G5ISb/s400/billpryde.articleheadline.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;">3 - 30th September 2015, Curwen Gallery, 34 Windmill Street, London, WIT 2JR</span><br />
<span style="font-size: xx-small; text-align: start;">Artist Talk 22nd September 7pm in the Upper Gallery.</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">Bill Pryde is one of the UKs most esteemed screenprinters.
His new body of work continues to build upon ideas he began in his 2012 solo
show </span><i style="font-family: Arial, Helvetica, sans-serif;">Lonely Churches, Remembered
Landscapes</i><span style="font-family: Arial, Helvetica, sans-serif;"> with cloisonné interpretations of scenery in Scotland and
Suffolk. T</span><o:p style="font-family: Arial, Helvetica, sans-serif;"></o:p><span style="font-family: Arial, Helvetica, sans-serif;">his element of his work is joined by a new collection of
Orchid prints, a return to a subject which Bill first explored over ten years
ago.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"></span><span style="font-family: Arial, Helvetica, sans-serif;">Robin Spalding and Natalie Suggitt joined Bill in his newly developed studio to discuss the new work…</span><span style="font-family: Arial, Helvetica, sans-serif;"></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>What have you been trying to achieve with
this new body of work?</b><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #595959;">Bill Pryde: </span><span style="color: #595959;">Making work, the physical act of
printmaking, gives me the opportunity of creating immediate and particular
responses to the world I see around me, when I wake up each morning.</span><span style="color: #595959;"> </span><span style="color: #595959;">(All this because I wish to be seeing, I
think the poet said). I enjoy this.</span></span></div>
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<span style="color: #595959;"><span style="font-family: Arial, Helvetica, sans-serif;">And this excitement, this energy
I suppose, is what inspires me to make the work itself. It is, of course, an
expression of my own mood and feelings… and now that I have moved my studio to Suffolk
full time, I find myself surrounded daily by the enormous and ever-changing
skies and landscape moods of this county, and facing the constant mystery of
the sea, which is not always active, but
often quiet, dark, even contemplative, and holding all sorts of secrets and
currents underneath. And the marshes, that stretch out towards the sky.<o:p></o:p></span></span></div>
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<span style="color: #595959; font-family: Arial, Helvetica, sans-serif;">Suffolk, and my native Scotland
(which Suffolk reminds me of… the coast east of Edinburgh… same light, similar
vegetation etc), demands a response; they are huge and defiant canvases, moody,
tranquil yet full of force.</span></div>
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<span style="color: #595959;"><span style="font-family: Arial, Helvetica, sans-serif;">I wanted to explore new, more
painterly techniques in my recent monoprints (these mean I only get to do
things once, which I find very freeing; if it works an idea can be further developed,
sometimes spoilt of course! But, as in painting, there can be a similar
spontaneity in monoprinting; things can be covered over, over-printed, though
unlike painting, not removed to start again.<o:p></o:p></span></span></div>
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<span style="color: #595959;"><span style="font-family: Arial, Helvetica, sans-serif;">I also wanted to produce some
strong and dynamic work that had a spring in its step, and asked to be looked
at. Recently my attention was drawn to the £5 orchids at my local Tesco, with
their delicate, old and spindly stalks, suddenly producing an outrageous and
youthful flurry of flowers … and I thought, “I’d like to make that”.<o:p></o:p></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #595959;">I have my own aches and pains
(I’ve just celebrated my 64th birthday) and keep pushing myself... so perhaps
in this way the Orchids are a touch autobiographical… but isn’t everything
really??</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Bill Pryde, <i>Landscape I</i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>You generally only produce small editions
and monoprints, and because your prints are often unique I feel like much of
your work is closer, in terms of material significance, to painting than
printmaking. Why is it that you mostly produce single prints?</b></span><br />
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BP: Hand producing large editions of work can be very
punishing…. and I’ve found you can never get the size of edition right! If you
make 20 of something, the odds are that you’ll only sell three and they’ll end
up in the back of a drawer… And it’s always good to have people wanting more.
I’ve found that if you put a big editioned piece into the RA (where I’ve always
sold out) it won’t get in…Sod’s law really….</span></span><br />
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">It’s the immediacy of the process and technique at one remove that attracts me
to printmaking, the rules and disciplines, there to be understood, and
sometimes broken. There is a great satisfaction in creating colour and
contrasts that have a real temperature. It is only ink on paper after all… but
an image can have its own clarity and definition, its own edge and shape.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #444444;">I applaud the democracy of the reproductive qualities of
printmaking, but for now I like the idea of a one-off, individual moment, captured
there and then… and finding a good home of its own (On a wall near you).</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>How do you feel that this new body of work
has moved on since your last show, <i>Suffolk
Churches</i>…?<o:p></o:p></b></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">BP: My last Curwen show was themed. You asked me to do a new
show so I gave myself a project and then documented it. Also it was for the
smaller upper gallery and I wanted the work to work well in the space.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #444444;">I am lucky enough to have done a fair bit of travelling, and
like many travellers am always drawn to local churches, especialky the lonely
ones, all on their own in the middle of nowhere. Scotland, Suffolk, Iceland,
Lanzarote… four of my favourite haunts. So draw and then print. The prints were
quite detailed, small scale but complicated, very precise. The new work is much
freer, perhaps more ambitious.</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>You’ve said before that you take a lot of
inspiration from the Scottish colourists. What parts of your work do you feel
continue their ideas? <o:p></o:p></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #444444;">BP: </span><span style="color: #444444;">Coming from Edinburgh I was aware of the Scottish Colourist
tradition from quite a young age, though mainly through reproductions I might
add! The Colourists were a confident group of associated artists, who got
themselves away from the grey mornings of Edinburgh city life and were dazzled
by the dynamic and enthusiastic reach of colour and harmonies that they saw,
mainly in France, growing out of Fauvism. We Scots like colour in our homes,
insist on it, I think. It can be dreich outside… and cold. These painters and
printmakers, and many other of their
ilk, bring excitement and energy into more set situations… decorative, often
domestic - pleasing, joyful…. anything wrong with that?</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>How do you feel that continuing their
motivations in screenprinting rather than painting has changed the way that the
work is understood? Do you feel that you move with the tradition and how do you
update their ideas for a contemporary audience?<o:p></o:p></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #444444;">BP: </span><span style="color: #444444;">There are some fantastic
Scottish printmakers, very contemporary and dynamic, making work in Glasgow and
Edinburgh and particularly I think in Dundee, currently. Yes, this is part of a
tradition. Scots like tradition, and history, though it might not be
fashionable to say so in England.</span></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">I think that printmaking by
definition has to be aware of its own international tradition. We have great
examples of 20<sup>th</sup> Century printmaking everywhere, Germany in the
first half of the last century, America in the second half. I’ve been lucky enough to work in Indi and see
how screenprinting is only now finding an artistic credibility there, in the
face of digital work too.<o:p></o:p></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">The language of printmaking has
many individual accents, but perhaps one tongue.<o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>You mentioned that you are thinking of
opening your new studio as a teaching establishment- what were your plans for
this?<o:p></o:p></b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #595959;">BP: </span><span style="color: #595959;">As I’ve mentioned, printmaking
is by definition a very democratic and collaborative art form… Equipment is
often shared and you can be inspired and challenged by other people making work
around you… It can help you raise your game. Printmakers muck in, but there are
rules to be learnt, and techniques and shortcuts to find out about too. I think
printmakers are generous with their knowledge. It could be very satisfying, and
instructive for me to be able to introduce other artists to screenprinting, and
see where they can take it. The idea of teaching short courses allows me to
encourage people to make something of their own, with a bit of technical help
perhaps… but their own choices, their own ambitions. To make something of their own, they might take
themselves by surprise. This could be fun I hope…</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>How did your time studying for your MA at Camberwell </b></span><span style="font-family: Arial, Helvetica, sans-serif;"><b>change how you
thought about and produced your work?</b></span></div>
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<span style="color: #444444;"><span style="font-family: Arial, Helvetica, sans-serif;">BP: I studied at Byam Shaw – small, intimate, encouraging. Then my MA at Camberwell - large, challenging, competitive in the best sense. </span></span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">I learnt techniques from the staff, was able to make work
quickly, and learn, gaining knowledge from my younger fellow students, but
gaining the confidence to follow my own instincts, and learn to be confident
enough to have ambitions.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>What has been your career trajectory? Which
exhibitions and opportunities do you think have particularly helped you?<span style="color: #595959;"><o:p></o:p></span></b></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">BP: After thirty years work in
theatre and television as a director, where my job was to get the best out of
other people, my job now is to get the best out of myself. Making my own work
for the first time, being only answerable to myself is very freeing. Of course
it takes a bit of nerve. But I suppose I am just happy to have the opportunity
to make the work, to express what I feel about things… and without words,
that’s quite freeing!</span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">As a result of my Graduate show at Camberwell I was asked to
show work by three galleries afterwards, including the Curwen with your own
Graduate Show. (Long may its tradition continue). This has been followed by I
think four or five solo shows with the Curwen, and in the past I have done well
at the RA Summer Shows, though have recently not put work in for consideration.
Immediately after college I joined East London Printmakers and had five or so
very happy years there, with many group shows, before setting up a first studio
of my own.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #444444;">Other showing highlights have been in Edinburgh (at the
Dundas St Gallery, and more recently at Bonhams), in Kolkatta, at the Nehru
Centre in London, in Aldeburgh and in Saxmundham, Suffolk.</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>Which artists would you consider to be your
main inspirations?</b><o:p></o:p></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">BP: All artists inspire me, and musicians, and film makers… and
gardeners! </span><span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">I feel Scottish and British… but the English landscape
tradition in printmaking is particularly strong. In the last century…Piper, the
Nashes, Ravillious, Bawden…also Hockney, Caulfield, Bert Irwin, and then across the
water we’ve got Warhol, and the West and East Coast American artists from
Ellsworth Kelly to Milton Avery… Big minds, big countryside!</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #444444;">There’s so much wonderful work out there. I’m grateful I was
able to discover it all when I was 50 (I was too busy doing words before). This
has been like learning a new language, and hearing voices I’d never noticed
before.</span><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>What is it about the Suffolk/ Scottish
landscape which particularly captures your imagination?</b><o:p></o:p></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #595959;">BP: </span><span style="color: #595959;">The landscape speaks and sings.
The author, the artist, the composer observes and attempts to capture a moment.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery: <b>We are particularly keen on your new still life
works. How do you feel that you make this old painterly tradition relevant to a
contemporary audience?</b><o:p></o:p></span></div>
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<span style="color: #444444; font-family: Arial, Helvetica, sans-serif;">BP: Still Life… well the name says it all. It’s Still… Life… I don’t
attempt to represent anything, rather I hope to respond to it… its shape, its
form… an object is a landscape, as much as a landscape can be seen as an
object.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #444444;">Look .See. Respond. Draw. Make.
Enjoy. What more can I say..!!?</span><span style="color: #595959;"><o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheMeQQJSj_FEQgAQ-aWlksb3_OFmbuDE49E5mOriALLpIYe-ZpuMg2zRgnNF4y4QWPISaTjJ-fKQ_715UuwRRg4WxIRcSKCPxWXJLDFtew_8yWHok3Y53C1O99htrQHl6OSUlLNqWyp9M-/s1600/billpryde.orchidlarge.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheMeQQJSj_FEQgAQ-aWlksb3_OFmbuDE49E5mOriALLpIYe-ZpuMg2zRgnNF4y4QWPISaTjJ-fKQ_715UuwRRg4WxIRcSKCPxWXJLDFtew_8yWHok3Y53C1O99htrQHl6OSUlLNqWyp9M-/s400/billpryde.orchidlarge.jpg" width="307" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div align="center">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Bill Pryde, <i>Orchid Duo - Turqouise</i></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">Monoprint, 74 x 58cm £500</span></div>
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<span style="font-size: large;"><span style="font-family: Arial, Helvetica, sans-serif;">Bill Pryde's <i>Landscapes and Orchids</i> is currently showing in Curwen's upper gallery till 30th September 2015, open Mon-Fri 10am-6pm (Thursday 10am-8pm) and on Saturdays from 11am-5pm. You can view some of Bill's work at the Curwen Gallery website by following this <a href="http://www.curwengallery.co.uk/gallery/pryde15/title.htm" target="_blank">link</a>. </span></span></div>
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<span style="font-size: large;"><span style="font-family: Arial, Helvetica, sans-serif;">There is an Artist Talk on Tuesday 22nd September at 7pm in the exhibition space, where Bill will be speaking about his work and answering questions. We hope to see you there!</span></span></div>
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]-->Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-75544207440652279992015-07-28T16:58:00.003+01:002015-07-29T10:33:23.800+01:00Landscapes & Orchids: Studio Visit to Bill Pryde in Advance of his September Exhibition<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0bKDs7Znut9PWtXQcUaSpknpz0o8M96YkxfB9mSM9dJ5AIMJEDHUDY86RwIc1e3ir9HRhtrp-rRnTvawGfXalhvHjZv3xnAYc4io0GgCwrumCZiaaurb-O9bidzo1gMh5fp7Y3YgCnMIy/s1600/billandsqueegee.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0bKDs7Znut9PWtXQcUaSpknpz0o8M96YkxfB9mSM9dJ5AIMJEDHUDY86RwIc1e3ir9HRhtrp-rRnTvawGfXalhvHjZv3xnAYc4io0GgCwrumCZiaaurb-O9bidzo1gMh5fp7Y3YgCnMIy/s320/billandsqueegee.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bill Pryde in his studio</td></tr>
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Yesterday Robin and Natalie took a trip to Saxmundham to visit screen-printer Bill Pryde in his new studio.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJUDy7dsvE8OC3EFgLkIRwjI6vsApzYK-DU-6uBuPf2AqSlrPMPBfH84KyR3NBs5tXK3EWn4JdvVFaz_Kt2J0zNhF3LQSV6lzD-tDL3dRgqNasKlHK96nIbQoeShcs7GJtyx1KvhfL9uoZ/s1600/billandstudio.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJUDy7dsvE8OC3EFgLkIRwjI6vsApzYK-DU-6uBuPf2AqSlrPMPBfH84KyR3NBs5tXK3EWn4JdvVFaz_Kt2J0zNhF3LQSV6lzD-tDL3dRgqNasKlHK96nIbQoeShcs7GJtyx1KvhfL9uoZ/s320/billandstudio.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bill Pryde outside his idyllic new studio in Saxmundham</td></tr>
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The aim of the visit was to choose work for Bill's upcoming show with us in September and to find out a little bit more about what he has been making in recent months.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iVCpfNncm9NSV6S5NOLkbsgmFjLajxcr4XC7q0gtvPwK0hTeHk3NVTjLV3dAJblCqr5y262_3UwUyT9RKRHfGaAUC1-sG3XvRXTDeYiCYudOLXEoqAo3cKUibBJjRW9gcWdpTyEDQFiO/s1600/bill.flatbed2.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9iVCpfNncm9NSV6S5NOLkbsgmFjLajxcr4XC7q0gtvPwK0hTeHk3NVTjLV3dAJblCqr5y262_3UwUyT9RKRHfGaAUC1-sG3XvRXTDeYiCYudOLXEoqAo3cKUibBJjRW9gcWdpTyEDQFiO/s320/bill.flatbed2.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Studio Interior- Downstairs</td></tr>
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The new collection of prints focuses on both the landscapes of his native Scotland and his new home environment in and around Suffolk.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo_7PpfaOSheq57WVRlcSknTFVFN_Ta5IgV5jh_SsizH-TEhD3ln78d0mrKrf19IbeNMw5b0zImEVG_MWv2VeaZWORdvI-0VON_-iRNvGsCP-uIXfEHA-b1CvRcK6qSHHimvgQArs-g_fC/s1600/billpryde.dayloch.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgo_7PpfaOSheq57WVRlcSknTFVFN_Ta5IgV5jh_SsizH-TEhD3ln78d0mrKrf19IbeNMw5b0zImEVG_MWv2VeaZWORdvI-0VON_-iRNvGsCP-uIXfEHA-b1CvRcK6qSHHimvgQArs-g_fC/s320/billpryde.dayloch.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bill Pryde, 'Day Loch', screenprint</td></tr>
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With this new body of work he aims to capture the spirit of the location, recording a "non-representational, poetic response to the mood and moment of a place." <br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijst3UPkUYc5s7SPAw0-MHRjM7ewDdLBYmJey46ezEfJtqdmss0MC6ZO3whDkNZUwI71NbZSJZzUFBziWiK6eFyBCnW5JSORloo7daLWo-hsYk1M9xb6gblhZNO7WsOchDBWjC7hi3UhsV/s1600/billchoosing.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijst3UPkUYc5s7SPAw0-MHRjM7ewDdLBYmJey46ezEfJtqdmss0MC6ZO3whDkNZUwI71NbZSJZzUFBziWiK6eFyBCnW5JSORloo7daLWo-hsYk1M9xb6gblhZNO7WsOchDBWjC7hi3UhsV/s320/billchoosing.jpg" width="240" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bill at his print bed with a new print, surrounded by older works (behind,framed)</td></tr>
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He sees walking in nature to be of essential importance to his work, breaking the long periods in the studio with regular trips to the sea or marshes nearby.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0giyWLuitcSOIrbBTRfybYCY8lzkVQCkjHlYmjIif7cSeIbtR1_FR2zCSIR08y4YzEe_A2lYUVdTiV3cCH0ZKzKnOMPtFUscHcL8alRfxlhj9-3M6eA3u0IpF_iKl1P4lddVzn0BGS0El/s1600/billpryde.suffolk3.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0giyWLuitcSOIrbBTRfybYCY8lzkVQCkjHlYmjIif7cSeIbtR1_FR2zCSIR08y4YzEe_A2lYUVdTiV3cCH0ZKzKnOMPtFUscHcL8alRfxlhj9-3M6eA3u0IpF_iKl1P4lddVzn0BGS0El/s200/billpryde.suffolk3.jpg" width="192" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">One of Bill's new, more painterly landscape prints</td></tr>
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These walks are not specifically for inspiration, more to encourage a moment of tranquility to allow his creativity to return after his often physically exhausting printmaking sessions.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQLFTsXiYJ5s61IBopKcTkRK_X_iyycIA7NPGGybVEthzExslHKPUrkw1eExlrvUdcbQb0nsKCvxBbrN_n648AHDW-YHCGIkriuXfyPaQ6N_W7SSFKUigQ7Mq9I1jGRzoNGEyrRqP1bq1f/s1600/billgardening.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="144" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQLFTsXiYJ5s61IBopKcTkRK_X_iyycIA7NPGGybVEthzExslHKPUrkw1eExlrvUdcbQb0nsKCvxBbrN_n648AHDW-YHCGIkriuXfyPaQ6N_W7SSFKUigQ7Mq9I1jGRzoNGEyrRqP1bq1f/s320/billgardening.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Much of Bill's inspiration comes from working in his beautiful new garden</td></tr>
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The recent move to Suffolk has had a large impact on his practice, affecting his pallette and moving his landscapes away from his characteristic style of 'cloisonnism' to softer, more painterly printmaking.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDhsTo0zZqsTBKWO1u8Ptni_PP9myNKvcGN8_D5l2LkeJkryUF_MnbCSzqKx07Od1G1mVkW1W5mwsdctDqdo1AuArlxWHmBZhOjtkVSWuEA-ebfZ0ds9u9frTEt8ooOhgQLvFmVvIIwqnr/s1600/billorchidchoosing.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDhsTo0zZqsTBKWO1u8Ptni_PP9myNKvcGN8_D5l2LkeJkryUF_MnbCSzqKx07Od1G1mVkW1W5mwsdctDqdo1AuArlxWHmBZhOjtkVSWuEA-ebfZ0ds9u9frTEt8ooOhgQLvFmVvIIwqnr/s320/billorchidchoosing.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Choosing some of the new Orchid prints for framing</td></tr>
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Alongside these new landscapes we were pleased to see Bill was keeping up with his much loved still-life's - this time returning to Orchids as a subject for the first time in ten years.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmz057FHCuvn3kgIgJWCfwfHOVdpF89vNeRMY-JwZYsVq8JrnqDSuwyggXp_sQAYdlZG60ZEQsgxo0wZfYJSbDBwr1XMUQgEd9uJiNfwSVOau032CzGjnFLqiZ2BYiyHt__dVcHoPjIYmF/s1600/DSC05566.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmz057FHCuvn3kgIgJWCfwfHOVdpF89vNeRMY-JwZYsVq8JrnqDSuwyggXp_sQAYdlZG60ZEQsgxo0wZfYJSbDBwr1XMUQgEd9uJiNfwSVOau032CzGjnFLqiZ2BYiyHt__dVcHoPjIYmF/s320/DSC05566.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bill Pryde with his dog Bunny</td></tr>
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We had a wonderful, uplifting day with Bill, seeing his new home and work space and, most importantly, seeing his new prints. A lot has changed in his practice since his 2012 show "Lonely Churches and Remembered Landscapes" and with these developments come exciting new challenges for the established artist.<br />
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Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com2tag:blogger.com,1999:blog-3172471973747246349.post-15259019452331880712015-07-13T16:00:00.002+01:002015-07-13T16:00:45.846+01:00Nicola LordThis month we will be showing a solo exhibition of Nicola Lord in our upstairs gallery. Her new works are mostly inspired by English landscapes, with a small additional series based on Venice.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYuwU6e7mnMSyML-KRtw-QGykeOwO2iM0oGuKcZWgEY78AdnmdpUwXIunMxtpEC5P_Wytk8lY0APBvRw_caJ3ZG4YEfvT_URL_ZLpQPJPnWot6pFybDBjfpczEClrTrerUsNj8fJFiggze/s1600/Clear+Waters.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYuwU6e7mnMSyML-KRtw-QGykeOwO2iM0oGuKcZWgEY78AdnmdpUwXIunMxtpEC5P_Wytk8lY0APBvRw_caJ3ZG4YEfvT_URL_ZLpQPJPnWot6pFybDBjfpczEClrTrerUsNj8fJFiggze/s320/Clear+Waters.jpg" width="314" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Clear Waters, </em><span style="font-family: Arial; font-size: xx-small;">mixed media on canvas, 49.5 x 49.5 cm</span></td></tr>
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We have been showing Nicola since shortly after she graduated from her MA at the Royal College of Art. 14 years on and she is now a senior lecturer at Arts University Bournemouth, where she tutors on the BA Textiles course.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAVEw0lo1A31s8sApkEd9pg7G-qZezUFnnSsn2OSiG93yCimknmKR5Vd26Y7CpZkP9AbqKLc9BAq1eCIxwQY3AbSfoLsbnmSzjoOWs1JYZhWblcMp0JOVXLeYEbcfCoL9fRLpm-pVEZbPK/s1600/Grand+Canale.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAVEw0lo1A31s8sApkEd9pg7G-qZezUFnnSsn2OSiG93yCimknmKR5Vd26Y7CpZkP9AbqKLc9BAq1eCIxwQY3AbSfoLsbnmSzjoOWs1JYZhWblcMp0JOVXLeYEbcfCoL9fRLpm-pVEZbPK/s320/Grand+Canale.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Grand Canale, Venice, </em><span style="font-family: Arial; font-size: xx-small;">mixed media on paper, 32.5 x 31.5 cm</span></td></tr>
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It is often remarked that her work bears a resemblance to textile, a comparison which Nicola encourages, seeing her paintings and collages as closely related to her textile designs.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrO1DHzmZ9_4oxGWMrQmbAXr6T3PKVjSnmWpOBjHzgHeYwSBr6iYByDmRkM0nu-x4qevraPYx0jKVtqFt-fN7WIvQo090Vsjb5CHeOV8oz1ftwvuJIDpj1KTMsN9Wp_mFlYJH6LarhPvJC/s1600/Harbour+View.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrO1DHzmZ9_4oxGWMrQmbAXr6T3PKVjSnmWpOBjHzgHeYwSBr6iYByDmRkM0nu-x4qevraPYx0jKVtqFt-fN7WIvQo090Vsjb5CHeOV8oz1ftwvuJIDpj1KTMsN9Wp_mFlYJH6LarhPvJC/s320/Harbour+View.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Harbour View, </em><span style="font-family: Arial; font-size: xx-small;">mixed media on canvas, 32 x 39 cm</span></td></tr>
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For more information on Nicola's solo show see the gallery <a href="http://www.curwengallery.co.uk/gallery/lord15/title.htm" target="_blank">website</a>.Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-56757994375874585112015-07-10T11:24:00.002+01:002015-07-10T11:35:30.813+01:00ALISON ELLIOTT: ARTIST INTERVIEW<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9NUwgwk_y9AmVmd6FgfLR_Odo-11ZGY6QrYOp_SzF2IAuBWYgh8zYpZg21RWMohDmXZA0undA6wZ0XmqUKe2gGgSRGMDATfzBWdFh9xyeGMoIDfE0GYYb4UALbsm_DJkcpzeLgRuhmteW/s1600/interviewtitle.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="80" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9NUwgwk_y9AmVmd6FgfLR_Odo-11ZGY6QrYOp_SzF2IAuBWYgh8zYpZg21RWMohDmXZA0undA6wZ0XmqUKe2gGgSRGMDATfzBWdFh9xyeGMoIDfE0GYYb4UALbsm_DJkcpzeLgRuhmteW/s400/interviewtitle.jpg" width="400" /></a></div>
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<i><span lang="EN-US">Last
October Sir Peter Blake, Anthony Green RA and Nicholas Usherwood presented
Alison Elliott with the Curwen Gallery Prize for Figurative Painting. </span></i><br />
<i><span lang="EN-US"><br /></span></i>
<i><span lang="EN-US">Her prize
was representation by Curwen Gallery and a solo exhibition with the gallery this July. <br /><br />We met her in
her studio to discuss the new work…<br /><br /><o:p></o:p></span></i></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzP9x-OmfRTLClaONApHUTYCHJFS1If03bJ9yH5ROnusnljcdYHg-4iQaY7yZprap125XD0zTHjBPj3GbIdw1CfA4l0vutqiB0darL818xNTRQJeXl-pBpIYfXooyHLfg-dpXgbPAQPSi2/s1600/profilepic.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="216" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzP9x-OmfRTLClaONApHUTYCHJFS1If03bJ9yH5ROnusnljcdYHg-4iQaY7yZprap125XD0zTHjBPj3GbIdw1CfA4l0vutqiB0darL818xNTRQJeXl-pBpIYfXooyHLfg-dpXgbPAQPSi2/s320/profilepic.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alison Elliott with <i>Lord of Men I</i></td></tr>
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<b><span lang="EN-US">Curwen Gallery:</span></b><span lang="EN-US">
In the early stages of the competition we were very impressed by the impeccable
attention to detail in your paintings. <br /><br /><o:p></o:p></span></div>
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<span lang="EN-US">I think it was this level of detail that
set you apart from the other artists in the competition and ultimately won you
the prize.<o:p></o:p></span>Was it a conscious decision to work in such minute detail?</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFXS0Pts5djfyva9-wGWs0shJPEi5YqzTA97H_-SL14BOGCMXd5XFBh-3m7V8ETzfNB7PkrsCUM9xdvBOwUXSpfzumyrkviZOk8l3g-ikn6Hy_l_xzSpuzFnTwBrGNfCvOsmYp18NpxNVe/s1600/AlisonElliott.Fledalji.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFXS0Pts5djfyva9-wGWs0shJPEi5YqzTA97H_-SL14BOGCMXd5XFBh-3m7V8ETzfNB7PkrsCUM9xdvBOwUXSpfzumyrkviZOk8l3g-ikn6Hy_l_xzSpuzFnTwBrGNfCvOsmYp18NpxNVe/s320/AlisonElliott.Fledalji.jpg" width="264" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fledalji, <em style="font-family: Arial; font-size: x-small;">Fledalji,, </em><span style="font-family: Arial; font-size: xx-small;">oil on canvas, 224 x 183cm</span></td></tr>
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<span lang="EN-US"> A</span><b><span style="color: #525252;">lison
Elliott: </span></b><span style="color: #525252;">My work has always been about detail. I want each subject
to come to life…so much so that one can almost feel them breathing, rather like
a ‘tableau vivant’. The beauty of my paintings is achieving this.</span></div>
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<span lang="EN-US"><b><br />
Curwen Gallery:</b> I remember you saying that you considered yourself to be
largely self-taught. How did you learn the techniques that you use in your
current work? <br />
<br />
<b><span style="color: #525252;">Alison
Elliott: </span></b><span style="color: #525252;">I am completely self-taught. I
learnt from reading and experimenting with different techniques and supports
until I began to feel comfortable with what I was doing. It’s taken me years to
get to the stage I am at now and I still feel constantly challenged by the
medium.</span><span style="color: #767171;"> <o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_na7Y3dx6FoKCto_dx1pJpnltSntQM9Tljyc1_YCuC9o0Vv3IfNvnb619s4ntDyzB0igCnm_EYeRtrvmMqQtLaJdlS0oOSIpYReec06QkJ67_8uh5VYKRyuaIcSraN1LhcA1HKqO_W3kf/s1600/giraffe.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_na7Y3dx6FoKCto_dx1pJpnltSntQM9Tljyc1_YCuC9o0Vv3IfNvnb619s4ntDyzB0igCnm_EYeRtrvmMqQtLaJdlS0oOSIpYReec06QkJ67_8uh5VYKRyuaIcSraN1LhcA1HKqO_W3kf/s320/giraffe.jpg" width="197" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Boy, </em><span style="font-family: Arial; font-size: xx-small;">127 x 203cm, oil on canvas</span><br />
<span style="font-family: Arial; font-size: xx-small;">£19,995</span></td></tr>
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<span lang="EN-US" style="color: #525252;"><br /></span><span lang="EN-US" style="color: #525252;">I consider myself as a classical artist. I prefer to use
the more traditional techniques. I start by putting an imprimatura / stain on
each canvas. I then spend a lot of time placing the subject on the canvas in
pencil, before I consider picking up a brush. </span><a href="file:///C:/Users/User/Documents/Exhibition%20Handouts/Alison%20Elliott/AlisonElliott.Interview.doc#_ftn3" name="_ftnref3" title=""><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 10.0pt; line-height: 115%;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 10.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;">[3]</span></span><!--[endif]--></span></span></a><span lang="EN-US" style="color: #525252;"><br />
I then slowly build up layers of oil to form the image and finish it with a
traditional glazing technique. <br /><br /><o:p></o:p></span></div>
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<span lang="EN-US" style="color: #525252;">I have always used
Old Holland oil paints, bought from Russell and Chapple, a traditional company
now based on Store Street, close to Curwen Gallery. They always make my
canvases from double oil primed French linen. It’s not the cheapest canvas to
buy but it’s the best for my work. It’s the most wonderful surface to work on.<br /><br /><o:p></o:p></span></div>
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<b><span lang="EN-US">Curwen
Gallery:</span></b><span lang="EN-US"> How long does it take to make your larger
works? For instance <i>Fledalji</i> (above)
what kind of time scale are we talking about for you to make a painting of that
size?<br /><br /><b><o:p></o:p></b></span></div>
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<b><span lang="EN-US" style="color: #525252;">Alison Elliott: </span></b><span lang="EN-US" style="color: #525252;">My large portraits take approximately three to six
months. My rearing horse ‘Fledalji’ took a bit longer. I usually work on two
paintings at a time to allow for drying time as well as to remain focused and
keep a fresh eye on them. <br /><br /><o:p></o:p></span></div>
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<b><span lang="EN-US">Curwen
Gallery: </span></b><span lang="EN-US">There
are no background features around each animal in your work, what was it that
made you decide to paint in this way?<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizD7ZdhV5hmLJJiEB6JsCbmEjh9XcZYp0qBdMegGEuu9lwgBb2P906OcqgjLwRT1uuyWnt-td6srln2pXiS57zyn43SENZESANWuY_FGaYW9rLkwvQbTYnzljk-sKSEZ_WtYma0abhKFey/s1600/studiointerior.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizD7ZdhV5hmLJJiEB6JsCbmEjh9XcZYp0qBdMegGEuu9lwgBb2P906OcqgjLwRT1uuyWnt-td6srln2pXiS57zyn43SENZESANWuY_FGaYW9rLkwvQbTYnzljk-sKSEZ_WtYma0abhKFey/s320/studiointerior.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alison's Studio in Cambridge with Lord of Men II</td></tr>
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<b><span lang="EN-US" style="color: #525252;">Alison
Elliott: </span></b><span lang="EN-US" style="color: #525252;">Each blank canvas
provides that integral space for each subject to project itself from. I want
the main focus to be on my subject and I don’t feel the need to distract from
this by adding anything else. Less is more.<br /><br /><o:p></o:p></span></div>
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<span lang="EN-US" style="color: #525252;">I work in a similar
way to [the photographer] Tim Flachs. He strips the picture down to just the
bare essentials. The focus on the subject is emphasised by “cutting it out”
from its context. I feel that it makes them more striking and contemporary.<o:p></o:p></span></div>
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<b><span lang="EN-US">Curwen
Gallery: </span></b><span lang="EN-US">How
much did your time at Winchester and Newcastle Polytechnic influence your work?
<br /><br /><b><span lang="EN-US" style="color: #525252;">Alison Elliott: </span></b><span lang="EN-US" style="color: #525252;">I did my Art Foundation at Winchester. I developed a wide range of skills during this period. It was the first time I’d experienced life-drawing, which is an incredibly important discipline to learn. I also did my first photographic work there, which is still an essential part of my practice.</span><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisJwFbAoCzlTbonOCcOALRA4N3T8a2ssV1WJAmwSBRqftTO8E2cZXNCo_BblZWbZ-BXIFZphI_6gQCZWktkTG8nvW3j2QqzS5ocHNXEtsCoTgRjI4Q0Ngef_QUzRhsovAglExQydLzUZW9/s1600/pug.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisJwFbAoCzlTbonOCcOALRA4N3T8a2ssV1WJAmwSBRqftTO8E2cZXNCo_BblZWbZ-BXIFZphI_6gQCZWktkTG8nvW3j2QqzS5ocHNXEtsCoTgRjI4Q0Ngef_QUzRhsovAglExQydLzUZW9/s320/pug.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Pug, </em><span style="font-family: Arial; font-size: xx-small;">oil on canvas, 110 x 110cm</span><br />
<span style="font-family: Arial; font-size: xx-small;">£12,500</span></td></tr>
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<span lang="EN-US" style="color: #525252;">
I did my BA in Fashion at Newcastle Polytechnic. I was one of the few students
that could draw and so my illustration skills developed a lot during that
period. Even then though, I never stopped sketching animals.<br /><br /> I remember once I
had an interview with [fashion designer] Thierry Mugler’s assistant. In my
press book I had several sketches and montages which featured illustrations of
pug dogs….she thought the dogs were incredible!<br /><br /><o:p></o:p></span></div>
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<b><span lang="EN-US">Curwen
Gallery: </span></b><span lang="EN-US">What
has been your career trajectory? Which exhibitions and opportunities do you
think have particularly helped you? <br /><br /><b><span lang="EN-US" style="color: #525252;">Alison Elliott: </span></b><span lang="EN-US" style="color: #525252;">My first ever exhibition was in the home of [French Playwright and Actor] Moliére in Pèzenas, France. That was a collection of pen and ink illustrations of the medieval buildings reviewed by the Midi Libre. I’ve also been </span><span lang="EN-US" style="color: #525252;">regularly showing with the Society of Equestrian Artists at the Mall Galleries and at Newmarket Racecourse. </span><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB9qZW-Pwzw2PZMzmCyQ_my08eYXjLLfUPiPOD6Z-0xF3A5hbeHOJRq8CvhRXtM2ewdKMvci-DCfbeFBS2upVv5NJI8RJzT5e41CimPqP9AzIgWPH2UubS9EdznYcadZfqInRgcyO565Tr/s1600/AlisonElliott.FrankNicholls.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB9qZW-Pwzw2PZMzmCyQ_my08eYXjLLfUPiPOD6Z-0xF3A5hbeHOJRq8CvhRXtM2ewdKMvci-DCfbeFBS2upVv5NJI8RJzT5e41CimPqP9AzIgWPH2UubS9EdznYcadZfqInRgcyO565Tr/s320/AlisonElliott.FrankNicholls.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Frank Nichols, </em><span style="font-family: Arial; font-size: xx-small;">oil on board,10 x 13cm</span><br />
<span style="font-family: Arial; font-size: xx-small;">£650</span></td></tr>
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<span style="color: #525252;">Some time ago I sold
my first horse portrait to Royalty in the Middle East. My first miniature
commission was a dog for the Earl of Cadogan, as a gift from the Countess.</span></div>
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<span lang="EN-US" style="color: #525252;">More recently I have
been showing a selection of works at the Sloane Club in Chelsea and then, of
course the Curwen Gallery Painting Prize, which I was thrilled to win last
October.<o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfxshc9hugP1gAxfmxVy06ZMH1slo47OCrp-Jo6sMuX0Be6h0yq-1_V052Tjnd3rJ0fDQvPW-nGOJ8lTjV-KwlXFynZAufJWfO_xBOCgQK6rf5jayce4U8lX5lV3DHKdrnpE_IsrSWPVnj/s1600/hernando.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfxshc9hugP1gAxfmxVy06ZMH1slo47OCrp-Jo6sMuX0Be6h0yq-1_V052Tjnd3rJ0fDQvPW-nGOJ8lTjV-KwlXFynZAufJWfO_xBOCgQK6rf5jayce4U8lX5lV3DHKdrnpE_IsrSWPVnj/s320/hernando.jpg" width="216" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Hernando, </em><span style="font-family: Arial; font-size: xx-small;">oil on canvas, 152 x 107cm</span><br />
<span style="font-family: Arial; font-size: xx-small;">£19,995</span></td></tr>
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<b><span lang="EN-US">
Curwen Gallery:</span></b><span lang="EN-US"> Do you consider yourself to be a
portrait artist? Many of these works are of very specific animals, such as <i>Visindar</i> and <i>Lord of Men</i>, but some seem more universal, such as <i>Boy</i> or <i>Fledalji</i>. Is the history and character of each animal important to
you? <br /><br /><span style="color: #767171;"><o:p></o:p></span></span></div>
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<b><span lang="EN-US" style="color: #525252;">Alison Elliott: </span></b><span lang="EN-US" style="color: #525252;">Yes, I do consider myself to be a portrait artist. I
would say that most of my paintings are very specific to the subject. <i>Boy</i> was actually a six month old giraffe
that I photographed in South Australia.
It is part of my creative process to identify the animal and to
communicate the ideas and subjects which reflect their character. <br /><br /><o:p></o:p></span></div>
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<b><span lang="EN-US">Curwen Gallery:
</span></b><span lang="EN-US">What is it about horses as a subject matter
which so captures your imagination? They constitute around half of the whole
body of work that we are </span><span lang="EN-US">showing this July. Your level of interest must show
more than just a love of their appearance.<br /><br /><o:p></o:p></span></div>
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<b><span lang="EN-US" style="color: #525252;">Alison Elliott: </span></b><span lang="EN-US" style="color: #525252;">I believe the horse as a subject is one of the hardest
animals to paint and I challenged myself many years ago to see if I could. I
think that I have now proved to myself that I can, perhaps that is why I’m
currently working on developing my paintings of large dogs!<br /><br /><o:p></o:p></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNfs1vlKOZuVgV6_iLvoubWIZxkpkt3pQBL_9Im-etBHyrR2M1TeF7W41i-7Prz4UdaeO3jFIuSCf03-g5asefnQO7Mf2uAK6nE3400IyXwC1c41Z5WM0IdSNnQ77Ea3jy5ICvg2IVX0om/s1600/AlisonElliott.Molly.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNfs1vlKOZuVgV6_iLvoubWIZxkpkt3pQBL_9Im-etBHyrR2M1TeF7W41i-7Prz4UdaeO3jFIuSCf03-g5asefnQO7Mf2uAK6nE3400IyXwC1c41Z5WM0IdSNnQ77Ea3jy5ICvg2IVX0om/s320/AlisonElliott.Molly.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Molly, </em><span style="font-family: Arial; font-size: xx-small;">oil on board,10 x 13cm</span><br />
<span style="font-family: Arial; font-size: xx-small;">£650</span></td></tr>
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<span lang="EN-US" style="color: #525252;">Two years ago I began focusing on the Arabian Horse as a
breed and I selected Stivalery BJ to be my first painting. I set up a
photoshoot where she was based. I hung a 12 foot canvas backdrop and photographed
her standing as a show Arabian should stand. I
photograph the dogs I paint in the same way, although they come to the studio.<br /><br /><o:p></o:p></span></div>
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<b><span lang="EN-US">Curwen
Gallery:</span></b><span lang="EN-US"> The scale of your work is obviously very
important to you as you paint in both life-size and miniature. Is this to do
with visual impact or is it more to do with creating an accurate portrait of
the animals that are your subject?<span style="color: red;"><o:p></o:p></span></span></div>
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<span lang="EN-US"><br /></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx5yjIoX5npwn-o2TTszKfTxVsGTtqOl6KOoBK7KiyKpVplUWpxVQt4zY5nJXGahGiWhl1wAgCnYTuryC-wlec_0UwGX-0M1cbis60NIW-9Tc1dOdP56Y3zIGf9_O2eyY12uYhnFui3b7x/s1600/Alison+Elliott%252C+Visindar%252C+oil+on+canvas.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="202" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx5yjIoX5npwn-o2TTszKfTxVsGTtqOl6KOoBK7KiyKpVplUWpxVQt4zY5nJXGahGiWhl1wAgCnYTuryC-wlec_0UwGX-0M1cbis60NIW-9Tc1dOdP56Y3zIGf9_O2eyY12uYhnFui3b7x/s320/Alison+Elliott%252C+Visindar%252C+oil+on+canvas.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Visindar, </em><span style="font-family: Arial; font-size: xx-small;">oil on canvas,122 x 193cm</span><br />
<span style="font-family: Arial; font-size: xx-small;">£19,995</span></td></tr>
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<span lang="EN-US"><br /></span></div>
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<b><span lang="EN-US" style="color: #525252;">Alison Elliott: </span></b><span lang="EN-US" style="color: #525252;">It is a completely subconscious decision, as every
subject will dictate their finished size on the canvas. I have been
experimenting with size and scale. Last year I began painting my first
miniatures and now I’m beginning a collection of larger than life dog portraits.
Whatever size they are I still want to recreate their every detail and bring
them to life!<o:p></o:p></span></div>
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Curwen Gallery is currently holding a solo exhibition of Alison Elliott's new paintings. <br />
<br />
For more information see: http://www.curwengallery.co.uk/gallery/elliott15/title.htm</div>
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</div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-52051229320269238632015-07-02T14:53:00.002+01:002015-07-02T15:02:17.031+01:00Curwen Gallery takes on Jon Wealleans and Gerald Mynott following closure of Francis Kyle Gallery<span style="font-family: Arial, Helvetica, sans-serif;">Curwen Gallery has recently taken on two new artists, Gerald Mynott and Jon Wealleans following the closure of Francis Kyle Gallery. </span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheHYsYAhcWdiL5p0LQIag_kl5rMynRge8CUFR3I2a3twsUPeBxmBAwc1oD5iwM5fuo-ir3XMp7AGw-DKA0fIhTbQ6FInZQ0UmFff2jB3P7YxRONm_JyNiR91l0CMSaHWqlnVHYz3a0eITt/s1600/12197+Charleston+farmhouse.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheHYsYAhcWdiL5p0LQIag_kl5rMynRge8CUFR3I2a3twsUPeBxmBAwc1oD5iwM5fuo-ir3XMp7AGw-DKA0fIhTbQ6FInZQ0UmFff2jB3P7YxRONm_JyNiR91l0CMSaHWqlnVHYz3a0eITt/s320/12197+Charleston+farmhouse.JPG" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif; font-size: x-small;">Charleston Farmhouse</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #636262;"><b>Gerald Mynott</b> was born in London in 1957. He studied Heraldry at Reigate College of Art and Design and then went on to study at the Künstlerhaus, Vienna. </span><o:p style="color: #636262;">Until recently Gerald Mynott was represented by Francis Kyle Gallery, where he had being showing his work since 1980.</o:p></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkyxAol-UYv7onO7i-WfoLWKy1XX3CTHNIaJoczbwKuhDAQqZ887vVDqt41Vmr8UlIzaXe5wEfghAtZL_DnN53b1ogGjPkJuooqdqFb8WX3taYD7I9Cx5ST0pEk-BMo_shUZQAcs_73WKP/s1600/12126+Bridge+over+the+Vistula+River+at+Cracow%252C+Poland.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkyxAol-UYv7onO7i-WfoLWKy1XX3CTHNIaJoczbwKuhDAQqZ887vVDqt41Vmr8UlIzaXe5wEfghAtZL_DnN53b1ogGjPkJuooqdqFb8WX3taYD7I9Cx5ST0pEk-BMo_shUZQAcs_73WKP/s320/12126+Bridge+over+the+Vistula+River+at+Cracow%252C+Poland.jpg" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif; font-size: x-small;">Pagdorze District, View from Vistula, Cracow</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #636262;">He works predominantly with oil on canvas, with occasional use of pastel and lithography. His paintings capture fleeting scenes in the great European cities, focusing mainly on the architecture and public spaces of Vienna, London and Venice.</span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzSWEcJtzQEexh3seNA4jC5bQgEznlkfzgbjQmdD-9L-vqR1Eg2zVTKLAPdNyQMkeh9zTvYI61dDQE7f98T1YGnaLoRt57EeQ97lDPE8OX2UWFY0NUjgxYKItgPLKuXiG0ImrYWwu4Ozoj/s1600/12180+Heian+temple-+Kyoto.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzSWEcJtzQEexh3seNA4jC5bQgEznlkfzgbjQmdD-9L-vqR1Eg2zVTKLAPdNyQMkeh9zTvYI61dDQE7f98T1YGnaLoRt57EeQ97lDPE8OX2UWFY0NUjgxYKItgPLKuXiG0ImrYWwu4Ozoj/s320/12180+Heian+temple-+Kyoto.JPG" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif; font-size: x-small;">Heian Temple- Kyoto</span></td></tr>
</tbody></table>
<span style="font-family: Arial, Helvetica, sans-serif;"> <span style="color: #636262;">He will be exhibiting his new paintings with Curwen Gallery in December 2016. For more information see Gerald's website by clicking <a href="http://www.curwengallery.co.uk/gallery/mynott16/title.htm" target="_blank">here</a>. </span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span class="style20"><o:p><b>Jon Wealleans</b></o:p></span><span class="auto-style4" style="color: #5f5d5d;"> was born in Yorkshire in 1946. He studied architecture at Bournemouth and Poole College of Art followed by post-graduate studies in design at the Royal College of Art, where he is now an Honorary Fellow.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><o:p></o:p></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2nhr-sInViGP8S-SC61B6ld3D3wyalyV_ymtDTello8WcVQT9uFFIPrtmZI8xpD2b6bAToStiguhrOELmC2OY0IZNh16tzrrrTzkK5OwG6gZDokTq1zj_ij60tDHI3S_qDzhnSUeNbumZ/s1600/The+Gates+of+Eden.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2nhr-sInViGP8S-SC61B6ld3D3wyalyV_ymtDTello8WcVQT9uFFIPrtmZI8xpD2b6bAToStiguhrOELmC2OY0IZNh16tzrrrTzkK5OwG6gZDokTq1zj_ij60tDHI3S_qDzhnSUeNbumZ/s320/The+Gates+of+Eden.jpg" width="238" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Homage to Bob: The Gate's of Eden</td></tr>
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<span class="style1145"><span style="font-family: Arial, Helvetica, sans-serif;">He began his career as an architect, working for the Building Design Partnership, Foster Associates and then setting up his own practice. In the 1960s he acquired a reputation for designing eccentric shop interiors including renowned rock-fashion boutique, Mr Freedom.<br /><br /><o:p></o:p></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_7uiCpxweF-mFLaH2HwoLF5NdhkzcXMLra1DRGPxTu3N7bdQYq4J7DWXGLCCNGKG2DMuAT6Xvl0IAKUuVBE7b46p80L6F2IdqB4CTPgElhzXlkylH32n68sDcWbw8K0Ar42JosvrRD_v5/s1600/Maggie%2527s+Farm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_7uiCpxweF-mFLaH2HwoLF5NdhkzcXMLra1DRGPxTu3N7bdQYq4J7DWXGLCCNGKG2DMuAT6Xvl0IAKUuVBE7b46p80L6F2IdqB4CTPgElhzXlkylH32n68sDcWbw8K0Ar42JosvrRD_v5/s320/Maggie%2527s+Farm.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Homage to Bob: Maggie's Farm</td></tr>
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<span class="style1145"><span style="font-family: Arial, Helvetica, sans-serif;">During this period he also collaborated also with rock musicians and their management, including the Elton John Organisation and Led Zeppelin and taught architecture and design at the Architectural Association School of Architecture, the Royal College of Art and Kingston University.<o:p></o:p></span></span></div>
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<span class="style1145"><span style="font-family: Arial, Helvetica, sans-serif;">Since the 1990s he has concentrated mainly on painting and until recently was represented by Francis Kyle Gallery, London.<br /><br /><o:p></o:p></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyq22XZ4WxB46_ToymrWMB5MrYUdHJzH0PFirt86OWMKBtsWqnvLmnoaFKAo71CUtR6tbir9eTWfXz1U-SpFd24fLuMHSHOrfjHDZkhMfx4cH8PWBGb2lMowxO2174X9gM4DZgnMtsgi32/s1600/homagetobob.thedriftersescape.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhyq22XZ4WxB46_ToymrWMB5MrYUdHJzH0PFirt86OWMKBtsWqnvLmnoaFKAo71CUtR6tbir9eTWfXz1U-SpFd24fLuMHSHOrfjHDZkhMfx4cH8PWBGb2lMowxO2174X9gM4DZgnMtsgi32/s320/homagetobob.thedriftersescape.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Homage to Bob: The Drifter's Escape</td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">His new series of works is a collection of figurative oil paintings loosely based upon the song titles of Bob Dylan. He will be showing them at Curwen Gallery in May 2016.<o:p> </o:p><span style="color: #636262;">For more information see Jon's website by clicking </span><a href="http://www.curwengallery.co.uk/gallery/wealleans16/title.htm" target="_blank">here</a><span style="color: #636262;">.</span></span></div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com1tag:blogger.com,1999:blog-3172471973747246349.post-57410939657325516762015-06-08T12:38:00.001+01:002015-06-17T10:14:28.543+01:00Curwen Gallery Auctions: Now Open!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ItUW8QJm-ihk0pZ-7o5jmnEq0GT5YjSGGcdsI-wysHUDQza4GPeS8lBwdGLdg8LzbWdElhaznMetTx3r29zWaNGu8VxmoWQLcqEEPZqRETzMPu3qbOOJy4ot9SZXB7YgKdSjH-7vAR1O/s1600/window.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ItUW8QJm-ihk0pZ-7o5jmnEq0GT5YjSGGcdsI-wysHUDQza4GPeS8lBwdGLdg8LzbWdElhaznMetTx3r29zWaNGu8VxmoWQLcqEEPZqRETzMPu3qbOOJy4ot9SZXB7YgKdSjH-7vAR1O/s320/window.jpg" width="292" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">Our 2015 auctions are now open. The catalogues are available to view on The-Saleroom.com <a href="http://www.the-saleroom.com/en-gb/auction-catalogues/curwen-gallery" target="_blank">here</a>. This year our auctions include 230 paintings and prints from the gallery collection.</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVpNHMOla-Yxqbr9SfvA-gP4vmCv11CgBySm5AXAxvJXmS0Dl75z59qDVZxiqFzJBLePo5g7IRBzzMs_iznKJL6MeNT5PKjP_DFuPakaiecNRE3hx6eQfMZIyF-YAqtgoijH1Ej5ECgtpv/s1600/interiorshot.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVpNHMOla-Yxqbr9SfvA-gP4vmCv11CgBySm5AXAxvJXmS0Dl75z59qDVZxiqFzJBLePo5g7IRBzzMs_iznKJL6MeNT5PKjP_DFuPakaiecNRE3hx6eQfMZIyF-YAqtgoijH1Ej5ECgtpv/s320/interiorshot.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Artwork in this years auction hanging salon style in the main gallery</td></tr>
</tbody></table>
<span style="font-family: Arial, Helvetica, sans-serif;">As with previous years, there will be two auctions, both of which have online catalogues on The-Saleroom.com. One auction will take place online over a two week period (the 'Timed Auction') the other will take place in the gallery on the evening of 23rd June (the 'Live Auction'). All of the artwork in both auctions is currently on show in the gallery.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjFEkxBe4hVDvFCs4pARQIDBJVrtgM7mRK7RPS0b4Z_Py_AVVfgElNc4KgX_rVMVfQ5OgnE7iOaVpnpXxZ6_aKy55xyQtV644nJkBpHu6oYKkFxxQjegk0PCxB5b14Jdcfw7Fs04yqFND/s1600/Hoyland,+Anniversary.jpg" imageanchor="1" style="clear: right; color: #c94093; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-decoration: none;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjFEkxBe4hVDvFCs4pARQIDBJVrtgM7mRK7RPS0b4Z_Py_AVVfgElNc4KgX_rVMVfQ5OgnE7iOaVpnpXxZ6_aKy55xyQtV644nJkBpHu6oYKkFxxQjegk0PCxB5b14Jdcfw7Fs04yqFND/s1600/Hoyland,+Anniversary.jpg" style="border: none; padding: 0px;" width="157" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 10.3999996185303px; text-align: center;">John Hoyland, <i>Curwen Anniversary Print</i>,<br />
lithograph, Est. £200-300 (Retail value £900)</td></tr>
</tbody></table>
<br />
<span style="background-color: #c2d5dc; color: #4c4c4c; font-family: Arial, Helvetica, sans-serif; line-height: 20.8000011444092px;">If you haven't been to our auctions before then you will be in for a treat. The annual auctions are, for good reason, one of the best attended events in our calendar and are an excellent place to buy artwork for a greatly reduced price. </span><br />
<span style="background-color: #c2d5dc; color: #4c4c4c; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 13px; line-height: 20.8000011444092px;"></span><span style="background-color: #c2d5dc; color: #4c4c4c; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 13px; line-height: 20.8000011444092px;"><br /></span>
<br />
<div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZBD7E7oCXNMI6-V7tKlJwgT7IM-T4mUnBiEgHn31UGC1Q4xE1uDvKwNGnrO3hZd_JdEZhrYrGPy71xIGSGvHMZCLp5ctLsEIEOhGqeIoXRAJbMJ08LhMkSJ_UOI6pVdx2Qc-shY8iGWXL/s1600/finishingtouches.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZBD7E7oCXNMI6-V7tKlJwgT7IM-T4mUnBiEgHn31UGC1Q4xE1uDvKwNGnrO3hZd_JdEZhrYrGPy71xIGSGvHMZCLp5ctLsEIEOhGqeIoXRAJbMJ08LhMkSJ_UOI6pVdx2Qc-shY8iGWXL/s320/finishingtouches.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Associate Director Natalie Suggitt preparing the auction lists</td></tr>
</tbody></table>
<br />
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMRnXT5KjD9rvqiuko-b9GBFo6wFQNJIlv8Q57aGTjqWAXYXsXghonsetsY4dwvWtwW2OZjifUwZNOTdNDiTU6TEZv7cv7yRmeyW5HOY1RytXqJpSHGtgowjGpk8JB5qdn7UN7Q2UoNXMY/s1600/Hansbro+Rejuvenated+Unicorn.jpg" imageanchor="1" style="color: #c94093; margin-left: auto; margin-right: auto; text-decoration: none;"><img border="0" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMRnXT5KjD9rvqiuko-b9GBFo6wFQNJIlv8Q57aGTjqWAXYXsXghonsetsY4dwvWtwW2OZjifUwZNOTdNDiTU6TEZv7cv7yRmeyW5HOY1RytXqJpSHGtgowjGpk8JB5qdn7UN7Q2UoNXMY/s1600/Hansbro+Rejuvenated+Unicorn.jpg" style="border: none; padding: 0px;" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 10.3999996185303px;">Brendan Hansbro, <i>Rejuvinated Unicorn</i>,<br />
wood engraving, 11 x 16cm, Est. £30-50</td></tr>
</tbody></table>
<span style="color: #4c4c4c; font-family: Trebuchet, Trebuchet MS, Arial, sans-serif;"><span style="background-color: #c2d5dc; line-height: 20.8000011444092px;">A few of our favourite pieces have been selected to be included in this years auction. With many reasonably priced works rubbing shoulders with more valuable, highly collectible works, there really is something for everyone in the auction. </span></span><br />
<span style="color: #4c4c4c; font-family: Trebuchet, Trebuchet MS, Arial, sans-serif;"><span style="background-color: #c2d5dc; font-size: 13px; line-height: 20.8000011444092px;"><br /></span></span>
<br />
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsZl5dOl7EcZYd0P3xcc8abxJpD1UHnd2KHc4wsWrKqDxGIdm911MsKL8BIfa38FWzTR_DUDVjMEpiK5LYCBBlhi1G25ICCxX05Zi04e-sdCcNY7wF-G3wdfilG-6k20X3xGq9KJSATcgc/s1600/Hamilton+Fraser,+launchwash.jpg" imageanchor="1" style="color: #c94093; margin-left: auto; margin-right: auto; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsZl5dOl7EcZYd0P3xcc8abxJpD1UHnd2KHc4wsWrKqDxGIdm911MsKL8BIfa38FWzTR_DUDVjMEpiK5LYCBBlhi1G25ICCxX05Zi04e-sdCcNY7wF-G3wdfilG-6k20X3xGq9KJSATcgc/s1600/Hamilton+Fraser,+launchwash.jpg" style="border: none; padding: 0px;" width="239" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 10.3999996185303px;">Donald Hamilton-Fraser, <i>Launch Wash</i>,<br />
screenprint, 69 x 53cm, Est. 300-400 (Retail value: £950)</td></tr>
</tbody></table>
<span style="background-color: #c2d5dc; color: #4c4c4c; font-family: Arial, Helvetica, sans-serif; line-height: 20.8000011444092px;">The artwork for sale is a combination of classic lithographs by Modern British artists which we have acquired from Curwen Studio (often from big name artists such as Donald Hamilton- Fraser, Leonard Rosoman and John Piper) and more contemporary work from gallery artists. Estimates range from £5 to £2000 and cover all areas in between.</span><br />
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOGWEMm3GR0dQ7D7NszBeboNKnnIZUQyWbElBd3hWJ9zSrB8t1w68a8pWJ7D9VsulAEwxaVzxFImCReK9QZyj6DvpAF6ZB9FDJsP2Lxd2b8uqKUYpeMN77Z_fGyP8rmMG2yLPNHVxfS18O/s1600/wiseman+horseguards.jpg" imageanchor="1" style="color: #c94093; margin-left: auto; margin-right: auto; text-decoration: none;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOGWEMm3GR0dQ7D7NszBeboNKnnIZUQyWbElBd3hWJ9zSrB8t1w68a8pWJ7D9VsulAEwxaVzxFImCReK9QZyj6DvpAF6ZB9FDJsP2Lxd2b8uqKUYpeMN77Z_fGyP8rmMG2yLPNHVxfS18O/s1600/wiseman+horseguards.jpg" style="border: none; padding: 0px;" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 10.3999996185303px;">Albany Wiseman, <i>Horseguards</i>,<br />
lithograph, 57 x 78cm, Est. £50-80 (Retail value:£250)</td></tr>
</tbody></table>
<span style="background-color: #c2d5dc; color: #4c4c4c; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; line-height: 20.8000011444092px;">The auctions are always a great place to find high quality work at a reasonable price, whether you are a dealer buying for investment and re-sale or a new homeowner looking to cover your walls inexpensively. Last year many people also just turned up to see the event itself and then found themselves getting sucked into the bidding.</span><br />
<br style="background-color: #c2d5dc; color: #4c4c4c; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 13px; line-height: 20.8000011444092px;" />
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9MemMeYHE6apB3mLWV4mDmPjki8ziXyLXKK5VsWQPCm2cyNXx2fYBo4S2a0Hriauzg4NYtYAneJKJvUJcTC4ktFAHU7zk99SndxD7sBsDcg95Gx38qxZUaeIU1AyPfnIqxy7fGBiv59T0/s1600/Grant,+Sugar+Suite+Orange.JPG" imageanchor="1" style="color: #c94093; margin-left: auto; margin-right: auto; text-decoration: none;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9MemMeYHE6apB3mLWV4mDmPjki8ziXyLXKK5VsWQPCm2cyNXx2fYBo4S2a0Hriauzg4NYtYAneJKJvUJcTC4ktFAHU7zk99SndxD7sBsDcg95Gx38qxZUaeIU1AyPfnIqxy7fGBiv59T0/s1600/Grant,+Sugar+Suite+Orange.JPG" style="border: none; padding: 0px;" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 10.3999996185303px;">Alistair Grant, <i>Sugar Suite Orange</i>, lithograph,<br />
70 x 89cm (framed), Est. £200-300 (Retail value: £425)</td></tr>
</tbody></table>
<span style="background-color: #c2d5dc; color: #4c4c4c; font-family: Arial, Helvetica, sans-serif; line-height: 20.8000011444092px;">There are always some fairly spectacular bargains to be had from the auctions with artwork often being sold for considerably less than its normal retail price (and even our very conservative estimates!).Obviously, the prices paid for lots depends entirely on who is in the room during the bidding.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="background-color: #c2d5dc; border: 1px solid rgb(255, 255, 255); color: #4c4c4c; font-family: Trebuchet, 'Trebuchet MS', Arial, sans-serif; font-size: 13px; line-height: 20.8000011444092px; margin-left: auto; margin-right: auto; padding: 4px; text-align: center;"><tbody>
<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6a0nSRr2Fw91udR05bfcoCNcAZPyhw0TR_3Mvm_K_ui749bWj0NSW-x-q2dhluDAR3bwZfQ4jiIqb4Kc7ERmz1ZRk3XmcrC-KnOMmOeMU-yzjijHXeBDdKnZZeqswqA0sPFsEtU1nHvgX/s1600/Walker,+Move+on+up.JPG" imageanchor="1" style="color: #c94093; margin-left: auto; margin-right: auto; text-decoration: none;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6a0nSRr2Fw91udR05bfcoCNcAZPyhw0TR_3Mvm_K_ui749bWj0NSW-x-q2dhluDAR3bwZfQ4jiIqb4Kc7ERmz1ZRk3XmcrC-KnOMmOeMU-yzjijHXeBDdKnZZeqswqA0sPFsEtU1nHvgX/s1600/Walker,+Move+on+up.JPG" style="border: none; padding: 0px;" width="233" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 10.3999996185303px;">Richard Walker, <i>Move On Up, </i>screenprint,<br />
140 x 101cm (framed), Est. £300-500 (Retail value: £1100)</td></tr>
</tbody></table>
<span style="color: #4c4c4c; font-family: Arial, Helvetica, sans-serif;"><span style="background-color: #c2d5dc; line-height: 20.8000011444092px;">For more information on the auctions visit the gallery <a href="http://www.curwengallery.co.uk/auction/index.htm" target="_blank">website</a> </span></span> </div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-66261449296921823022015-05-12T11:34:00.000+01:002015-05-12T11:34:49.774+01:00MARK CAZALET : ARTIST INTERVIEW<!--[if !mso]>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxP4dX7tnGVdYDOm2a15a8cWvemVaDYVAmfWZAi1voMSOUIu-hwMxIpqho1JJEXU5TxBFZUTebYlopARBt4c32B2ddkWhsW6ue-9-OR_yfIvyEIXmOoCYtWE3FLIBdFmKfk9DgPQE22txP/s1600/introducingheadline.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="58" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxP4dX7tnGVdYDOm2a15a8cWvemVaDYVAmfWZAi1voMSOUIu-hwMxIpqho1JJEXU5TxBFZUTebYlopARBt4c32B2ddkWhsW6ue-9-OR_yfIvyEIXmOoCYtWE3FLIBdFmKfk9DgPQE22txP/s400/introducingheadline.jpg" width="400" /></a></div>
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<span style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #767171; font-size: 13.0pt; line-height: 115%;"> 7th-28th May 2015</span></span><br />
<span style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #767171; font-size: 13.0pt; line-height: 115%;">Artist Talk: Tuesday 12th May from 6.30pm</span></span><br />
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #767171; font-size: 13.0pt; line-height: 115%;"></span></i><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #767171; font-size: 13.0pt; line-height: 115%;"><br /></span></i></div>
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<span style="font-size: small;"><i><span lang="EN-US" style="color: #767171; line-height: 115%;">Mark Cazalet is a new
artist to Curwen Gallery. We decided to get to know the man and his works a
little better …</span></i></span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpUXayacKsvpEvyZhlHNwUyfjU8HzRQViynF9vRBIID9Kg4Knnn8vKq1tt5VnZHuE_rocWpU0LoEcXg1mlqJZR2y-KrctqLw5VmCac9OOhggAX8flgCcg48WhMZGSz1lTZ-KBFDSqpfo8q/s1600/profilepic.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpUXayacKsvpEvyZhlHNwUyfjU8HzRQViynF9vRBIID9Kg4Knnn8vKq1tt5VnZHuE_rocWpU0LoEcXg1mlqJZR2y-KrctqLw5VmCac9OOhggAX8flgCcg48WhMZGSz1lTZ-KBFDSqpfo8q/s200/profilepic.jpg" width="200" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> What themes and ideas were you hoping to
communicate with the body of work which you will be showing in this exhibition?</span><span lang="EN-US"></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> The classical unity of works produced in
one place, at one time with one set of concerns; the arrival of the new day and
its equivalent decline into darkness - moments of transformation. </span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> In the past you have said that your work is about
“moments of transformation” – does your recent work explore these same ideas?
Which experiences have inspired these works?</span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> The writings of Thomas Merton, a
Benedictine Monk, who after a gadfly youth became a hermit in Gethsemani Monastery
in Kentucky.<span style="mso-spacerun: yes;"> </span>He wrote about the practice
of meditational silence and the experience of nature as a divine teacher and
inspiration.</span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> What is it about the depiction of nature that you find
an appropriate vehicle for your spiritual ideas?</span><span lang="EN-US"> <i style="mso-bidi-font-style: normal;"><span style="color: #5b9bd5;"></span></i></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs73I-nxQLcZaH9JwcD3UwPsEY5iLrGGwHlla-Z3_ibq8Qcr1Afm99SfNyh4J9c6MkoIntMufrIBG5BDz04eYiN7V7kWazfESVHAKUMpOAA252J7_k9Y7naplCfUpwzB1CSq74hj_sjOpf/s1600/_MG_1399.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhs73I-nxQLcZaH9JwcD3UwPsEY5iLrGGwHlla-Z3_ibq8Qcr1Afm99SfNyh4J9c6MkoIntMufrIBG5BDz04eYiN7V7kWazfESVHAKUMpOAA252J7_k9Y7naplCfUpwzB1CSq74hj_sjOpf/s320/_MG_1399.jpeg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><b>
</b><i>Magnificat Les Bassacs Wood Dawn II</i><br />
chalk on coloured paper, 34 x 74cm(framed)<br />£950</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark Cazalet:<span style="mso-spacerun: yes;"> </span></span></b><span lang="EN-US">The history of Modernism and beyond is a radical
separation from nature and concentration on the self-referential process of
self-reflexive creativity. <br />
</span></div>
<div class="MsoNormal">
<span lang="EN-US"></span></div>
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<span lang="EN-US"></span></div>
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<span lang="EN-US"><span style="mso-spacerun: yes;"><br /></span>That is a very worn down and
claustrophobic arena.<span style="mso-spacerun: yes;"> </span>As I teach in the
beautiful locale of the Luberon Valley I encourage my students to not only work
from what they see but spend time really seeing what is before them, it seemed
natural that I should do the same.<span style="mso-spacerun: yes;"> </span>The
spiritual you ask about is probably just feeling at one with nature and
thrillingly alive in this place.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> Do you feel that this recent body of work continues the
tradition of English Romantic Landscape painting in a contemporary manner?</span></div>
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<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> I am very wary of any attempt to continue
the tradition of English Neo Romantic or Romantic Tradition, despite being very
influenced by both epochs.<span style="mso-spacerun: yes;"> </span>We have to
make work that comes out of our own period and neither rely on the collateral
of others achievements nor the relevance of their work to their time. </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh55_VS3a5-QX0Pzdgo9KClE8TOe3KM3EI_u1UcHJ8mExaNrgxQLo6ZDFkPVcthPht20zy3eu5TGbD1r8Nd6f7qvRoCuR8dovm5ARphmCiryRv5A8EqH1rDWjq4VgM5yJd_Y_YcxSyKkzQr/s1600/a65.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="123" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh55_VS3a5-QX0Pzdgo9KClE8TOe3KM3EI_u1UcHJ8mExaNrgxQLo6ZDFkPVcthPht20zy3eu5TGbD1r8Nd6f7qvRoCuR8dovm5ARphmCiryRv5A8EqH1rDWjq4VgM5yJd_Y_YcxSyKkzQr/s320/a65.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Magnificat Les Bassacs Wood DawnV</i><br />
chalk on coloured paper,34 x 74cm (framed)<br />£950</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span lang="EN-US">Equally
we are formed by the traditions of our heritage and Romanticism is by no means
worn out with its emphasis on the individual’s perception, and nature being an
immeasurably precious source of inspiration as well as the means of our
existence – these it seems are ever-truer realities today.<span style="mso-spacerun: yes;"> </span>Perhaps for the first time there is an elegy
to a passing fragile nature that will soon be mourned by the following
generation.<span style="color: #7d6b4b;"> <br />
<br /><a href="https://www.blogger.com/blogger.g?blogID=3172471973747246349#_ftn2" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="color: #7d6b4b; font-family: "Calibri",sans-serif; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"></span></span></span></span></a><span style="mso-spacerun: yes;"></span></span><b style="mso-bidi-font-weight: normal;"><span style="color: #767171;">Curwen Gallery:</span></b><span style="color: #767171;"> You
have had a number of quite profound religious experiences. How have these
experiences changed your world view and the artwork that you create?</span></span></div>
<div class="MsoNormal">
<span lang="EN-US"><span style="color: #767171;"><br /></span><span style="color: #7d6b4b;"></span></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> As my friend Timothy Winton replied when I
asked him the same question: how does a fish feel about water?<span style="mso-spacerun: yes;"> </span>The religious viewpoint is all I do and see,
so I cannot imagine answering your question as if it weren’t there.<span style="mso-spacerun: yes;"> </span>It is the element in which I exist so
everything is religious. Re Ligare – to bind up a thing which is broken, a
splint for healing.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW9tV0_culMuSWwWb6WJhHBAR7r78zGmpOkqDu_qYYytQK75noeW_roVCjCdVfVn0iiVvo1y7xOZ1HBv66cabnglLQAf4XP36Kch6vgjljb9ZWSbLGgyHWVXI5t17nLXgrgN2YB4kiHDV1/s1600/a56.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="124" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiW9tV0_culMuSWwWb6WJhHBAR7r78zGmpOkqDu_qYYytQK75noeW_roVCjCdVfVn0iiVvo1y7xOZ1HBv66cabnglLQAf4XP36Kch6vgjljb9ZWSbLGgyHWVXI5t17nLXgrgN2YB4kiHDV1/s320/a56.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Magnificat Les Bassacs Wood Dawn VII<br />
</i>chalk on coloured paper,34 x 74cm (framed)<br />£950</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span lang="EN-US"></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> Do you find that your faith can be problematic in the
(largely secular) London art world? Do you think that this niche has created
opportunities for you or not?</span>
</div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> It has caused me problems with specific
gallery owners and certainly derailed one or two opportunities, probably for
the best in hindsight.<span style="mso-spacerun: yes;"> </span>I am not
convinced that the Art World is secular, increasingly people (in private)
follow all manner of eccentric, personalised, spiritualised belief systems.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">In the 1980s it was different when a legacy
of hard edged atheism ruled as a legacy of the radical political avant-garde.<span style="mso-spacerun: yes;"> </span>Now commerce and hyper individualism, more
corrosive ultimately, allow a broader inclusivity on the surface at least.<span style="mso-spacerun: yes;"> </span>The problem comes with representing The
Church as if one were an ambassador or preacher, neither of which I am- nor
want to be seen as. <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijvmyFMsBZJp5EiOnF3TU92aDPLc8GlV6PYqoOSjNQ3d1OHgtEFLOlr4i1thszMVseZH-v4vKKVC8ObiaZ94jNCzUHqxw-rjvwvuaSoeHOHjG1NOrwwcoHbkJw-SxhAxVUThDfBfKk7B7z/s1600/m5.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="146" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijvmyFMsBZJp5EiOnF3TU92aDPLc8GlV6PYqoOSjNQ3d1OHgtEFLOlr4i1thszMVseZH-v4vKKVC8ObiaZ94jNCzUHqxw-rjvwvuaSoeHOHjG1NOrwwcoHbkJw-SxhAxVUThDfBfKk7B7z/s200/m5.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Les Basaacs Magnificat 5,</i>oil on board, 17 x 24cm<br />£650</span></td></tr>
</tbody></table>
</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> How did your work develop during your experience of
living in seclusion during the Albers Foundation residency? Is this the start
of the body of work which you will be showing with us?</span>
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> The work I am showing with you prefigured
the Albers work but also was its germination.<span style="mso-spacerun: yes;">
</span>Josef Albers’ <i style="mso-bidi-font-style: normal;">Interaction of
Colour</i> was a seminal text.<span style="mso-spacerun: yes;"> </span>This is a
very large question.<span style="mso-spacerun: yes;"> </span>I am still working
through the consequences of the two Albers Foundation residencies.<br style="mso-special-character: line-break;" />
<br style="mso-special-character: line-break;" />
</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlDSe2mI7cvu3RkHLV8N-JxVpQ9PdYoYgC30n150CcFXfI3DMj1zsDugRmeRj7DxSx5c0j2qVU6sgORDCiWM2QBrKusCafTo_BD-Zy7ypg1BLkprsXj4qSf66gDrblOuWfWDySes4B_aAv/s1600/a50.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="123" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlDSe2mI7cvu3RkHLV8N-JxVpQ9PdYoYgC30n150CcFXfI3DMj1zsDugRmeRj7DxSx5c0j2qVU6sgORDCiWM2QBrKusCafTo_BD-Zy7ypg1BLkprsXj4qSf66gDrblOuWfWDySes4B_aAv/s320/a50.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Nunc Dimitis Les Bassacs Wood Night I</i><b><br />
</b>chalk on coloured paper, 34 x 74cm (framed)<br />£950</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<a href="https://www.blogger.com/blogger.g?blogID=3172471973747246349#_ftn3" name="_ftnref3" style="mso-footnote-id: ftn3;" title=""><span class="MsoFootnoteReference"><span lang="EN-US" style="color: #7d6b4b;"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="color: #7d6b4b; font-family: "Calibri",sans-serif; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"></span></span></span></span></span></a><span lang="EN-US" style="color: #7d6b4b;"><span style="mso-spacerun: yes;"> </span></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen
Gallery:</span></b><span lang="EN-US" style="color: #767171;"> Did you find the
seclusion of the residency led you to produce less allegorical works? What is
it that caused you to move away from the more figurative, myth inspired works
which you are better known for?</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> Colour has always been my chief pleasure
and means of communication whether with figurative or in pure terms.<span style="mso-spacerun: yes;"> </span>I simply sought to allow the experience of
being still and opening my eyes to predominate.<span style="mso-spacerun: yes;">
</span>Anni Albers said “let them speak,” meaning one’s materials.<span style="mso-spacerun: yes;"> </span>I still have a way to go on that front and it
seems the next step.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> Your, often controversial, ecclesiastical commissions
form a large part of your opus. Do you consider them as a separate strand of
working to the small pastel drawings that you will be showing with us? How are
these two strands of working linked?</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #767171;"><br /></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> The ecclesiological commissions and
personal, biblically inspired works are as much a core part of me as the colour
works.<span style="mso-spacerun: yes;"> </span>Having a brief to fulfil and an
architectural context to satisfy do load on the complexity, to say nothing of
working with committees and patrons.<span style="mso-spacerun: yes;">
</span>Obviously to walk alone and respond to whatever one sees is very
wonderful in its freedom; a sacred flaneur.</span>
</div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiePeLI9qsujZqyJJUnG7tSX9xiY20m0YS7Ve9L7kFfDwYkNC8f6aA-3Oit6DSuUJaKiHmNcaX0WLVCZ0npQLMD-EE56k869dO8NsbRYojaqjdpAWOOgV2h1YzuLoEwep-7vsOBMTmlDwD_/s1600/a35.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiePeLI9qsujZqyJJUnG7tSX9xiY20m0YS7Ve9L7kFfDwYkNC8f6aA-3Oit6DSuUJaKiHmNcaX0WLVCZ0npQLMD-EE56k869dO8NsbRYojaqjdpAWOOgV2h1YzuLoEwep-7vsOBMTmlDwD_/s200/a35.jpg" width="138" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Morning Light II<br />
</i>chalk on coloured paper, 38 x 30cm (framed)<br />£450</span></td></tr>
</tbody></table>
</span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> The majority of your previous works are figurative
drawings which re-interpret biblical mythology in a contemporary manner. What
inspired this shift in your focus to the exploration of nature in a semi
abstract manner?</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> Actually neither: I have always had a semi
abstract streak, which waxes and wanes, but certain shows such as The Museum of
London’s Cathedrals of Industry or The Path to Calvary have stressed the most
figurative side.<span style="mso-spacerun: yes;"> </span>It really is all one, just
different periods and themes.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> The wood and the tree are recurring motifs in your work.
What are the references you are drawing from this symbol? Why is the tree and
the wood a focus of your recent work</span><span lang="EN-US" style="color: #595959;">?</span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #595959;"> </span><span lang="EN-US"> </span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #7d6b4b;"> </span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #7d6b4b;"></span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> Silent meditation requires a still place
away from other people, or at least the intrusion from other people.<span style="mso-spacerun: yes;"> </span>A wood is both an old image of an enclosed
space in which to become lost and an increasingly difficult place to get lost
in.<span style="mso-spacerun: yes;"> </span>There are also aspects of
Heidegger’s Lichtung; the momentary clearing in a dense space that allows for
clear thought and perception.</span>
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> Are your more recent works inspired by poetry? What is
it about poetry that you feel is valuable to your artwork? </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #767171;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihHO9J1hyphenhyphenwjCh0hiy_hYpIHqNQPQtnGSUZ2IxtrAK8kkZMfrOPWJNF0U1AetfGXgFnR6MXnq4T_rCdsjn_On3h81OuVryHK4T-arNAarsYWhTpDK4A0mOhYx_uhttJC3ougeSEXUQWqDVD/s1600/a29.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihHO9J1hyphenhyphenwjCh0hiy_hYpIHqNQPQtnGSUZ2IxtrAK8kkZMfrOPWJNF0U1AetfGXgFnR6MXnq4T_rCdsjn_On3h81OuVryHK4T-arNAarsYWhTpDK4A0mOhYx_uhttJC3ougeSEXUQWqDVD/s200/a29.jpg" width="140" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Morning Light IIII</i>chalk on coloured paper, 38 x 30cm (framed)<br />
£450</span></td></tr>
</tbody></table>
</span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> Poetry has always played an important role
in my work, as has theatre and Opera.<span style="mso-spacerun: yes;">
</span>All vehicles for staging ideas in a dramatic form.<span style="mso-spacerun: yes;"> </span>But more than for the literal references. It
is in the cadence, rhythm and irresolvable nature of the best poems that I find
encouragement.</span></div>
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<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"> You have travelled widely and done a number of artist
residencies on Christian Pilgrimages (with Biblelands to Egypt, Palestine and
Israel). What is it that the experience of travel and, most specifically, being
on a pilgrimage that you find beneficial to your work? </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark Cazalet:</span></b><span lang="EN-US"> The random
and often infuriatingly inapposite timing of inspiration.<span style="mso-spacerun: yes;"> </span>Routine is broken and the unexpected upturns
ones normal practice.<span style="mso-spacerun: yes;"> </span>Again increasingly
it is not knowing what </span></div>
<div class="MsoNormal">
<span lang="EN-US"> one is to do that provokes the most creative response<span style="color: #7d6b4b;">.</span></span></div>
<div class="MsoNormal">
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhivQPXDhHHylEXDknrwfT71qrDQ4MG9MpC5X6MbbwNTPN-XtFdCn6IIenGhn9Ab53EzbmCJr06s_OrMHKPE68TeYOk4nEO53VfuiKxcuPDOw4H_ETQhqGQ4fJI4T8ECUVSrH-iYzSvlQji/s1600/a67.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="120" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhivQPXDhHHylEXDknrwfT71qrDQ4MG9MpC5X6MbbwNTPN-XtFdCn6IIenGhn9Ab53EzbmCJr06s_OrMHKPE68TeYOk4nEO53VfuiKxcuPDOw4H_ETQhqGQ4fJI4T8ECUVSrH-iYzSvlQji/s320/a67.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Magnificat Les Bassacs Wood Dawn VI</i><br />chalk on coloured paper, 34 x 74cm (framed)<br />
£950</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span lang="EN-US"></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b><span lang="EN-US" style="color: #767171;"><span style="mso-spacerun: yes;"></span></span><a href="https://www.blogger.com/blogger.g?blogID=3172471973747246349#_ftn4" name="_ftnref4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #7d6b4b;"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #7d6b4b; font-family: "Calibri",sans-serif; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"></span></b></span></span></span></b></span></a><span lang="EN-US" style="color: #767171;">How did your time studying under Christian Boltanski effect your work? How did
this period relate to the period of work which you are currently making?</span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US"> </span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> Christian was infuriating but several of
the things he said took years to filter through and finally provoke a
response.<span style="mso-spacerun: yes;"> </span>He would present himself as a
clown and yet slip in very difficult ideas that one couldn’t dismiss nor agree
with; the artist as a bad preacher who pushes buttons to get a reaction but
slips away without giving an answer, and the self- reflexive activity of making
art, a self-awareness of what one is doing even whilst doing it.<span style="mso-spacerun: yes;"> </span>I still greatly revere his paradoxical role
as teacher who claims he has nothing to teach…</span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;"> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJUJ0VhyJhu0ecHb46rhaKyJeAHrkQKTLrkzoN1UXoINIgJ-Zu-wEuRXXJuSXJxs25ic72J4-Y_ugzFRaR89yrWGZN0ZdkzRRk9k89bmlPxed6Amg9WAWDpWeTZJyeUXml8PZZLj7xLt5K/s1600/magnificat8.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJUJ0VhyJhu0ecHb46rhaKyJeAHrkQKTLrkzoN1UXoINIgJ-Zu-wEuRXXJuSXJxs25ic72J4-Y_ugzFRaR89yrWGZN0ZdkzRRk9k89bmlPxed6Amg9WAWDpWeTZJyeUXml8PZZLj7xLt5K/s200/magnificat8.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Les Basaacs Magnificat 8,</i>oil on board, 20 x 22cm<br />£650</span></td></tr>
</tbody></table>
</span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #767171;">Curwen Gallery:</span></b> You studied at Chelsea and Falmouth colleges of art. Was
this a crucial period of your artistic development. In what ways has your work
changed since that time?</div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #767171;"><br /></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Mark
Cazalet:</span></b><span lang="EN-US"> I am closer to what I was doing on
foundation than any other period since, a really warm feeling of coming home
but not in the way I expected, nor the manner.</span></div>
<div style="mso-element: footnote-list;">
<br />
<span lang="EN-US" style="font-size: 8.0pt; line-height: 115%;"></span><span style="mso-ansi-language: EN-GB;"></span><br />
<div id="ftn4" style="mso-element: footnote;">
</div>
</div>
<div style="mso-element: footnote-list;">
View the <b>online catalogue</b> for the exhibition <a href="http://www.curwengallery.co.uk/gallery/cazalet15/title.htm" target="_blank">here</a> . Contact the gallery for <b>sales enquiries</b>.<br />
<span lang="EN-US" style="font-size: 8.0pt; line-height: 115%;"></span><span style="mso-ansi-language: EN-GB;"></span><br />
<div id="ftn4" style="mso-element: footnote;">
</div>
</div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-31762726015061470912015-05-08T10:48:00.006+01:002015-05-08T10:51:44.809+01:00EMMA DUNBAR & FIONA MILLAIS<div class="MsoNormal" style="text-align: left;">
<span class="auto-style12" lang="EN-US" style="color: grey; font-family: "Gill Sans",sans-serif; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><i>The paintings of Emma Dunbar and Fiona Millais share </i> </span></span></span></span><span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
<span class="auto-style12">
<i>a </i> </span>
<span class="auto-style12" lang="EN-US">
<i>common</i></span><span class="auto-style12"><i>
focus on</i></span><span class="auto-style12" lang="EN-US"><i>
coastlines</i></span><span class="auto-style12"><i>
and the natural landscape, with an interest in the everyday elements encountered
in these places</i></span><span class="auto-style12" lang="EN-US">.</span></span></span></span></div>
<div class="MsoNormal">
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="auto-style12" lang="EN-US"></span></span></span></span></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSiCxEnFIQly_UduTI1FR_UQtyQQsZMF-3znrj5PMiUoB9IKf58vPB7l_2Tv-dh6C9Oea0RpP6aNtV8MKTCsJW2ZRgOGq1baM9DYQewJKTAqN4WnW3A1PWmmnIWPJTejww-dpYM9Gs8kWZ/s1600/quietafternoon+harbour76cmx46cm%C2%A31995acryliconboard.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSiCxEnFIQly_UduTI1FR_UQtyQQsZMF-3znrj5PMiUoB9IKf58vPB7l_2Tv-dh6C9Oea0RpP6aNtV8MKTCsJW2ZRgOGq1baM9DYQewJKTAqN4WnW3A1PWmmnIWPJTejww-dpYM9Gs8kWZ/s1600/quietafternoon+harbour76cmx46cm%C2%A31995acryliconboard.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: xx-small;">Emma Dunbar,<i> Quiet Afternoon Harbour</i>, 76cm x 46cm, acrylic on board, £1995</span></span></td></tr>
</tbody></table>
<br />
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
</span></span></span>
<br />
<div class="MsoNormal">
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="auto-style12" lang="EN-US">
<b>Emma Dunbar’s</b> paintings aim to c</span><span class="auto-style12">apture</span><span class="auto-style12" lang="EN-US">
</span>
<span class="auto-style12">
the essence</span><span class="auto-style12" lang="EN-US">
of a place or scene. </span>
<span class="auto-style12">
She is attracted to vivid colours and the decorative qualities in everyday
objects, which she rearranges on the canvas to create a collaged aesthetic.
</span>
<span class="auto-style12">
B</span><span class="auto-style12" lang="EN-US">irds,
shells, flowers or fish</span><span class="auto-style12"> which are often</span><span class="auto-style12" lang="EN-US">
placed alongside </span>
<span class="auto-style12">
painted depictions of the
</span>
<span class="auto-style12" lang="EN-US">
true landmarks</span><span class="auto-style12">. Her paintings are therefore more about conjuring an
atmosphere of a place or situation, rather than literal transcriptions of the
exact features of a location.</span></span></span></span></div>
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
</span></span></span>
<br />
<div class="MsoNormal">
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiknDCoI1G7oeD0O_Y_qfYyIOEOtMrSqgkzkHG932ocCXGkyFSHPfnAKfUfAAbFIN-qPCaFugQBSPNVvaEycwCCEgK5-Y5VTRej7ogv3tjwKB1QBofrfmtDuiekOCVUOvNi70nL2fHrScx9/s1600/wildsummernewquay91cmx61cm%C2%A32950acryliconboard.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiknDCoI1G7oeD0O_Y_qfYyIOEOtMrSqgkzkHG932ocCXGkyFSHPfnAKfUfAAbFIN-qPCaFugQBSPNVvaEycwCCEgK5-Y5VTRej7ogv3tjwKB1QBofrfmtDuiekOCVUOvNi70nL2fHrScx9/s1600/wildsummernewquay91cmx61cm%C2%A32950acryliconboard.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;">Emma Dunbar, <i>Wild Summer Newquay</i>, 91 x 61cm, acrylic on board, </span><span style="font-family: Arial; font-size: xx-small;"><span style="color: #666666;"></span>£2950</span></td></tr>
</tbody></table>
</span></span></span></div>
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
</span></span></span>
<br />
<div class="MsoNormal">
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="auto-style5">She </span>
<span class="auto-style12"><span class="auto-style9">works mainly on board in
acrylic, occasionally incorporating collage with gold and silver leaf.</span></span><span class="auto-style4"> </span>
<span class="auto-style13">
<span class="auto-style11">
Many of her</span></span><span class="auto-style13"><span class="auto-style11" lang="EN-US">
works </span>
<span class="auto-style11">
referenc</span><span class="auto-style11">e</span><span class="auto-style11" lang="EN-US">
traditional </span>
<span class="auto-style11">
subject matter, such as the still life, with </span>
<span class="auto-style11" lang="EN-US">
arrangements of flowers</span><span class="auto-style11">,</span><span class="auto-style11" lang="EN-US">
jugs</span><span class="auto-style11">
and fruit. </span></span></span></span></span><br />
<br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio89VlAVNWILphL_KUi6mHgMN1LFETHj72zijVHr1OlPkdprOuny67Ev0_Aar7O_fCXdrn2SCuaieMKI-z0tVjuC9HwxXLf0CL_HuMTNDv5miXFMwQ1DkhgmUdJBcXJCMoC1rPOqGENhul/s1600/roseycurtainsandchickens6cmx61cm%C2%A31600acrylic&mixedmediaonboard.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio89VlAVNWILphL_KUi6mHgMN1LFETHj72zijVHr1OlPkdprOuny67Ev0_Aar7O_fCXdrn2SCuaieMKI-z0tVjuC9HwxXLf0CL_HuMTNDv5miXFMwQ1DkhgmUdJBcXJCMoC1rPOqGENhul/s1600/roseycurtainsandchickens6cmx61cm%C2%A31600acrylic&mixedmediaonboard.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;">Emma Dunbar, <i>Rosey Curtains and Chickens</i><br />61 x 61cm, acrylic & mixed media on board, </span><span style="font-family: Arial; font-size: xx-small;">£1600</span></td></tr>
</tbody></table>
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="auto-style13"><span class="auto-style11">Her v</span><span class="auto-style11" lang="EN-US">ivid
</span>
<span class="auto-style11">
pallete and charactered style make these compositions feel very </span>
<span class="auto-style11" lang="EN-US">
contemporary</span><span class="auto-style11">
and uplifting.
</span></span></span></span></span>
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
</span></span></span>
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="auto-style12" lang="EN-US">
She draws inspiration from the work of favourite artists, including Mary
Fedden, Milton Avery and Daphne McClure. </span></span></span></span><br />
<br />
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span class="auto-style12" lang="EN-US">Born in
England</span><span class="auto-style12">
</span>
<span class="auto-style12" lang="EN-US">
in 1961, she graduated in 1984 with a BA (hons) in Fine Art Printmaking from
West Surrey College of Art and Design. Since then she has worked full time as an
artist and exhibited throughout the UK. Her paintings have been
internationally reproduced as greetings cards, posters, limited edition etchings
and even fabric designs.</span></span></span></span></div>
<div class="MsoNormal">
<br /></div>
<br />
<span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">
</span></span></span>
<br />
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<b>Fiona Millais’</b> paintings are a representation of </span>
<span class="auto-style12">
her</span><span class="auto-style12" lang="EN-US">
memor</span><span class="auto-style12">ies</span><span class="auto-style12" lang="EN-US">
of</span><span class="auto-style12">
</span><span class="auto-style12">the
</span>
<span class="auto-style12" lang="EN-US">
place</span><span class="auto-style12">s
which inspire her</span><span class="auto-style12" lang="EN-US">.</span><span class="auto-style12">
She
</span>
<span class="auto-style12" lang="EN-US">
grew up surrounded by the heather of the Surrey Hills and exploring the wild
West Coasts of Scotland and Cornwall</span><span class="auto-style12">. Her memories of </span>
<span class="auto-style12" lang="EN-US">these places</span><span class="auto-style12"> now inspire much of </span>
<span class="auto-style12" lang="EN-US">her work.</span><span class="auto-style12"> Her paintings are often a response to
her memories of landscapes and coasts.</span></span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7ALHwnvuaTgDbEQWRCwdgf150bRlQkGuvRLYumVDeldtor-Nlfy7t5XrR_XZMQZIyUm4sdAgw58yahp-wAFAy2KgQw2BLsPDNwMDqE1XjnrCrHMw9VJY1wzZarIUsSnu1EhOeLCH5rtjJ/s1600/Fiona+Millais+-+These+Days+of+Rain+-77+x+92cms,+acrylic+on+canvas+-+%C2%A32995.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7ALHwnvuaTgDbEQWRCwdgf150bRlQkGuvRLYumVDeldtor-Nlfy7t5XrR_XZMQZIyUm4sdAgw58yahp-wAFAy2KgQw2BLsPDNwMDqE1XjnrCrHMw9VJY1wzZarIUsSnu1EhOeLCH5rtjJ/s1600/Fiona+Millais+-+These+Days+of+Rain+-77+x+92cms,+acrylic+on+canvas+-+%C2%A32995.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;">Fiona Millais, <i>These Days of Rain</i>, 77 x 92cm, acrylic on canvas, </span><span style="font-family: Arial; font-size: xx-small;">£2995</span> </td></tr>
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She often works in layers of paint, leaving traces of </span>
<span class="auto-style12">
earlier</span><span class="auto-style12" lang="EN-US">
</span>
<span class="auto-style12">
ideas</span><span class="auto-style12" lang="EN-US">
visible, with layers of texture</span><span class="auto-style12"> and
</span>
<span class="auto-style12" lang="EN-US">
colour </span>
<span class="auto-style12">
suggesting
</span>
<span class="auto-style12" lang="EN-US">
interwoven history. </span>
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Her paintings</span><span class="auto-style12" lang="EN-US">
re</span><span class="auto-style12">flect</span><span class="auto-style12" lang="EN-US">
her interest in the natural rhythms of the land and how it </span>
<span class="auto-style8">comes to show</span> <span class="auto-style7">a</span><span class="auto-style12">
human</span><span class="auto-style12" lang="EN-US">
presence. The</span><span class="auto-style12">se</span><span class="auto-style12" lang="EN-US">
</span>
<span class="auto-style12">
many </span>
<span class="auto-style12" lang="EN-US">
layers within Fiona’s </span>
<span class="auto-style12">
work</span><span class="auto-style12" lang="EN-US">
</span>
<span class="auto-style12">
reflect</span><span class="auto-style12" lang="EN-US">
</span>
<span class="auto-style12">
these </span>
<span class="auto-style12" lang="EN-US">
ideas of </span><span class="auto-style6">man's impact on</span><span class="auto-style12">
the</span><span class="auto-style12" lang="EN-US">
landscape</span><span class="auto-style12">
and how our actions </span>
<span class="auto-style12" lang="EN-US">
leav</span><span class="auto-style12">e
</span>
<span class="auto-style12" lang="EN-US">
marks </span>
<span class="auto-style12">
which</span><span class="auto-style12" lang="EN-US">
echo through time.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtch4cXAKrtviM6Cly87AYGH1ME208v0CL_wngfUEdTs7fyJ6ZYWDsicaIPkB-ICoOAA6qEin_zBs1SEI0y8STXT6D6aiLBPZu-rnCCskWWTRUB303gBW4oKeOyGW7YPM71hLYGn5oRKSE/s1600/Fiona+Millais+-++Bothy,+acrylic+on+canvas,+51+x+51cms,+-%C3%BA895.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtch4cXAKrtviM6Cly87AYGH1ME208v0CL_wngfUEdTs7fyJ6ZYWDsicaIPkB-ICoOAA6qEin_zBs1SEI0y8STXT6D6aiLBPZu-rnCCskWWTRUB303gBW4oKeOyGW7YPM71hLYGn5oRKSE/s320/Fiona+Millais+-++Bothy,+acrylic+on+canvas,+51+x+51cms,+-%C3%BA895.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><b>Fiona Millais</b><i><span style="color: #666666;">, </span>Bothy</i><span style="color: #666666;">, </span>acrylic on canvas, 51 x 51cm<span style="color: #666666;">, </span>£895</span></td></tr>
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<span class="auto-style12" lang="EN-US">
Fiona Millais</span><span class="auto-style12"> </span>
<span class="auto-style12" lang="EN-US">studied Fine Art at the
University of
Newcastle upon Tyne,
graduating in 1984. Her great-grandfather was the Pre-Raphaelite painter, Sir
John Everett Millais.</span></span></span></span>Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-68163571519138078922015-04-28T13:09:00.001+01:002015-05-13T11:00:48.169+01:00CURWEN GALLERY AUCTIONS<br />
<b><span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">LIVE AUCTION</span></span></span></b><br />
<b><span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">23rd June</span></span></span></b><br />
<b><span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">ONLINE AUCTION </span></span></span></b><br />
<b><span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Ends 22nd June</span></span></span></b><br />
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<b><span style="color: #666666;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">It's almost upon us! The annual Curwen Gallery Auctions will be
taking place this June. </span></span></span></b><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdskJfZUFZoX3Iv4mwYt6WRwe4W0FY0Py_QyNldO8EjLla0ilcXjdtRyzCZn65a4yeuUYIjzsFYxdWQuxYlZ2liGcr4kdtkrZSquHoZnuILLHMSgDJ8gH000Gk99Kqkb_j_RE_WpGhhzd8/s1600/Jackson,+Painted+Elephants+Chitor.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdskJfZUFZoX3Iv4mwYt6WRwe4W0FY0Py_QyNldO8EjLla0ilcXjdtRyzCZn65a4yeuUYIjzsFYxdWQuxYlZ2liGcr4kdtkrZSquHoZnuILLHMSgDJ8gH000Gk99Kqkb_j_RE_WpGhhzd8/s1600/Jackson,+Painted+Elephants+Chitor.JPG" width="153" /></a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Sheila Jackson, <i>Painted Elephant</i><i>s, screenprints </i><br />
<i> </i><i>49 x 37cm, Est. £50-80s</i></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
</td></tr>
</tbody></table>
<span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: #666666;"><span style="font-size: small;">This years auctions will be following the same format as in
the four previous years, with one auction taking place live in the
gallery (23rd June) and the other happening online (ending on
22nd June). </span></span></b></span><br />
<br />
<br />
If you haven't been to our auctions before then you will be in for a
treat. The annual auctions are (for good reason) one of the best
attended events in our calendar and are an excellent place to buy
artwork for a greatly reduced price. <br />
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjFEkxBe4hVDvFCs4pARQIDBJVrtgM7mRK7RPS0b4Z_Py_AVVfgElNc4KgX_rVMVfQ5OgnE7iOaVpnpXxZ6_aKy55xyQtV644nJkBpHu6oYKkFxxQjegk0PCxB5b14Jdcfw7Fs04yqFND/s1600/Hoyland,+Anniversary.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrjFEkxBe4hVDvFCs4pARQIDBJVrtgM7mRK7RPS0b4Z_Py_AVVfgElNc4KgX_rVMVfQ5OgnE7iOaVpnpXxZ6_aKy55xyQtV644nJkBpHu6oYKkFxxQjegk0PCxB5b14Jdcfw7Fs04yqFND/s1600/Hoyland,+Anniversary.jpg" width="157" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">John Hoyland, <i>Curwen Anniversary Print</i>, <br />
lithograph, Est. £200-300 (Retail value £900)</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="text-align: center;"></td></tr>
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Bidding in the online auction takes place exclusively online but the work is all
available to view in the gallery. Bidding in the live auction takes
place predominantly in the gallery (although bidding via a video link is possible online) on the evening of 23rd June.<br />
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Like the online
auction, all the work is available to view in the gallery for the whole
of the month of June. Both auction catalogues will be available to view online from early June.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Wn2y9rMz97napSUU9UqriXlrxv0UdZRubdhyVhnAYCPyEC_fMceQxh88pbNi_9R0RXalF4nl5mvWM44a2A4lBJWBMWikPT1fHD4PX5pu2RPJqkgEypov1MZFBKG1WjM2g6-8_4MQPc7G/s1600/Bawden,+Kew.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1Wn2y9rMz97napSUU9UqriXlrxv0UdZRubdhyVhnAYCPyEC_fMceQxh88pbNi_9R0RXalF4nl5mvWM44a2A4lBJWBMWikPT1fHD4PX5pu2RPJqkgEypov1MZFBKG1WjM2g6-8_4MQPc7G/s1600/Bawden,+Kew.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Edward Bawden, <i>Kew Palace</i>, lithograph, 69 x 82cm (framed),<br />
Est. £500-700 (Retail value: £925) </td></tr>
</tbody></table>
We have just finished preparing the auction lists. We will be keeping the majority of the lists secret until they are officially published on TheSaleroom site in early June, however we can reveal a few of the treasures here...<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMRnXT5KjD9rvqiuko-b9GBFo6wFQNJIlv8Q57aGTjqWAXYXsXghonsetsY4dwvWtwW2OZjifUwZNOTdNDiTU6TEZv7cv7yRmeyW5HOY1RytXqJpSHGtgowjGpk8JB5qdn7UN7Q2UoNXMY/s1600/Hansbro+Rejuvenated+Unicorn.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="156" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMRnXT5KjD9rvqiuko-b9GBFo6wFQNJIlv8Q57aGTjqWAXYXsXghonsetsY4dwvWtwW2OZjifUwZNOTdNDiTU6TEZv7cv7yRmeyW5HOY1RytXqJpSHGtgowjGpk8JB5qdn7UN7Q2UoNXMY/s1600/Hansbro+Rejuvenated+Unicorn.jpg" width="200" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brendan Hansbro, <i>Rejuvinated Unicorn</i>, <br />
wood engraving, 11 x 16cm, Est. £30-50</td></tr>
</tbody></table>
In addition to those pieces pictured we will also be including: John Piper, <i>North Grimstone</i> (Est. £300-500, Retail value £1200) a number of prints and originals from Glynn Boyd Harte (ranging from £100-1000) two screenprints by Donald Hamilton Fraser (both estimated at £300-400, Retail value: £950). There will also be two classic unicorn prints by Brendan Hansbro (both estimated at £30-50) and plenty of Sheila Jackson's popular watercolours with estimates around the £50-100 mark. <br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsZl5dOl7EcZYd0P3xcc8abxJpD1UHnd2KHc4wsWrKqDxGIdm911MsKL8BIfa38FWzTR_DUDVjMEpiK5LYCBBlhi1G25ICCxX05Zi04e-sdCcNY7wF-G3wdfilG-6k20X3xGq9KJSATcgc/s1600/Hamilton+Fraser,+launchwash.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsZl5dOl7EcZYd0P3xcc8abxJpD1UHnd2KHc4wsWrKqDxGIdm911MsKL8BIfa38FWzTR_DUDVjMEpiK5LYCBBlhi1G25ICCxX05Zi04e-sdCcNY7wF-G3wdfilG-6k20X3xGq9KJSATcgc/s1600/Hamilton+Fraser,+launchwash.jpg" width="239" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Donald Hamilton-Fraser, <i>Launch Wash</i>,<br />
screenprint, 69 x 53cm, Est. 300-400 (Retail value: £950)</td></tr>
</tbody></table>
The work for sale is a combination of classic pieces which we have acquired from Curwen Studio (often prints from big name artists such as Donald Hamilton- Fraser, Edward Bawden and John Piper) and more contemporary artwork from gallery artists. Estimates range from £5 to £2000 and cover all areas in between.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOGWEMm3GR0dQ7D7NszBeboNKnnIZUQyWbElBd3hWJ9zSrB8t1w68a8pWJ7D9VsulAEwxaVzxFImCReK9QZyj6DvpAF6ZB9FDJsP2Lxd2b8uqKUYpeMN77Z_fGyP8rmMG2yLPNHVxfS18O/s1600/wiseman+horseguards.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOGWEMm3GR0dQ7D7NszBeboNKnnIZUQyWbElBd3hWJ9zSrB8t1w68a8pWJ7D9VsulAEwxaVzxFImCReK9QZyj6DvpAF6ZB9FDJsP2Lxd2b8uqKUYpeMN77Z_fGyP8rmMG2yLPNHVxfS18O/s1600/wiseman+horseguards.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Albany Wiseman, <i>Horseguards</i>,<br />
lithograph, 57 x 78cm, Est. £50-80 (Retail value:£250)</td></tr>
</tbody></table>
The auctions are always a great place to find lovely work at a reasonable price, whether you are a dealer buying for investment and re-sale or a new homeowner looking to cover your walls inexpensively. Last year many people also just turned up to see the event itself and then found themselves getting sucked into the bidding with the pull of a bargain drawing them into the action.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9MemMeYHE6apB3mLWV4mDmPjki8ziXyLXKK5VsWQPCm2cyNXx2fYBo4S2a0Hriauzg4NYtYAneJKJvUJcTC4ktFAHU7zk99SndxD7sBsDcg95Gx38qxZUaeIU1AyPfnIqxy7fGBiv59T0/s1600/Grant,+Sugar+Suite+Orange.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9MemMeYHE6apB3mLWV4mDmPjki8ziXyLXKK5VsWQPCm2cyNXx2fYBo4S2a0Hriauzg4NYtYAneJKJvUJcTC4ktFAHU7zk99SndxD7sBsDcg95Gx38qxZUaeIU1AyPfnIqxy7fGBiv59T0/s1600/Grant,+Sugar+Suite+Orange.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alistair Grant, <i>Sugar Suite Orange</i>, lithograph,<br />
70 x 89cm (framed), Est. £200-300 (Retail value: £425)</td></tr>
</tbody></table>
There are always some fairly spectacular bargains to be had from the auctions with artwork often being sold for considerably less than its normal retail price and even our estimates.In previous years we have even had legendary Curwen prints going for under £100. Obviously, the prices paid for lots depend entirely on who is in the room during the bidding.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6a0nSRr2Fw91udR05bfcoCNcAZPyhw0TR_3Mvm_K_ui749bWj0NSW-x-q2dhluDAR3bwZfQ4jiIqb4Kc7ERmz1ZRk3XmcrC-KnOMmOeMU-yzjijHXeBDdKnZZeqswqA0sPFsEtU1nHvgX/s1600/Walker,+Move+on+up.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6a0nSRr2Fw91udR05bfcoCNcAZPyhw0TR_3Mvm_K_ui749bWj0NSW-x-q2dhluDAR3bwZfQ4jiIqb4Kc7ERmz1ZRk3XmcrC-KnOMmOeMU-yzjijHXeBDdKnZZeqswqA0sPFsEtU1nHvgX/s1600/Walker,+Move+on+up.JPG" width="233" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Richard Walker, <i>Move On Up, </i>screenprint,<br />
140 x 101cm (framed), Est. £300-500 (Retail value: £1100)</td></tr>
</tbody></table>
For the whole of June all of the items in the auction will be available to view in the gallery- with much of the work hanging from floor to ceiling. For that whole period, bidding can take place on the online auction (via TheSaleroom.com) and bids can be left with the gallery staff for the live auction if you can't be present on the night.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Gallery artist Bill Pryde admiring a Henry Moore print in our 2013 auction</td></tr>
</tbody></table>
On 23rd June interested bidders are invited into the gallery to place their bids at the live auction. Lots will be called from 7pm, with our star auctioneer Dominic Kemp running the operation from behind the gavel.<br />
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<tr><td class="tr-caption" style="text-align: center;">Dominic Kemp, Auctioneer.<br />
Pictured in the film Miss Potter (2006. Pheonix Pictures)</td></tr>
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Keep an eye on the gallery <a href="http://www.curwengallery.com/" target="_blank">website</a> for more information, which will be published as the date gets nearer...Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-10870709868904769692015-04-23T12:58:00.001+01:002015-04-23T12:58:55.868+01:00Alison Elliott: Winner of the Curwen Gallery Prize for Figurative Painting<i><span style="color: #666666;">Showing at Curwen Gallery in July 2015</span></i><br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">Alison Elliot with her most recent painting</td></tr>
</tbody></table>
Last week the Curwen Gallery team took a trip to Cambridge to visit Figurative Painting Prize Winner Alison Elliot in advance of her solo
exhibition this July. We were amazed by some of the work that we saw.
Her new paintings were genuinely incredible and it was a rare (and
reassuring!)<br />treat to see such high quality work being produced in advance of the show.<br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">Part of Alison's wierd and wonderful collection <br />of antiques and knick knacks</td></tr>
</tbody></table>
<br />
Something which first drew us to Alison's work in the early stages of our competition was her attention to detail. The animals which she
paints are almost photographic in their realisation.<br />
<br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Boy - </i>one of the first of Alison's paintings <br />that we saw when judging the competition</td></tr>
</tbody></table>
One of the first works of hers that we saw was a life-size baby Giraffe- which felt so close we could almost reach into the canvas and touch it.<br />
<br />
This Giraffe, along with her most recent painting of a rearing horse (pictured above) will likely be two of the stars of her upcoming show.<br />
<br />
The rearing horse bears a striking resemblance to <i>Whistlejacket </i>one of the most famous works of her artistic hero George Stubbs. This, along with another five or so more horses, will be making up a large portion of the exhibition this July. <br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">Alison's work desk with a miniature work-in-progress</td></tr>
</tbody></table>
Whether working in life-size or miniature she manages to perfectly capture something of the essence of the subject- whether that is the grandeur of a sprinting race horse or the gentleness of a retired greyhound. This unique ability is something which has made her a popular choice for animal portraiture commissions in the past.<br />
<br />
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<tr><td class="tr-caption" style="text-align: center;">Alison's studio interior with two paintings which will feature in the exhibition</td></tr>
</tbody></table>
Alison Elliot will be having her first solo exhibition with Curwen Gallery this July. Keep an eye on the gallery <a href="http://www.curwengallery.co.uk/gallery/gallery.htm" target="_blank">website </a>for more images of her work which will be added over the next few months.Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-78562442174120643832015-04-15T16:19:00.000+01:002015-04-15T16:30:21.716+01:00Seascapes<!--[if gte mso 9]><xml>
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<span lang="EN-US" style="color: grey; font-family: "Gill Sans",sans-serif; font-size: 14.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">02-30
April 2015</span></div>
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<span lang="EN-US" style="color: grey; font-family: "Gill Sans",sans-serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"><br /></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span lang="EN-US" style="color: grey; font-family: "Gill Sans",sans-serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span style="color: grey; font-family: "Gill Sans",sans-serif; font-size: 12.0pt; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"></span><span style="font-size: small;"><b><span style="color: grey;">This
exhibition focuses on the seascapes of four artists; Jane Corsellis, Donald
Hamilton Fraser, Richard Pikesley and Andrew Macara. Each artist has been
selected for this exhibition because their ability to capture the
essence of a natural environment in traditional painting mediums.</span>
</b></span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>
</b></span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><b><span style="color: grey;">Jane
Corsellis</span></b><span style="color: grey;">
had many solo exhibitions with the New Academy Gallery between 1985 and 2004. Many of these were hugely successful and she acquired countless admirers and
collectors of her paintings. Jane shares her time between London and Pembrokeshire, where she has had a
house and a studio for many years. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhubhzEDAtx6NnKmjsf_CftJg_hCG60GZKXQ7zjf878WxmjTck_JZa-MqLn98x903WZPUgL5JQerZvR8EvDYNWmM7JW8u8SWkjficy_IlpXIIgXuhEhNYtjs55SnCYt1k9xSkkb-aP-sHrt/s1600/theregatta.larochelle.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhubhzEDAtx6NnKmjsf_CftJg_hCG60GZKXQ7zjf878WxmjTck_JZa-MqLn98x903WZPUgL5JQerZvR8EvDYNWmM7JW8u8SWkjficy_IlpXIIgXuhEhNYtjs55SnCYt1k9xSkkb-aP-sHrt/s1600/theregatta.larochelle.JPG" height="256" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b>Jane Corsellis</b>, <i>The Regatta, La Rochelle, France</i><br />
oil on canvas, 75 x 90cm
(framed)
</td></tr>
</tbody></table>
</span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: grey;">Jane has enjoyed a most distinguished career with many international solo
exhibitions, as well as exhibiting regularly at Messum’s Gallery in Cork Street, New
English Art Club and the Royal Watercolour Society. Several books and DVDs
about her and her work have been published, including ‘A Personal View Painting
in Oils and Watercolour’ (David and Charles, 2000) and ‘Coastal Watercolours’,
released by APV Films in 2004.</span><b><span style="color: grey;"> </span></b></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>
</b></span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>
</b></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: grey;">Donald Hamilton Fraser </span><span style="color: grey;">(1929-2009)</span></b><span style="color: grey;">
is well known for his colourful,</span><span style="color: grey;"><span style="color: grey;"> semi-abstracted</span> landscapes. His style is much imitated and characterised by the use of thick layers of brightly coloured paint applied with
a palette knife. </span></span></span></div>
<div class="MsoPlainText">
<span style="color: grey; font-family: Arial, Helvetica, sans-serif;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxK86Vwy_gTaqolr0TfVjxhibB8sCBGiG8Dl-bi7Rmt4M7V3-EfUspiN_QYseZXMt-FboSlbJ2EyYarBQYrOqyPstH6Vf78HxWnYoE37D6-ZDtssmD7JdbgaJxgxBUD3EwqkqEfc19FXzq/s1600/hamiltonfraser.+seascape.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxK86Vwy_gTaqolr0TfVjxhibB8sCBGiG8Dl-bi7Rmt4M7V3-EfUspiN_QYseZXMt-FboSlbJ2EyYarBQYrOqyPstH6Vf78HxWnYoE37D6-ZDtssmD7JdbgaJxgxBUD3EwqkqEfc19FXzq/s1600/hamiltonfraser.+seascape.JPG" height="214" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b>Donald Hamilton-Fraser</b><span style="line-height: 115%;"><i>, Lindisfarne</i><br /> oil on paper, 62 x 67cm (framed
size)</span></td></tr>
</tbody></table>
</span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b></b><span style="color: grey;">Donald was born
in London and trained at St Martin’s School of Art. He spent a time in Paris, having been awarded a one year
scholarship. After returning to England,
he began exhibiting regularly in the UK
and USA.
He tutored at the Royal
College for 25 years,
where his students included Patrick Caulfield and David Hockney. Among his many
honours, he was made a full Royal Academician in 1985.</span></span></span><br />
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>
</b></span></span><br />
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: grey;"><br /></span></b></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>
</b></span></span><br />
<div class="MsoPlainText">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: grey;">Andrew Macara’s </span></b><span style="color: grey;">paintings
are instantly recognisable by his unique use of light and shadow, across water,
snow or ice. Born in Ashbourne, Derbyshire, in 1944. He considers himself
mainly self-taught, apart from a brief spell studying with Leonard Fuller at
the St Ives School of Painting. </span></span></span></div>
<div class="MsoPlainText">
<span style="color: grey; font-family: Arial, Helvetica, sans-serif;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_IJ4tpfM_R4KqyvnkEZTC5BZvyeXYQPvIAuyM0fNrTNyUv1YdcBD8gCztJjbaK_kl49Q7EaVtfWZRsevsu6SbIxZLKD6puEHeCwdiZZf3EkHA5LTz84TPCnB2khyphenhypheneuRkufKhXwunpPpd2/s1600/kidsfishinglooe.12x14.1500.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_IJ4tpfM_R4KqyvnkEZTC5BZvyeXYQPvIAuyM0fNrTNyUv1YdcBD8gCztJjbaK_kl49Q7EaVtfWZRsevsu6SbIxZLKD6puEHeCwdiZZf3EkHA5LTz84TPCnB2khyphenhypheneuRkufKhXwunpPpd2/s1600/kidsfishinglooe.12x14.1500.jpg" height="276" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b>Andrew Macara</b><span lang="EN-US" style="line-height: 115%;"><i><b>,</b> Kids Fishing, Looe</i></span><span lang="EN-US" style="line-height: 115%;"><br />
oil on canvas, 30 x 35cm</span></td></tr>
</tbody></table>
</span></div>
<div class="MsoPlainText">
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: grey;">He has exhibited at Curwen and New Academy
Gallery regularly since the early 1990’s, also the Royal Academy Summer
Exhibition, the Royal Society of British Artists and the New English Art Club. In
2009, ‘Andrew Macara’ written by Jonathan Riley was published (Construction
Arts Ltd).</span></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;">
</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: grey;"><span style="color: grey;">Richard
Pikesley’s </span></span></b><span style="color: grey;"><span style="color: grey;">stunning oil paintings capture the beauty of sunlit
coastlines of various UK
locations, including Dorset and Cornwall.</span></span></span></span></div>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: grey;"><span style="color: grey;"> </span> </span></b></span></span></div>
<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b>
</b></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtiZg_FCUAGvtDvWvSc9y4td3Qx-k1QnEM8L6aI0nVmfZxkwmfMG56gr4borvHHVtkeBudxcSa0w0pcbS88oayAUcWn6kUPgo9nmgDYJnryhjWOVwdYuJNpTi0TDeEaUC2nikcfwt28EQ0/s1600/July+Heat,+Lyme+Regis+16+x+18+oc.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtiZg_FCUAGvtDvWvSc9y4td3Qx-k1QnEM8L6aI0nVmfZxkwmfMG56gr4borvHHVtkeBudxcSa0w0pcbS88oayAUcWn6kUPgo9nmgDYJnryhjWOVwdYuJNpTi0TDeEaUC2nikcfwt28EQ0/s1600/July+Heat,+Lyme+Regis+16+x+18+oc.jpg" height="257" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial,Helvetica,sans-serif; font-size: small;"><b>Richard Pikesley</b><i><span style="line-height: 115%;">, July Heat, Lyme Regis</span></i><span style="line-height: 115%;"><br /> oil
on canvas, 41 x 46cm</span></span></td></tr>
</tbody></table>
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<span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><b><span style="color: grey;">
</span></b><span style="color: grey;">He is a member of the Royal Watercolour Society and the current president of the New English Art Club.
He has exhibited widely across the UK
and abroad, in particular the USA.
He was a winner of the Chairman's Prize and the South West Regional Prize -
Discerning Eye in 2001. Publications include 'Oils Workshop' (HarperCollins).</span></span></span></div>
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<b><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: grey;">To see all of the work in the exhibition <a href="http://www.curwengallery.co.uk/gallery/seascapes15/title.htm" target="_blank">click here</a> </span></span></span><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: grey;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="color: grey;">to see the gallery website</span></span></span>. </span></span></span></b></div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-68242188499413544572015-04-09T15:34:00.001+01:002015-04-09T15:55:08.478+01:00Introducing Adrian Sykes<!--[if !mso]>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
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Sykes is a new artist to Curwen Gallery. We decided to get to know the man and
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8cR4KK-1AOuGkmCGWBgSSuDI12FJIoEtdLsXoeJwbjlhQiUNyO7SDYX9VM_RParngQ7rfRuU40DE-tfkEqyVyHh6W4xm_eylF4klc7jKi4rU5gNQdvEZNPTs0zyd7A7M5EmVA-PRgXfkc/s1600/adrianportrait.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8cR4KK-1AOuGkmCGWBgSSuDI12FJIoEtdLsXoeJwbjlhQiUNyO7SDYX9VM_RParngQ7rfRuU40DE-tfkEqyVyHh6W4xm_eylF4klc7jKi4rU5gNQdvEZNPTs0zyd7A7M5EmVA-PRgXfkc/s1600/adrianportrait.jpg" height="264" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Adrian Sykes in his studio in Bristol</td></tr>
</tbody></table>
<br />
<span lang="EN-US"><b style="mso-bidi-font-weight: normal;">Curwen Gallery</b>: You studied at Bath
College of Art- was it in the architecture of Bath that you first discovered an
interest in quirky, tumbledown buildings? How has your style changed since your
student days?</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZW39LySi0dHIpFBBoT5vmwDYzMZ3aICHCxTnlZI28keJF3JJCEMSfclqLwF9KObykn0cT7g9dWZGGxi5mDeXp2qYjBwjo-hMvMdCs9fAMomR1vYBPwKjCPb2bVyxfcsvJHSE8tJX8DLBb/s1600/AS+Clifftop+card.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZW39LySi0dHIpFBBoT5vmwDYzMZ3aICHCxTnlZI28keJF3JJCEMSfclqLwF9KObykn0cT7g9dWZGGxi5mDeXp2qYjBwjo-hMvMdCs9fAMomR1vYBPwKjCPb2bVyxfcsvJHSE8tJX8DLBb/s1600/AS+Clifftop+card.jpg" height="320" width="156" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Clifftop</i>, oil on board<b>,
</b>90 x 45cm<b><br />
</b>£1495</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian Sykes</span></b><span lang="EN-US">: I was
beginning to cultivate an interest in painting buildings and the effects of
sunlight on them before my days in Bath. Having lived on the Wirral for most of
my early life I studied at the now closed down Withens Lane college of Art
where I did my foundation course. </span></div>
<div class="MsoNormal">
<span lang="EN-US">There began a lifelong interest in the
works of Edward Hopper. Where I lived at the time really suited exploring this
approach with all the back to back houses and backyard scenes where the sharp
Northern light criss-crossed into these hidden worlds making great painting
material. When I moved to Bath to study I was instantly fascinated by the
architecture and in particular the tall buildings and narrow passageways that
held so much intrigue for me as a painter.<a href="https://www.blogger.com/blogger.g?blogID=3172471973747246349#_ftn1" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""></a></span><b style="mso-bidi-font-weight: normal;"><u><span lang="EN-US" style="font-size: 20.0pt; line-height: 115%;"><br style="mso-special-character: line-break;" />
</span></u></b><br />
<b style="mso-bidi-font-weight: normal;"><u><span lang="EN-US" style="font-size: 20.0pt; line-height: 115%;"><br style="mso-special-character: line-break;" />
</span></u></b><span lang="EN-US"></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Curwen
Gallery:</span></b><span lang="EN-US"> Do you take a lot of inspiration from your
surroundings and everyday life? How does your current environment, living in
Bristol, affect your work?</span></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: When I first moved back to the South West
after many years away, I revisited Bath and painted the surroundings in quite a
realistic way but then began to move from this approach after discovering a
more imaginative side to my work.</span></div>
<div class="MsoNormal">
<span lang="EN-US">I
now find that living in the city informs me in more of an indirect way. As
Bristol is not the most visually inspiring of cities I have to retreat more
into my imagination and rely on my visual memory bank to create my paintings
which I find to be more stimulating than trying to recreate ‘actual’ scenes
from real life. I am often informed by my surroundings however and particularly
enjoy the landscapes and townscapes of France and Italy where I have travelled
extensively. </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYvO7K8dy4JDTp8os2A7Cr-JWxDIQ7bKa0Cy8wY_REEric3Skby0vVn2GxfZhT_Q0BZrqkMx1-KdveyGY54X0L4MJqUArRnd09jmmUj9oR-5UOU73alcfH9VMSa0rTG3WikhctjnOUX1xi/s1600/CliffHouses.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYvO7K8dy4JDTp8os2A7Cr-JWxDIQ7bKa0Cy8wY_REEric3Skby0vVn2GxfZhT_Q0BZrqkMx1-KdveyGY54X0L4MJqUArRnd09jmmUj9oR-5UOU73alcfH9VMSa0rTG3WikhctjnOUX1xi/s1600/CliffHouses.jpg" height="320" width="158" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Cliff Houses</i>, oil on board<b>,</b> 37 x 18cm<b><br />
</b>£575</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<br />
<span lang="EN-US">Bristol inspires me in a
circumlocutory way as the artists quarter I live in is constantly surprising
and inspiring and full of artists all bustling together to turn ideas into
reality and that is a very inspiring setting to work in. </span><br />
<span lang="EN-US"><br />Also my studio at
Jamaica Street Artists is a constant source of inspiration to me and my fellow
artists have often proved vital in shaping a difficult piece with their expert
critique. To be surrounded by people all in this same funny art-shaped boat as
me is very regarding and heartening and the type of people here are very
typically Bristol in their open mindedness and generosity. </span></div>
<div class="MsoNormal">
<br />
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Curwen
Gallery</span></b><span lang="EN-US">: You were a full time musician for many
years. Were you still making artwork during this time? Did you find that the
two creative practices informed each other? <i style="mso-bidi-font-style: normal;"><span style="mso-spacerun: yes;"><br /></span></i></span></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: There was a period after studying where I
concentrated solely on being a musician as I was seduced by the lifestyle of
travelling and playing. Laurie Lee’s “As I Walked Out…” was a huge influence on
me and the lure of busking was too hard to ignore. During this period I managed
both in a very bohemian way continuing to draw as a screever with pavement art
when funds were getting low with my flute by my side. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US">There is a strong link between the two as
they are both creative and intuitive pursuits and I often paint whilst
listening to music but have yet to master doing this the other way around! I am
sure on one level that there is a symbiotic relationship between the two but
they are also vastly different disciplines so it is hard to pinpoint exactly
where they meet. <br /><br />I now play music regularly with a band in Bristol called
‘Sheelanagig’ where I play the flute and banjo and enjoy periods of intensive
touring and travelling. Managing the two careers as well as a young family can
be challenging at times but</span><span lang="EN-US"> </span><span lang="EN-US">luckily I have an amazingly supportive wife
who encourages both my chosen paths in life as long as I am back in time to
change some nappies and give her a lie in….!</span>
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSXP-hgWRezAOeERBghTKO3AcVvmXLt_TmoQCd-ROF_yv3_7rSEpFv9EtTYjXpbTivGMGUJzgZ7EXiNMqFjGVX6EHas1hIFK3zE6NJ1dQ-jY6rQ1ggfvoWAeRpYA8ThAwimMaBuRExXw8f/s1600/Moon+House.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSXP-hgWRezAOeERBghTKO3AcVvmXLt_TmoQCd-ROF_yv3_7rSEpFv9EtTYjXpbTivGMGUJzgZ7EXiNMqFjGVX6EHas1hIFK3zE6NJ1dQ-jY6rQ1ggfvoWAeRpYA8ThAwimMaBuRExXw8f/s1600/Moon+House.jpg" height="320" width="143" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Moon House</i>, oil on board<b>,
</b>60 x 26cm<br />
£<span class="auto-style1">895<span class="auto-style2"><b></b></span></span></span></td></tr>
</tbody></table>
<div class="MsoNormal">
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<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US"> Curwen Gallery</span></b><span lang="EN-US">: You travel
a lot- what places have influenced this current body of work?</span></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: This current body of work has been
influenced by an amalgamation of different European countries that have
infiltrated into my imagination as well as some quintessentially English
landscapes. I have not tried to replicate anywhere in particular and have
instead attempted to convey a ‘feeling’ and atmosphere more than a sense of
place. </span><br />
<br />
<span lang="EN-US">The joys of aging is that the brain holds a bank of inspiring places
which appear often subconsciously in my work without my realising often
surprising me when someone recognises somewhere familiar. It adds another level
of interest to me when people identify somewhere specific. </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Curwen
Gallery</span></b><span lang="EN-US">: Are you actively involved in the <span style="mso-spacerun: yes;"> </span>Bristol art scene? Do you find that your work
has much in common with your contemporaries working in Bristol? </span></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: I am part of a wonderful collective of
artists based at Jamaica Street Artists Studios in Stokes Croft, Bristol. This
is a thriving community of painters, sculptors, illustrators and makers and has
continued over the last two decades to produce some of the best artists working
today. </span><br />
<br />
<span lang="EN-US">Banksy really gave this area its’ reputation and we often have groups of
street art fans photographing the walls. Abigail Reed, Dan Ablitt, Anthony
Garrett are among my contemporaries and we all support each other through
critique and friendship. It is a unique atmosphere of generosity without the
competitive edge often found in these sorts of collectives! </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br />
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Curwen
Gallery</span></b><span lang="EN-US">: Much of your work reminds us of a jolly
version of Pieter Bruegal-in that you capture elements of the everyday in a
very surreal and stylised manner. Who are your main artistic inspirations and
how do they effect the work that you produce?</span><br />
<span lang="EN-US"> </span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US"> </span></b><br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b>: I love Bruegal’s work and I do cite him as
being a major influence upon me. Hopper as I mentioned before has been a huge
influence alongside Dali, Magritte, Hockney, Stanley Spencer, Shaun Tan, Max
Beckman, I could go on! The works of contemporary Yorkshire watercolourist
Simon Palmer who has consistently produced some magnificent paintings full of
mystery and detail has also hugely impressed me.</div>
<span lang="EN-US"></span><br />
<div class="MsoNormal">
<br />
<br /></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCiXMpgomoisli9U4QOnQN6wDDv5hbiBFEs22DnXnp7Oe4wxlYIC5Lpi2OkjN4ffuw1UGV8TIkjVkbMz0-qIU4OU_WjTbIiY6lomErCzsVqHyFMKwfpkoojr332U-nwiCtgYf2PXKFKJ0J/s1600/Path.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCiXMpgomoisli9U4QOnQN6wDDv5hbiBFEs22DnXnp7Oe4wxlYIC5Lpi2OkjN4ffuw1UGV8TIkjVkbMz0-qIU4OU_WjTbIiY6lomErCzsVqHyFMKwfpkoojr332U-nwiCtgYf2PXKFKJ0J/s1600/Path.jpg" height="320" width="163" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Path</i>, oil on board<b>,</b> 90 x 45cm<b><br />
</b>£1495</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Curwen Gallery</span></b><span lang="EN-US">: Your work
is quite playful but can also be quite dark (albeit in a fairy-tale manner)-
how do you feel about these two contrasting elements coexisting in your work?Is
this a reflection of your own character?</span></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: I think everyone has both these sides to
their character and as an artist I am generally drawn to the more introspective
side of life but not necessarily dwelling on the dark side. I suppose I’m
aiming to get a balance between the two.</span>
</div>
<div class="MsoNormal">
<br />
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Curwen
Gallery</span></b><span lang="EN-US">: Your current work is quite dreamlike with
almost myth like narratives being suggested by some of the motifs that you
regularly use (such as the winding bridge, the lone house etc.) Do you think
these motifs mean something specific to you, unconsciously or consciously?</span><br />
<br />
<span lang="EN-US"><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"></span></span></span></span><br />
<span lang="EN-US"><a href="https://www.blogger.com/blogger.g?blogID=3172471973747246349#_ftn4" name="_ftnref4" style="mso-footnote-id: ftn4;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><span class="MsoFootnoteReference"><span lang="EN-US" style="font-family: "Calibri",sans-serif; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US;"></span></span></span></span></a> </span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: Perhaps unconsciously yes I think they do
mean something to me although I am mostly drawn to how they are working within
the composition. Symbolically, ‘the Ladder’ for example which features quite
regularly in my works, can be seen as an archetypal connection between the land
of matter below with the domain of spirit above and the winding path can be
seen as representing our own pathway through life, but any further meaning I
will leave to the psychiatrists! I think images work upon us all in different
ways and there is no one way to define how certain symbols will affect our
subconscious.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Curwen
Gallery</span></b><span lang="EN-US">: In your artist statement you say that your
work visits “the land of the imagination where I transport the viewer into a
world of darkly humorous and quirky characters.” </span></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjioXiOFX-jDoiXz_1ByRLyOo2hcI5XW9Jvbc50c0n3HzdV2viEnIGx40i7Rek9CXsCak0llmqdvFst4fHI25DWfS_hE0xEKRJQ0sr_KRGYa4SkPqAVnA6iZKU7Px6WEB4HCh1WayTtqfyG/s1600/Garden+House.jpeg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjioXiOFX-jDoiXz_1ByRLyOo2hcI5XW9Jvbc50c0n3HzdV2viEnIGx40i7Rek9CXsCak0llmqdvFst4fHI25DWfS_hE0xEKRJQ0sr_KRGYa4SkPqAVnA6iZKU7Px6WEB4HCh1WayTtqfyG/s1600/Garden+House.jpeg" height="320" width="158" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Garden House</i>, oil on board<b>,</b> 37 x 18cm<b><br />
</b>£575 </span></td></tr>
</tbody></table>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US"><br />Adrian Sykes</span></b><span lang="EN-US">: I am very
much drawn to a sense of intrigue in any work of art, from a door slightly ajar
or a curtain blowing through an open window to a mysterious lone figure walking
through the woods. I like the play of suggested narrative without being too
heavy handed with the meaning as I like to leave things open to interpretation.
<br /><br />Often by exaggerating the ‘impossibility’ or ‘quirkiness’ of a dwelling or
passageway it draws attention to its significance in our lives where it might
normally get overshadowed by routine, such as, returning home to loved ones
etc. By making some of these elements in my work humorous I think it also
serves this purpose of drawing our attention to these important everyday
activities in our lives. As John Lennon said, ‘life is what happens whilst you
are making plans’.<br />
</span><br />
<span lang="EN-US"></span><br />
<br />
<span lang="EN-US"><b style="mso-bidi-font-weight: normal;"> Curwen
Gallery</b>: Are your subjects taken partly from the real world? Are some of
your landscapes based on real landscapes in the world or are they completely
from your imagination?</span></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: This particular set of work are all from my
imagination. I have tried to capture a sense of memory and perhaps tap into
some childhood recollections. With the elongated houses and trees for instance,
I have concentrated on scale, hoping to put the viewer in a position that they
might have felt as a child when the world is full of wonder and intrigue and
where the scale of life is quite literally ‘awe inspiring’. </span></div>
<div class="MsoNormal">
<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX2erpx_G2TZFRfkc11fqJ5kBmnPY-jmzZD33eL53vPmhYjKl3N81943X3AkEwK0vGzwAbtFfwvl03kR9urCcnp3ESfZ_DFuwbmdfKop4bTzB2TVlpieO1KGzXpyxfgLFB0EJxL-X0RKYu/s1600/sailing+home.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX2erpx_G2TZFRfkc11fqJ5kBmnPY-jmzZD33eL53vPmhYjKl3N81943X3AkEwK0vGzwAbtFfwvl03kR9urCcnp3ESfZ_DFuwbmdfKop4bTzB2TVlpieO1KGzXpyxfgLFB0EJxL-X0RKYu/s1600/sailing+home.jpg" height="320" width="156" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><i>Sailing Home</i>, oil on board<b>,
</b>37 x 18cm <b><br />
</b>£575</span></td></tr>
</tbody></table>
<span lang="EN-US"><b style="mso-bidi-font-weight: normal;">Curwen Gallery</b>: You say you want to
try to capture “the essence of places” in your work. Are these recent works
inspired by real places? If so where? </span></div>
<div class="MsoNormal">
<br />
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US">Adrian
Sykes</span></b><span lang="EN-US">: I think the ‘essence of place’ in these
works is all about trying to capture a feeling that has been lost or forgotten
with also the added feeling of a sense of hopefulness and peace.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="line-height: normal;">
<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="mso-ansi-language: EN-GB;"><span style="mso-spacerun: yes;"> </span></span></i><i style="mso-bidi-font-style: normal;"><span style="mso-ansi-language: EN-GB;">Adrian Sykes is showing his new work at
Curwen Gallery from 2- 30<sup>th</sup> April 2015.<br />
<span style="mso-spacerun: yes;"> </span></span></i><br />
<i style="mso-bidi-font-style: normal;"><span style="mso-ansi-language: EN-GB;"><span style="mso-spacerun: yes;"> </span>Contact the gallery for all sales
enquiries. </span></i><br />
<br />
<i style="mso-bidi-font-style: normal;"><span style="mso-ansi-language: EN-GB;">Click here for the exhibition <a href="http://www.curwengallery.co.uk/gallery/sykes15/title.htm" target="_blank">website</a> </span></i></div>
<div style="mso-element: footnote-list;">
<div id="ftn5" style="mso-element: footnote;">
<div class="MsoFootnoteText">
<span lang="EN-US" style="font-family: "Arial",sans-serif; font-size: 7.5pt;"></span></div>
</div>
</div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com1tag:blogger.com,1999:blog-3172471973747246349.post-74359883661155552232015-03-19T11:17:00.001+00:002015-03-19T11:17:45.194+00:00THIRZA KOTZEN<div class="auto-style4">
SKYHIGH (And The Space Between)<br />5- 28th March 2015<br />
<br />
Nature inspires feelings of mysticism and awe in Thirza
Kotzen. In <i style="mso-bidi-font-style: normal;">SKYHIGH (And the Space Between)</i>
she continues an avenue of inquiry begun in her 2012 exhibition
<i style="mso-bidi-font-style: normal;">The Space Between.</i> </div>
<div class="auto-style4">
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHY89TUu6jdn5Oy3mQ0oymb5TN1z8bDq2xolB6YZs6aTjfZ2OfoTN4oIOHughEVPb7V_19P8EEtCnESbfWnHRKa5rcoXg5D7mtOr6AzEclYHIjSNCaFLxRaMfydcU7ABAAKqrF2_gbeelA/s1600/skyhigh+IV+card+ps.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHY89TUu6jdn5Oy3mQ0oymb5TN1z8bDq2xolB6YZs6aTjfZ2OfoTN4oIOHughEVPb7V_19P8EEtCnESbfWnHRKa5rcoXg5D7mtOr6AzEclYHIjSNCaFLxRaMfydcU7ABAAKqrF2_gbeelA/s1600/skyhigh+IV+card+ps.jpg" height="320" width="209" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Skyhigh IV, </em><span style="font-family: Arial; font-size: xx-small;">mixed media, 137x 88cm</span><br style="font-family: Arial; font-size: x-small;" /><span style="font-family: Arial; font-size: xx-small;">£7500</span></td></tr>
</tbody></table>
<br />
With <em>SKYHIGH</em>... she hopes to capture some of
the immense wonder that she feels in nature and communicate the spirituality of
the forest with characteristically exuberant tones.</div>
<div class="auto-style4">
<br /></div>
<div class="auto-style6">
She uses elements of the landscape like a musical score.
The trees, the fields, the rivers and the flowers are all placed like notes as if the image was a piece of music.When hung together, they perform as an orchestra, with
contrasting notes working together to create a lyrical world through which the
viewer can wander.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijQ9Oy5G7i8qiXAZt70ytr4ys7KdIT2MZHGPjIcwkKzRGoCfpelNMChbCmBQahjeyhgtKEnkSTskVcFqQOo3AfSt2x9wLHjQylvbJuyCr5VpXADoMV2MsSt8F7RMKaHl9ilQpuCXZ6s1-_/s1600/Fernbrella.bmp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijQ9Oy5G7i8qiXAZt70ytr4ys7KdIT2MZHGPjIcwkKzRGoCfpelNMChbCmBQahjeyhgtKEnkSTskVcFqQOo3AfSt2x9wLHjQylvbJuyCr5VpXADoMV2MsSt8F7RMKaHl9ilQpuCXZ6s1-_/s1600/Fernbrella.bmp" height="288" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Fernbrella, </em><span style="font-family: Arial; font-size: xx-small;">mixed media, 43 x 47cm</span><br style="font-family: Arial; font-size: x-small;" /><span style="font-family: Arial; font-size: xx-small;">£1950</span></td></tr>
</tbody></table>
</div>
<div class="auto-style6">
She explores tensions between contradictory elements in
her work, the light and the dark, the off key and the harmony. These components
are often produced intuitively with unconscious impulses guiding her hand. </div>
<div class="auto-style6">
<br /></div>
<div class="auto-style6">
As with her many previous exhibitions, colour is a vital
component of the overall composition. Her use of colour is inspired by her
background- they are the vibrant and intense colours that she grew up with in
South Africa.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRmztcZkDAmn9bNZo8vvTrSf4p56-ByVuqyggGgVnRqoSbrMZVK6vabOwuZXTo7CfQl9nh_9q15qCwa_4ZTbG9dfeulqrEIKfsHb18G3lpnxW5hOwzde8D4R28xYYpBzF7Y8gkadWaAiAa/s1600/greenandgnarled.bmp" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRmztcZkDAmn9bNZo8vvTrSf4p56-ByVuqyggGgVnRqoSbrMZVK6vabOwuZXTo7CfQl9nh_9q15qCwa_4ZTbG9dfeulqrEIKfsHb18G3lpnxW5hOwzde8D4R28xYYpBzF7Y8gkadWaAiAa/s1600/greenandgnarled.bmp" height="303" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><em style="font-family: Arial; font-size: x-small;">Green and Gnarled, </em><span style="font-family: Arial; font-size: xx-small;">mixed media, 43 x 47cm</span><br style="font-family: Arial; font-size: x-small;" /><span style="font-family: Arial; font-size: xx-small;">£1950</span></td></tr>
</tbody></table>
</div>
<div class="auto-style6">
Since moving to Britain she discovered a marked
difference in the colour sensibility between South Africa and Northern Europe,
remarking that the light in the UK is considerably cooler than the sunshine
soaked environments she was used to in South Africa.</div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-29117495298450451702015-02-27T14:40:00.000+00:002015-02-27T14:41:58.632+00:00ANTHONY GREEN<!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
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<![endif]--><span style="color: #e69138;"><span style="font-family: "Trebuchet MS",sans-serif;"><span lang="EN-US" style="font-size: 16pt;"><span style="font-size: large;"><span style="font-size: x-large;">Everyday Adventures with Anthony, His Family and the Flowers</span> </span></span></span></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><span lang="EN-US" style="font-size: 16pt;"><span style="color: #e69138;"><span style="font-size: x-large;">5- 28th March</span></span></span></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><span lang="EN-US" style="font-size: 16pt;"><br /></span><span style="color: #990000;"><span lang="EN-US" style="font-size: 16pt;"><span style="font-size: large;">Anthony Green RA will be talking about his work on Tuesday 10th March from 6.30pm</span></span></span><br /><span lang="EN-US" style="font-size: 16pt;"></span><span style="color: #6aa84f;"><span lang="EN-US" style="font-size: 16pt;"><br /></span></span></span></div>
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<span style="font-family: "Trebuchet MS",sans-serif;"><span style="color: #6aa84f;"><span lang="EN-US" style="font-size: 16pt;">Anthony Green is well
known for his irregularly shaped, highly eccentric paintings with distorted or conflicting perspectives. His subject matter is often
humorous, depicting himself, his wife or other members of his family having everyday adventures in or around his home. </span></span></span></div>
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8p7GSC3S8TRi6UvtgxcAlyEFfXF4PaghFnjE6guRqC4D8Zx7ex6EGC_3YDnJqRk0TUe8zIlOVxiPruQXGev_0l2DqjvFPId4Kl4SGbSlz9Umr7u5-ORNOoGS9ysbYy3zj0TrFIC46l2Ug/s1600/Anthony+Green,+The+Bureau,+Afternoon+Sun,+1999-2010,+oil+on+board,+163+x+122cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8p7GSC3S8TRi6UvtgxcAlyEFfXF4PaghFnjE6guRqC4D8Zx7ex6EGC_3YDnJqRk0TUe8zIlOVxiPruQXGev_0l2DqjvFPId4Kl4SGbSlz9Umr7u5-ORNOoGS9ysbYy3zj0TrFIC46l2Ug/s1600/Anthony+Green,+The+Bureau,+Afternoon+Sun,+1999-2010,+oil+on+board,+163+x+122cm.jpg" height="320" width="236" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="font-family: "Trebuchet MS",sans-serif;"><i>The Bureau, Afternoon Sun</i>, 163 x 122cm</span></span></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAeCvxVoD-0HU95N-kJyfD_wdXRlgyM51eCE9pTGxKzRI_5giqJEeuSVhFvbIuwWn85f01P_c-rME71zU2UHfo5dhSMqePZK987qLIQZDf-w_iNGjEkd88kSFVYwdT_odl86M3QRvOmOxd/s1600/The+staircase+-+roses.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAeCvxVoD-0HU95N-kJyfD_wdXRlgyM51eCE9pTGxKzRI_5giqJEeuSVhFvbIuwWn85f01P_c-rME71zU2UHfo5dhSMqePZK987qLIQZDf-w_iNGjEkd88kSFVYwdT_odl86M3QRvOmOxd/s1600/The+staircase+-+roses.jpg" height="320" width="49" /></a></div>
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<span lang="EN-US" style="font-family: "Gill Sans",sans-serif; font-size: 16.0pt; mso-bidi-font-family: "Gill Sans"; mso-fareast-language: JA;">Many of his works have a
dreamlike quality as in ‘<i>The Staircase - Roses</i>’ (left) </span><span lang="EN-US" style="font-family: "Gill Sans",sans-serif; font-size: 16.0pt; mso-bidi-font-family: "Gill Sans"; mso-fareast-language: JA;">where the artist is shown in mid air showering
flowers onto his wife, with his reflection in the nearby mirror showing a
younger version of himself. These scenes are reminiscent of daydreams or visions of an alternative reality, free from the limitations of
space and time.</span><br />
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<span lang="EN-US" style="font-family: "Gill Sans",sans-serif; font-size: 16.0pt; mso-bidi-font-family: "Gill Sans"; mso-fareast-language: JA;">Green’s use of the
pictorial space in his work reflects the way in which we view space around us,
not confined by square edges or a single viewpoint as in traditional painting. <br /><br />Painted onto board which is sometimes specifically shaped to the work, these
paintings occupy a territory on the boundary between painting and sculpture. <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8FOIDdeEPo7eW13ioHGAat83F2LxhSWgq8bLPkSO_dQZ4P26cExLj2-FsvFfvI0bZgLZfp8x5XKW_JYCQjknBnYcEqQTL11FzUUGBB9hj48RpVV8zJdiic6ocXge57Su2UTiZ6rA_ixlp/s1600/Anthony+Green,+Sunflowers+on+Margaret's+Trestle+Table+ad+artificially+bigger+do+not+use.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8FOIDdeEPo7eW13ioHGAat83F2LxhSWgq8bLPkSO_dQZ4P26cExLj2-FsvFfvI0bZgLZfp8x5XKW_JYCQjknBnYcEqQTL11FzUUGBB9hj48RpVV8zJdiic6ocXge57Su2UTiZ6rA_ixlp/s1600/Anthony+Green,+Sunflowers+on+Margaret's%2BTrestle%2BTable%2Bad%2Bartificially%2Bbigger%2Bdo%2Bnot%2Buse.jpg" height="278" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Sunflowers on Margaret's Trestle Table</i>, 94 x 109cm</td></tr>
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<span lang="EN-US" style="font-family: "Gill Sans",sans-serif; font-size: 16.0pt; mso-bidi-font-family: "Gill Sans"; mso-fareast-language: JA;">Resembling pieces of a giant jigsaw, they give the viewer a sense
of being shown a small piece of a larger ongoing narrative, or a glimpse into
the fantastically chaotic world continually playing out inside the artist’s
mind.</span></div>
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<span lang="EN-US" style="font-family: "Gill Sans",sans-serif; font-size: 16.0pt; mso-bidi-font-family: "Gill Sans"; mso-fareast-language: JA;"><br /></span></div>
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<span lang="EN-US" style="font-family: "Gill Sans",sans-serif; font-size: 16.0pt; mso-bidi-font-family: "Gill Sans"; mso-fareast-language: JA;"><span style="background-color: #f3f3f3;"><span style="color: purple;">To see the full online catalogue for the exhibition, visit the gallery</span> <span style="color: #0b5394;"><span style="color: black;"><b><a href="http://www.curwengallery.co.uk/gallery/green15/title.htm" target="_blank">website</a></b> </span> </span> </span></span></div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-74133207981322601812015-02-23T15:21:00.002+00:002015-02-23T15:23:32.786+00:00Alison Neville: Architectural Etchings <span style="font-size: large;">5 - 28th February</span><br />
<br />
<span style="font-size: large;">We are coming to the end of our current exhibition of Alison Neville's etchings. Like all of Alison's shows it has been very succesful and a good deal of her prints have found new homes. </span><br />
<span style="font-size: large;">This exhibition focuses on Alison's architectural etchings, which have a characteristicly eccentric style for which she is now well known for.</span><br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCWUtRl_2CUFvbBbiaanQf-J7jX6Yarlcbv9L1xINh0gyK5d5YtA1GxgubB3_5FEAtPm-qN8HxNXV7uWxdGV4MMixqejCDSwCCNXaDrykYTKRgCSlBZEjDpGKKj-qLCuDIiwJMdoO4ve7/s1600/itmad.ad.duala.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCWUtRl_2CUFvbBbiaanQf-J7jX6Yarlcbv9L1xINh0gyK5d5YtA1GxgubB3_5FEAtPm-qN8HxNXV7uWxdGV4MMixqejCDSwCCNXaDrykYTKRgCSlBZEjDpGKKj-qLCuDIiwJMdoO4ve7/s1600/itmad.ad.duala.JPG" height="320" width="229" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><b>Alison Neville</b><i>, Itmad- ud - Dauhla</i>, etching</td></tr>
</tbody></table>
Most of the works included in the exhibition are inspired by her experiences travelling. As a body of work the show is a good document of the many different exotic locations she has visited and been stimulated by. For this exhibition we tried to choose a selection of works from her extensive opus that represented the whole, while at the same time looking from a perspective that many of her regular fans may not have seen before.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDih3aV0Se11quyfxQxuNHN_n7PwgN-_2acMWI3wNzhw-JuTItz0B0_7Eph7q-ntXlUbs_Cp1n1MKY-6GeSlJAIesG8pwwatjvKjHlciApwxhPWahcCqDRcuQFnozxwz4ivDYuK9ZyvzoA/s1600/Flatironbuilding.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDih3aV0Se11quyfxQxuNHN_n7PwgN-_2acMWI3wNzhw-JuTItz0B0_7Eph7q-ntXlUbs_Cp1n1MKY-6GeSlJAIesG8pwwatjvKjHlciApwxhPWahcCqDRcuQFnozxwz4ivDYuK9ZyvzoA/s1600/Flatironbuilding.jpg" height="320" width="235" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alison Neville, Flatiron Building, etching</td></tr>
</tbody></table>
<br />
Work not seen before, such as <i>Washington Street </i>(below), join old favourites such as <i>Flatiron Building</i> (above) to create a show which includes work from her early career as well as more recent etchings.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi66WLwNa1qjq4Id4huKWjhAAMJY8y506L4kUhUIlvG6lBS8ZjmmULcEzc_pb_33KnLjPkK20n_i8ofhlo17mPe7o2fZ7A8V_XFzoPAvLfSRg0Y6CHwKdZccQ17fKrZDwGhlk6mp7v-8Xzi/s1600/washingtonstreet.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi66WLwNa1qjq4Id4huKWjhAAMJY8y506L4kUhUIlvG6lBS8ZjmmULcEzc_pb_33KnLjPkK20n_i8ofhlo17mPe7o2fZ7A8V_XFzoPAvLfSRg0Y6CHwKdZccQ17fKrZDwGhlk6mp7v-8Xzi/s1600/washingtonstreet.JPG" height="226" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alison Neville, Washington Street, aquatint with chine colle</td></tr>
</tbody></table>
Alison Neville’s
work is in numerous private and public collections.She has been showing her work with Curwen Gallery since our first ever exhibition over 30 years ago.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-N6lHMeJr0HKVGL7d55T8oU93REM7OJgtqTvjT5zp_71XJVDbR6Xh1PG18xq-ennDTItIeHzIB-XPrfRF6nE5p_xx85eTJ-3jRMh6-O98tzsY4_aHvKKKhRDSjWKzKSrCyuG_j6GR6Kzm/s1600/Poetscorner,+Westminster+Abbey.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-N6lHMeJr0HKVGL7d55T8oU93REM7OJgtqTvjT5zp_71XJVDbR6Xh1PG18xq-ennDTItIeHzIB-XPrfRF6nE5p_xx85eTJ-3jRMh6-O98tzsY4_aHvKKKhRDSjWKzKSrCyuG_j6GR6Kzm/s1600/Poetscorner,+Westminster+Abbey.jpg" height="320" width="242" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alison Neville, <i>Poet's Corner, Westminster Abbey</i>, etching</td></tr>
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For more information on the exhibition please visit the gallery <a href="http://www.curwengallery.co.uk/gallery/neville15/title.htm" target="_blank">website</a>.Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-74425089219500114582015-02-18T11:11:00.001+00:002015-02-18T11:24:07.166+00:00JULIA BROOKER : ACRYLIC ON ALUMINIUM<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">5 - 28th February 2015</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Showing alongside Clare Bigger in our main space this month is Julia Brooker, an abstract artist specialising in painting directly onto aluminium sheets with acrylic paint. We have been showing her work for many years and furnished a large number of corporate spaces with it.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmd3CjxFyG-MkKYDAgqMZBojclxz5X-8r3crdWopYOwxGFTiTqczQtUWpzKxX80nXio-hpH4KLY0GS-mFEDTliJs4mrv8VynKdD92s0k2GPRQVlYzwwH00t0gePXiC6UVB7hZsYCM_rqOi/s1600/Fair+Isle+detail+b.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmd3CjxFyG-MkKYDAgqMZBojclxz5X-8r3crdWopYOwxGFTiTqczQtUWpzKxX80nXio-hpH4KLY0GS-mFEDTliJs4mrv8VynKdD92s0k2GPRQVlYzwwH00t0gePXiC6UVB7hZsYCM_rqOi/s1600/Fair+Isle+detail+b.jpg" height="240" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Detail of Fair Isle, showing the surface of the painting</td></tr>
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<span style="color: black; font-family: Arial, Helvetica, sans-serif;">Julia is interested in the
materiality of paint and the way that the aluminium she uses as a canvas
reflects light through the veils of transparent paint. The effects produced by
the interaction of the intensely coloured paint and reflective surface produce
a visceral “hit of colour, ” which can be very effecting.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHLA_Vivhdxsj5x8aDKjZ6CZdyy2RN776RkZSXZ28pk2xBiBY5l0ygQm3cDDkJJ9pcLx7EiP5KZh3dlNumbQPid4DGvMvNq8jUxnMsgTaCLg4AmmpZMNecDnnDKY1fPVutCq1yYvQLF16A/s1600/jungle_jungle++145+x440cm++for+wide+painting+gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHLA_Vivhdxsj5x8aDKjZ6CZdyy2RN776RkZSXZ28pk2xBiBY5l0ygQm3cDDkJJ9pcLx7EiP5KZh3dlNumbQPid4DGvMvNq8jUxnMsgTaCLg4AmmpZMNecDnnDKY1fPVutCq1yYvQLF16A/s1600/jungle_jungle++145+x440cm++for+wide+painting+gallery.jpg" height="104" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julia Brooker, Jungle</td></tr>
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<span style="color: black;"><span style="font-family: Arial, Helvetica, sans-serif;">Schopenhauer, one of her main theoretical
inspirations, calls this feeling the “aesthetic experience,” a momentary “release,”
from everyday life which art can provide. <span style="mso-spacerun: yes;"> </span>Her work is about the immediate sensorial impression
which colour and form can create. A certain type of sensation which is
separate from life and transports us to another place.</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNShhWrHrESFudZLouvtj6gOd8PM5LYFDe4poTZmGfHKfeEf0t49EtJaTDeJRh7ydqGMf-G3tafR895cUAUrYy0hCD6k5gB14iS88mPh05YthnZKtfo81-7ie4Ym8Ey7qp7boLfc225iGp/s1600/filligree.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNShhWrHrESFudZLouvtj6gOd8PM5LYFDe4poTZmGfHKfeEf0t49EtJaTDeJRh7ydqGMf-G3tafR895cUAUrYy0hCD6k5gB14iS88mPh05YthnZKtfo81-7ie4Ym8Ey7qp7boLfc225iGp/s1600/filligree.jpg" height="320" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julia Brooker, Filligree</td></tr>
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<span style="color: black; font-family: Arial, Helvetica, sans-serif;">Colour is of particular importance
to Julia. Her palette is vivid, and in most cases bright. Each painting has a focused
use of colour, carefully chosen for maximum impact. Some works, such as Sweet
Marie (below) are so intense that they suck all the light in around them,
stealing attention from their surrounding paintings.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Lk9m8eCNHcWYw2dK49Ec0WOuH5zMh7tr2mi47lGp4fWM6MlU58sX4Y6nF7kYvYLyekolfDEzsTVKclPvIyIh8t1Tk3m-QVjClOrl7wC03c5-sQKHe1XIJg46KqDZTmY4WaZEHLvy4u-w/s1600/Sweet+Marie+125+x125cm.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Lk9m8eCNHcWYw2dK49Ec0WOuH5zMh7tr2mi47lGp4fWM6MlU58sX4Y6nF7kYvYLyekolfDEzsTVKclPvIyIh8t1Tk3m-QVjClOrl7wC03c5-sQKHe1XIJg46KqDZTmY4WaZEHLvy4u-w/s1600/Sweet+Marie+125+x125cm.JPG" height="314" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julia Brooker, Sweet Marie</td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: black;">When we were hanging the
exihibition we often ran into great difficulty with works like this because of
their attention stealing nature. It often felt unfair to place one painting
which was loud and focused next to another which was more subdued and ethereal
because of the </span>habit of the louder works had of overwhelming their quieter neighbors.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQBAjH04SMdKlOrWbeiE_MtV3uXNPYpTfbwzO74X_mrbIHUWNdvIe3HnDkMTyCOZPVi-YCPWTRZanPwD-nvT6eH9L9QA6e1QA0fQWehsALW67uqCdBm5bjharMVvmZoYO3QB89dRmqRF-d/s1600/brooker.syracuse.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQBAjH04SMdKlOrWbeiE_MtV3uXNPYpTfbwzO74X_mrbIHUWNdvIe3HnDkMTyCOZPVi-YCPWTRZanPwD-nvT6eH9L9QA6e1QA0fQWehsALW67uqCdBm5bjharMVvmZoYO3QB89dRmqRF-d/s1600/brooker.syracuse.jpg" height="320" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Julia Brooker, Syracuse</td></tr>
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<span style="color: black; font-family: Arial, Helvetica, sans-serif;">Julia Brooker is a great believer
in the importance of the craft of painting, something which we at Curwen
Gallery share. She values traditional notions of beauty in painting which is
something that she comments is currently an “unfashionable belief”. These ideas
are of great importance to an understanding of her work. There is no particular
‘meaning’, either implicit or explicit. Appreciation of these paintings is
confined to the aesthetic experience that is felt by the viewer directly.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: black;"><br /></span>
<span style="color: black;">For more information on the work included in this exhibition see the gallery <a href="http://www.curwengallery.co.uk/gallery/bigger.brooker15/title.htm" target="_blank">website</a>.</span></span></div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-17132099908011375662015-02-13T14:59:00.001+00:002015-02-13T15:09:50.274+00:00CLARE BIGGER'S STEEL SCULPTURE<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">5 - 28th February 2015</span></b><br />
<b><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span></b>
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">
</span></span>
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><b>Clare Bigger produces figurative sculpture in stainless steel. </b><b>Her new body of work, currently showing in our main gallery space, has been produced as a celebration of movement</b></span><b><span style="font-size: large;">.</span></b></span><br />
<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7a3yKMHMOx5mSlfORLPnwT77ChaJYgPnLLSITA64KsOVT8Jzll9bP73rO80Gqm4Jqncc4ySOXIVIxdW0vJUlCRvE1vPi-97CmGEq7w6DaLf-9_rI2B_Pel0gj1QyRnuygP_rTPTNLwAL3/s1600/Bigger+Oblique.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7a3yKMHMOx5mSlfORLPnwT77ChaJYgPnLLSITA64KsOVT8Jzll9bP73rO80Gqm4Jqncc4ySOXIVIxdW0vJUlCRvE1vPi-97CmGEq7w6DaLf-9_rI2B_Pel0gj1QyRnuygP_rTPTNLwAL3/s1600/Bigger+Oblique.jpg" height="222" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Clare Bigger, Oblique</span></td></tr>
</tbody></table>
<span style="font-family: Arial, Helvetica, sans-serif;">
<span style="font-size: 11pt;">Upon entering the space visitors are confronted by <i>Osprey III </i>- a huge predatory bird swooping down on them, clutching a salmon in it's talons.</span><span style="font-size: 11pt;"><br /></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: 11pt;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEGrjPM-ZyzcGUtFf110Tj1suRMGFoC6i4HSdWdBwJtBeuUrtKm35ze0yaZbPCV8UTaDVrb2g3HkTuwHHgjDg1XPdKnWeOH8gaKT037rGuYiDlwaIOlsH44tySY4uj_8pl4vxNOipy34aN/s1600/CJP_5978a.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEGrjPM-ZyzcGUtFf110Tj1suRMGFoC6i4HSdWdBwJtBeuUrtKm35ze0yaZbPCV8UTaDVrb2g3HkTuwHHgjDg1XPdKnWeOH8gaKT037rGuYiDlwaIOlsH44tySY4uj_8pl4vxNOipy34aN/s1600/CJP_5978a.jpg" height="320" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Clare Bigger, Osprey III</td></tr>
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</span><span style="font-size: 11pt;">When installing the exhibition it's sharp </span><span style="font-size: 11pt;">beak even sliced the hand of the technician, as if to </span><span style="font-size: 14.6666669845581px;">prove</span><span style="font-size: 11pt;"> it's vicious nature.</span></span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkOGe8NWwolGLn4iNwB5nIcUQZ8Tl3AL0Kl4oKS6gS4kf905aakuwVFBAcT_zRkHBAdx6r8PNX6NkLo1UT4wKxCXzbZA_ICjwfhZONvnN9T6S7I3FTIM1IFTLeqx0My6GUZZLcstA5cgzB/s1600/3.Finish+line.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Arial, Helvetica, sans-serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkOGe8NWwolGLn4iNwB5nIcUQZ8Tl3AL0Kl4oKS6gS4kf905aakuwVFBAcT_zRkHBAdx6r8PNX6NkLo1UT4wKxCXzbZA_ICjwfhZONvnN9T6S7I3FTIM1IFTLeqx0My6GUZZLcstA5cgzB/s1600/3.Finish+line.jpg" height="240" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">Clare Bigger, Finish Line</span></td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-bidi-font-size: 9.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;">In line with her interest in athletics, her new works include a trio of sprinters inspired by London Olympics 2012, as well as a duo of cyclists, inspired by her recent experiences on cycling tracks.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: 11.0pt; mso-ansi-language: EN-GB; mso-bidi-font-size: 9.0pt; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoxkP4meIFFaHYguasgqHwwnN9RjzVywu4Sb2FLFoYg9zklNrg7_8GKcCA93BQg9PH4anZBBACsv_kVMUG7_zFJMupKnbYbRYN7bcAIDQm3NHDYsD5EHMlqpanZUQqgN7GC9CXwZrOi3Qd/s1600/cyclist.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoxkP4meIFFaHYguasgqHwwnN9RjzVywu4Sb2FLFoYg9zklNrg7_8GKcCA93BQg9PH4anZBBACsv_kVMUG7_zFJMupKnbYbRYN7bcAIDQm3NHDYsD5EHMlqpanZUQqgN7GC9CXwZrOi3Qd/s1600/cyclist.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Clare Bigger, Cyclist</td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">The exhibition covers her various subjects of interest, such as birds of prey, dancers and cats to name a few.In recent years she has also begun making more abstract pieces which explore elemental themes, such as the flow of water and fire. These works compliment her figurative sculptures</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: 11.0pt; mso-bidi-font-size: 9.0pt;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_EbUsx4nx-IU71j8Zas2kXurtksYpehtDkj5wRaMR4LGfM0oY7z2MjN5ytrKapRob152S6qDWLpPHlTaq6JIVg9gMlRw8X71IlYSdiNk2F3l1KR4k2gG7elud2ZTVGzKQC7u6hb5pdHmu/s1600/fishing.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_EbUsx4nx-IU71j8Zas2kXurtksYpehtDkj5wRaMR4LGfM0oY7z2MjN5ytrKapRob152S6qDWLpPHlTaq6JIVg9gMlRw8X71IlYSdiNk2F3l1KR4k2gG7elud2ZTVGzKQC7u6hb5pdHmu/s1600/fishing.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Clare Bigger, Fishing</td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: 11.0pt; mso-bidi-font-size: 9.0pt;"><span style="font-family: Arial, Helvetica, sans-serif;">Earlier this year and also inspired by the 2012
Olympic games, she completed a large scale commission (8.5m high) for a major
roundabout in Milton Keynes based on the gold medal winning long jump of Greg
Rutherford.</span><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgleaQexkSXV94mweoMNG6mwI6VlwiX1-uIm0SVRBe1rqhihgLX6b-_kLvnedlZCKl-KPjjNS1GdWAq63wvMRNbhfmO5gFfaXw-AqaDMMB7E9KSd5UlO1Ppy3fg5hXzmEpEDnU2Kw59xCtf/s1600/miltonkeynesjumper.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgleaQexkSXV94mweoMNG6mwI6VlwiX1-uIm0SVRBe1rqhihgLX6b-_kLvnedlZCKl-KPjjNS1GdWAq63wvMRNbhfmO5gFfaXw-AqaDMMB7E9KSd5UlO1Ppy3fg5hXzmEpEDnU2Kw59xCtf/s1600/miltonkeynesjumper.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Roundabout in Milton Keynes, Sculpture stands at 8.5m high</td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;">For more information on the exhibition see the gallery <a href="http://www.curwengallery.co.uk/gallery/bigger.brooker15/title.htm" target="_blank">website</a>. </span></div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-19347439469337519802015-01-06T14:33:00.003+00:002015-01-06T14:33:25.811+00:00Abstract Landscapes : 8 - 31st January<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td><span style="font-size: xx-small;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">FOUR ESTABLISHED ARTISTS AFFIRM THE RELEVANCE OF LANDSCAPE PAINTING<br /> </span></span></span></span><div style="text-align: left;">
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<span style="font-size: xx-small;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">This
January four of Curwen Gallery’s most esteemed painters; John
Brokenshire, Mark Godwin, Robin Richmond and Richard Walker come
together to create Abstract Landscapes. </span></span></span><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span></span></div>
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<tr><td style="text-align: center;"><span style="font-size: xx-small;"><img border="0" height="199" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9YKkIRsuQ9bHaLX25lBBnYgDh33epzb_3HeFicvifi5a4rbUG446FdXcP3dQx9c7sldJTRkB4lWa3Sew7DUvsGC8PO2zyEEJxqH0D90ESQsSTydlEY1bsRfv27prsBczeoBSIChHDvi8B/s1600/robinrichmond.monumentvalley.JPG" width="320" /></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;">Robin Richmond, Monument Valley, Arizona (2014), 81 x 130cm, acrylic on canvas</span></span></span></td><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span></span></td></tr>
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<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">With
their recent works, these artists continue the tradition of landscape
painting but pursue an original direction, reinvigorating the practice
with new ideas.<br /><br /> Abstract Landscapes aims to examine their
innovative approach. These artists share a common interest in capturing
the essence and spirit of place rather than making a literal
transcription of a particular location. </span></span></span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhChqu00TAFXxcSPuJQTgMy6tfCBEqPpL7dCK6lG1KbDUTHHmVipHLMVkgYySkKVRp4A49mgdA6PKy7iyek7q0bW36WgbEV5hK-ymxApVN9JJ3hyphenhyphen5K0BkFaIrE18CEvDThc6OZsaVaJftq_/s1600/johnbrokenshire.untitled.100x120.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhChqu00TAFXxcSPuJQTgMy6tfCBEqPpL7dCK6lG1KbDUTHHmVipHLMVkgYySkKVRp4A49mgdA6PKy7iyek7q0bW36WgbEV5hK-ymxApVN9JJ3hyphenhyphen5K0BkFaIrE18CEvDThc6OZsaVaJftq_/s1600/johnbrokenshire.untitled.100x120.jpg" width="318" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;">John Brokenshire, Flurry, acrylic on canvas, 65 x 65cm </span></span></span></td></tr>
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<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Each
treads a delicate balance between figuration and abstraction, their
paintings being an intuitive emotional response to the environment
whilst at the same time referencing its factual contours.<br /><br />
Abstract Landscapes is part of a series of events produced by Curwen
Gallery which seek to promote contemporary painting. This exhibition
follows the hugely successful Curwen Gallery Prize for Figurative
Painting, which championed the work of emerging representational
painters</span></span></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMgUAtNjoBCywmuORXjRyRQRSfOKx1X5Lc7L8ytEzYfHOOdGskNGoWPFFIfSOd9_He1yuOKXVQFcw3woreS3Dd0K9_PaJkx_K3YrsUIAKLB11IEVxDPIbyfmqOPBOm1EQGZ3G4-g7yFeZ6/s1600/markgodwin.driftwood2.acrylicon+canvas36x72+ins.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="159" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMgUAtNjoBCywmuORXjRyRQRSfOKx1X5Lc7L8ytEzYfHOOdGskNGoWPFFIfSOd9_He1yuOKXVQFcw3woreS3Dd0K9_PaJkx_K3YrsUIAKLB11IEVxDPIbyfmqOPBOm1EQGZ3G4-g7yFeZ6/s1600/markgodwin.driftwood2.acrylicon+canvas36x72+ins.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="font-size: xx-small;">Mark Godwin, Driftwood II, acrylic on canvas, 91 x 182cm</span> </span></span></span></td></tr>
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<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">During
the exhibition Curwen Gallery has organised a round table discussion
between artists Robin Richmond and Richard Walker with critics Corinna
Lotz and Julian Freeman. The artists will be discussing how they
maintain their relevance within the tradition of landscape painting. The
discussion will take place on 27th January at 7pm.</span></span></span></span></span></span><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><br /><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"> </span></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDsQh3wCo58zJA3hR2-whvukZ7_6cZQQnSUpaHTD8a6uqH9Ojg7j19I6C52ceaKM5ziyBmpjq8J4u0PhVyH-THgCvMCpQ0Q2t2H03MJPTmImWqG103eTGoxJReSTamd8aoDGlgSsa4WvYX/s1600/SAM_6597.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDsQh3wCo58zJA3hR2-whvukZ7_6cZQQnSUpaHTD8a6uqH9Ojg7j19I6C52ceaKM5ziyBmpjq8J4u0PhVyH-THgCvMCpQ0Q2t2H03MJPTmImWqG103eTGoxJReSTamd8aoDGlgSsa4WvYX/s1600/SAM_6597.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;"><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;">Richard Walker, Desert Gorgeous </span></span></span></td></tr>
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<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">All four artists have very different concentrations within the field of landscape painting.<br /> </span></span></span><br />
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<tr><td style="text-align: center;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF6KFupOYUcKg9Riw2_VbL0tmMdhtKnK54vihSsQvd1TBpV8kmNP5a30QsnrdQKzKAQpj_2Nr_SoWl6GxtN0Cj5yfZK3kqzQ8MGyAqDisnyz3JYbfqvXc5u763m2C_KUHW0loNU-bszB4x/s1600/Frontier+XI++acrylic+on+paper+27+x+32+cm.jpg" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><b>Mark Godwin,</b><em> Frontier XI</em>, acrylic on canvas, 27 x 32cm</span></td></tr>
</tbody></table>
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<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Furthest
from traditional notions of the subject is Richard Walker, working
mainly on canvas, using paint, collage, wax crayons and charcoal,
incorporating text and found imagery.<br /><br />In Mark Godwin’s work the
romantic idea of The Sublime provides inspiration, a notion that he
strongly associates with the sea and coastline. His work is often
playful and colourful, with bold colours making intense sensorial
impressions.</span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMMgb0iPA4up8OBfGTedVxvIJmws43P12A9BacKtRGIfl832pxjvZc454sE9oAXS6p2AxrpzubOjCjp86qmJsA4UeaKN2v6gwTIBM3r8O-CCYVGJgSP-pTWBpgwav1ltsLFoN33Af6M26-/s1600/MARBLE.jpg" height="320" style="margin-left: auto; margin-right: auto;" width="253" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Arial; font-size: xx-small;"><b>Robin Richmond</b><em>, Marble Quarry, Carrara, Italy</em>, 100 x 81cm, acrylic on canvas</span></td></tr>
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<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"></span></span><span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">Robin Richmond finds her motivation in expansive scenery such as fields and valleys. Her subject is memory and the distillation of the experience of being in a landscape. Her paintings combine observation with automatic creation, capturing the essence of the place.<br /> </span></span></span><br />
<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">In a similar way to Robin, John Brokenshire’s work is composed as an emotional response to a place rather than as an attempt to illustrate it. He spends much of his time walking in the Peak District, finding the experience of being in nature of essential importance to his painting. <br /> </span></span></span><br />
<span style="color: #444444;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">For more information please visit the <a href="http://www.curwengallery.co.uk/gallery/abstractlandscapes14/title.htm" target="_blank">website</a></span></span></span>
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The most exciting of these works have found their way into our Christmas Exhibition.</b><br />
<br />
It's a time that we allow ourselves to indulge our love of all the best work that we come across throughout the year. As usual the show is varied and full of all sorts of different works,reflecting the diversity of artists which we show. However, this year, more than any other, we seem to have erred on the side of "animal" for reasons unknown to us.<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLybwFS8mk5o7gnu266oFUhR1KSCihSWws12XoMtz3hAtBTON99XXbwRkqDgUT_nrtHSzX-MlvOr5DIgyyGEKQC93-noaoejmklPloA3siyqenTjbl2wZJ6di0HEN4bzqpbfJkUK2yUz-x/s1600/anitamandl+-+Copy.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLybwFS8mk5o7gnu266oFUhR1KSCihSWws12XoMtz3hAtBTON99XXbwRkqDgUT_nrtHSzX-MlvOr5DIgyyGEKQC93-noaoejmklPloA3siyqenTjbl2wZJ6di0HEN4bzqpbfJkUK2yUz-x/s1600/anitamandl+-+Copy.gif" /></a><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anita Mandl, <i>Little Blue Penguin</i>, bronze</td></tr>
</tbody></table>
<br />
Some of our most consistently popular work comes from Brendan Hansbro- a long term gallery staple and one of the best contemporary printmakers we know of. His solo show earlier this year contained over fifty of these exquisite little characters all produced as wood engravings. We have selected a few of our favourites for the Christmas Exhibition.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvblzPnfHd2gIymi7VjZIGtf_6D9Bst7zcj-6mBEOx3dVs4Mqq3t7riKczBntRt8huPsWSCPbli_0gLASgcEX5nZ2HodreetZrIVUVo-qUm7DIod2-j4PLRZXxB6VvPZ8d4ptjeJWRPkTt/s1600/kitten.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvblzPnfHd2gIymi7VjZIGtf_6D9Bst7zcj-6mBEOx3dVs4Mqq3t7riKczBntRt8huPsWSCPbli_0gLASgcEX5nZ2HodreetZrIVUVo-qUm7DIod2-j4PLRZXxB6VvPZ8d4ptjeJWRPkTt/s1600/kitten.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br />
Brendan Hansbro,<i> Kitten</i>, wood engraving </td></tr>
</tbody></table>
Gallery newcomer Mark Ward makes an interesting contribution to the exhibition with his <i>Dodo </i>which has been exceptionally popular with our visitors. 'Dodo' is a surreal work, painted from direct observation of a miniature sculpture which he has compiled from found objects.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbPGndH_jdr4GL2kpkhQ1tRszQlvz2FTHTVzw4SX_DH-T5XguSnzBCDtrmxKE3UNv60DmX3_ArMzY08DHsT5T0kTNeNTPRLZVsOshD8DAX0QnPG18TXo7XHR0boK4oUkbBslzS8UEbRzRX/s1600/Dodo+acrylic+on+canvas+40cmx40cm.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbPGndH_jdr4GL2kpkhQ1tRszQlvz2FTHTVzw4SX_DH-T5XguSnzBCDtrmxKE3UNv60DmX3_ArMzY08DHsT5T0kTNeNTPRLZVsOshD8DAX0QnPG18TXo7XHR0boK4oUkbBslzS8UEbRzRX/s1600/Dodo+acrylic+on+canvas+40cmx40cm.jpg" height="318" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mark Ward,<i> Dodo</i>, acrylic on canvas</td></tr>
</tbody></table>
<br />
Another newcomer is Alison Elliot, winner of the Curwen Gallery Prize for Figurative Painting, which we held in September. Her large paintings of horses and a giraffe, which won her the competition, contrast dramatically with her new miniatures, however her magnificent skill is evidenced even on this smaller scale.We look forward to her upcoming solo exhibition this June.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVUEsVlbZSPrxkJKQOp1hLzHK_kCTiajRkVjRvfLELFkWwHUfXD26IDZY9c-e_rmAv3dqxI8e_ZevFBCvQm__RiZILNzTokfrh9d_rAl2eobwvboSCwYeDyoeHUnsuuFbnkd6kBHPyTdQW/s1600/alisonelliot.franknichols.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVUEsVlbZSPrxkJKQOp1hLzHK_kCTiajRkVjRvfLELFkWwHUfXD26IDZY9c-e_rmAv3dqxI8e_ZevFBCvQm__RiZILNzTokfrh9d_rAl2eobwvboSCwYeDyoeHUnsuuFbnkd6kBHPyTdQW/s1600/alisonelliot.franknichols.jpg" height="236" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alison Elliot, <i>Frank Nichols</i>, oil on gesso panel</td></tr>
</tbody></table>
<div>
The Christmas Show is a great time to view a small selection of the work of most of the artists that we represent. A good proportion of The Christmas Exhibition is made up of artists that will go on to have solo exhibitions later in the year. If you are interested in visiting the gallery to see what types of works we specialise in, then the Christmas Exhibition is a perfect opportunity.<br />
<br />
The exhibition is open until 23rd December and many works can be seen online <a href="http://www.curwengallery.co.uk/gallery/christmas14/title.htm" target="_blank">here</a> with prices. If you would like any information on any of the artists shown online please call the gallery on 0207 323 4700 or email jill@curwengallery.com.<br />
<br /></div>
Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-84333543143322200412014-11-14T16:40:00.001+00:002014-11-14T16:48:42.433+00:00Macmillan Support Fundraising Weekend<div style="text-align: left;">
Saturday 29th November 11am-8pm<br />
Sunday 30th November 11am-6pm<br />
</div>
<div style="text-align: left;">
</div>
<div style="text-align: left;">
The Macmillan Support Weekend is a
charitable iniative we have been running for over 30 years.</div>
<div style="text-align: left;">
The weekend
is a fund raising art exhibition which runs for two days only. Of every sale 10% of the artwork's price
is donated to Macmillan Cancer Support.</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGdSqow0PaE9pgfvsZkZ4yiNe16bgHWjhysxeEV4ZMQHW11bDcWdl01JmC1apnUUTQBzegzO6kjpt56gH-zDFGVPCds_bVqG7qaEORg3DuSC5q173KCJzY4VXrZRkXTTnqcOYwCm-z_4wL/s1600/bilpexperca.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br /></a></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: 1em; margin-right: 1em; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFr_dRHkyEP8Fq_wQXRwLl7ydoViFp6qB-kP7ZMYGNGWvsI1lkM6DfC3YHvsEtTsDf8fwsXrq_rp7wmZsE1kJZSQsH_i7-fgmbxuXpMQ5dB_E5OaSzUOab6rvRHymVEOX0BRGocAivVgn9/s1600/Small-Bear-I-0001.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFr_dRHkyEP8Fq_wQXRwLl7ydoViFp6qB-kP7ZMYGNGWvsI1lkM6DfC3YHvsEtTsDf8fwsXrq_rp7wmZsE1kJZSQsH_i7-fgmbxuXpMQ5dB_E5OaSzUOab6rvRHymVEOX0BRGocAivVgn9/s1600/Small-Bear-I-0001.jpg" height="320" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">New sculptor Sadie Brockbank will be showing <i>Small Prickly Bear</i> a beautifully patinated bronze measuring 13 x 11 x 7cm.</td></tr>
</tbody></table>
Originally started in 1977 at her own home by the gallery director, Jill
Hutchings, the exhibition has been running every year since. Jill's
particular connection with Macmillan Cancer Support<br />
comes from her backround in nursing at the oncology wing at the
Middlesex Hospital, where she looked after cancer patients.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlSAyw0ll8_GVfzeltEm5RjsnEfS04rM4LZ_KoGW-Yarys0y8LZP2A_IC1fX4ZM1k6db_P3zaUVaHiWBUWfmS9AglR2TouO-7N8fHt5WG4DwND0u-U8B7Yd24jCNR-wEcLOlEWWzEF_dNJ/s1600/brendanhansbro.octopus.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlSAyw0ll8_GVfzeltEm5RjsnEfS04rM4LZ_KoGW-Yarys0y8LZP2A_IC1fX4ZM1k6db_P3zaUVaHiWBUWfmS9AglR2TouO-7N8fHt5WG4DwND0u-U8B7Yd24jCNR-wEcLOlEWWzEF_dNJ/s1600/brendanhansbro.octopus.jpg" height="200" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Brendan Hansbro's classic wood engraving <i>Octopus </i>will feature in the show along with many of his other prints from the popular <i>Animals</i> collection</td></tr>
</tbody></table>
<br />
The exhibition is traditionally made up of a mixture of our
gallery artists as well as artists that are new to us. This year old
favourites of the Macmillan Support exhibition such as Jo Barry, Henry
Walsh, Lee Sellers and Brendan Hansbro (above) will be joined by new
artists Alex Kirkpatrick (below) Sadie Brockbank (above) and Robin
Spalding.<br />
<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGdSqow0PaE9pgfvsZkZ4yiNe16bgHWjhysxeEV4ZMQHW11bDcWdl01JmC1apnUUTQBzegzO6kjpt56gH-zDFGVPCds_bVqG7qaEORg3DuSC5q173KCJzY4VXrZRkXTTnqcOYwCm-z_4wL/s1600/bilpexperca.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGdSqow0PaE9pgfvsZkZ4yiNe16bgHWjhysxeEV4ZMQHW11bDcWdl01JmC1apnUUTQBzegzO6kjpt56gH-zDFGVPCds_bVqG7qaEORg3DuSC5q173KCJzY4VXrZRkXTTnqcOYwCm-z_4wL/s1600/bilpexperca.jpg" height="138" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"> Alex Kirkpatrick, an recent addition to the Curwen Gallery stable, will be showing<i> Biplex Perca</i>, a new bronze sculpture based on a cross section of the shell.</td></tr>
</tbody></table>
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<tr><td style="text-align: center;"></td></tr>
</tbody></table>
Every year the exhibition raises money, as well as awareness, for the
charity. It is also a great opportunity to see a more eclectic mix of
artwork than is usually shown by the gallery.<br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcNHErBNQF2RCr2pdgd0zLZSz3DtuKvPqpcBOI9vLtCjyFOExedWExaeGel4n6laWNxUjj-VT3PlJam_FHPc6lSHxdGL0Y6GFyh1RY6LCYbMk7_nm-rIwh40qNq80hoeiLFLVwkcl_eoYU/s1600/David-Rhys-Jones-5-444x480+-+Copy.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcNHErBNQF2RCr2pdgd0zLZSz3DtuKvPqpcBOI9vLtCjyFOExedWExaeGel4n6laWNxUjj-VT3PlJam_FHPc6lSHxdGL0Y6GFyh1RY6LCYbMk7_nm-rIwh40qNq80hoeiLFLVwkcl_eoYU/s1600/David-Rhys-Jones-5-444x480+-+Copy.jpg" height="312" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Old favourite David Rhys Jones will be showing his very reasonably priced (£35-45!) ceramics, which are always popular with Christmas shoppers. </td></tr>
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The show is only on for the weekend of 29/30th November 2014. Buyers are free to take purchases home with them so try to arrive early on the Saturday if you're interested in a particular item. <br />
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For more information see the gallery website http://www.curwengallery.co.uk/gallery/macmillansupport/title.htm . Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0tag:blogger.com,1999:blog-3172471973747246349.post-62312968687454654062014-10-28T13:01:00.001+00:002014-10-28T17:19:26.130+00:00New Bronzes : Alex Kirkpatrick's Nautilus ShellCurwen Gallery have just accepted the work of a new sculptor, Alex Kirkpatrick, whose beautifully finished bronze shells are causing a lot of interest amongst our visitors.<br />
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This sculpture pictured is inspired by a cross section of the nautilus shell, a mollusc of ancient origin which has remained unchanged for 500 million years.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-OhWg4tZPnxhcCpKwPu9MUCjBpL6Lj6VKR3tHt09vlV-FZ1hDy-yJvArbWwenzHAmKVmzhuPO-tF1jE5RuTSFZ970KuGQD0bZf1SXcnizdcB5UYkfzdchys6s746FohvnPJLVIN7J_1yb/s1600/nautilusclay.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-OhWg4tZPnxhcCpKwPu9MUCjBpL6Lj6VKR3tHt09vlV-FZ1hDy-yJvArbWwenzHAmKVmzhuPO-tF1jE5RuTSFZ970KuGQD0bZf1SXcnizdcB5UYkfzdchys6s746FohvnPJLVIN7J_1yb/s1600/nautilusclay.jpg" height="211" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Each shell is first made in clay.</td></tr>
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Alex works from a small bronze foundry in Lancashire that he made in his shed. Each aspect of the process, from the initial moulding to the casting and finishing of each sculpture, is completed by Alex himself.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2a_ziIE57WLWtf0OR9aSZcE4QmbDXx1MyWj-IiU7WMpoEQnaYPL-dxkH2tFggr1n0U15hVU86eMe1e4TGYfNhVcXVqIN2xUkI-S7rEFr-9PlOOqEyAalE48umNu_5KlDoZu-gvpOptSD8/s1600/pouringbronze.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2a_ziIE57WLWtf0OR9aSZcE4QmbDXx1MyWj-IiU7WMpoEQnaYPL-dxkH2tFggr1n0U15hVU86eMe1e4TGYfNhVcXVqIN2xUkI-S7rEFr-9PlOOqEyAalE48umNu_5KlDoZu-gvpOptSD8/s1600/pouringbronze.jpg" height="229" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alex pouring molten bronze into the Nautilus shell mold </td></tr>
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Each sculpture is made first in clay, then moulded in silicon to produce the sculpture in wax. The wax shell is then encased in another mould, this time made of heat resistant ceramic.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKMe6yX7QMMj33od0mp5CaaOa0BJQdATnaa50KacFvdq2bAZOEBcGciik6VcLAREGFBPXLwhfdAimeRzIs7zJzPKP2SUp43TX-_9UBvF6sXXZJltp5e5zj4x72G9BLlbrJAwCcSJ35g3KN/s1600/polishingnautilus.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhKMe6yX7QMMj33od0mp5CaaOa0BJQdATnaa50KacFvdq2bAZOEBcGciik6VcLAREGFBPXLwhfdAimeRzIs7zJzPKP2SUp43TX-_9UBvF6sXXZJltp5e5zj4x72G9BLlbrJAwCcSJ35g3KN/s1600/polishingnautilus.jpg" height="211" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Grinding and polishing the bronze shell</td></tr>
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The wax shell is then burnt out of the ceramic mould, leaving a cavity to pour in the molten bronze. Once the bronze has cooled in the mold it can be broken out and finished with a grinding tool and chemical patination.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibSIdHxOi02JiDOKwTOnzCJikG9pOUQJ2igTZ0utzNAtmQyYFMjCsQOA4LsDA2t77hWYCh6upv6T5gue65YAwA4kDm6OJn44IZL_7GCyFDhyphenhyphenqN4xv4bxOa9OuMTBu7QIOKl7AysZOWcn10/s1600/nautilusfrontandback.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibSIdHxOi02JiDOKwTOnzCJikG9pOUQJ2igTZ0utzNAtmQyYFMjCsQOA4LsDA2t77hWYCh6upv6T5gue65YAwA4kDm6OJn44IZL_7GCyFDhyphenhyphenqN4xv4bxOa9OuMTBu7QIOKl7AysZOWcn10/s1600/nautilusfrontandback.jpg" height="153" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The finished "Lightning Nautilus Shell",bronze, 39 x 29 x 12cm, 7.8kg, £3500</td></tr>
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Alex Kirkpatrick's "Lightning Nautilus Shell" will be showing in the Christmas show (4th-23rd December) and his "Biplex Perca" and "Marbled Tun" will be showing in our Macmillan Cancer Support weekend (29th - 30th November).<br />
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http://www.curwengallery.co.uk/gallery/macmillansupport/title.htm .<br />
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<br />Curwen Galleryhttp://www.blogger.com/profile/02612937057599047537noreply@blogger.com0